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{{short description|Practice of applying paint, pigment, color or other medium to a surface}}{{pp-move}}{{hatgrp|{{about|artistic painting}}{{redirect|Painter}}}}{{Use dmy dates|date=October 2022}}File:Mona Lisa, by Leonardo da Vinci, from C2RMF retouched.jpg|thumb|Mona Lisa (1503–1517) by Leonardo da VinciLeonardo da VinciFile:Rhinos Chauvet Cave.jpg|thumb|upright=1.8|An artistic depiction of a group of rhinos was painted in the Chauvet CaveChauvet CavePainting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called the “matrix“WEB, What Is Printmaking?,www3.metmuseum.org/about-the-met/collection-areas/drawings-and-prints/materials-and-techniques/printmaking, 2023-08-03, The Metropolitan Museum of Art, en, or “support“).WEB,www.merriam-webster.com/dictionary/paint, Paint – Definition, Merriam-webster.com, 2012, 13 March 2014, 4 March 2018,web.archive.org/web/20180304172354/https://www.merriam-webster.com/dictionary/paint, live, The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, may be used.In art, the term “painting” describes both the act and the result of the action (the final work is called “a painting“). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects.Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction.JOURNAL, Perry, Lincoln, The Music of Painting, The American Scholar, Summer 2014, 83, 3, 85, Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism) or political in nature (as in Artivism).A portion of the history of painting in both Eastern and Western art is dominated by religious art. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes on the Sistine Chapel ceiling, to scenes from the life of Buddha (or other images of Eastern religious origin).

History

File:Lascaux 04.jpg|thumb|Prehistoric cave painting of aurochs (), LascauxLascauxFile:Lubang Jeriji Saléh cave painting of Bull.jpg|thumb|The oldest known figurative painting is a depiction of a bull that was discovered in the Lubang Jeriji Saléh cave in IndonesiaIndonesiaThe oldest known paintings are approximately 40,000 years old, found in both the Franco-Cantabrian region in western Europe, and in the caves in the district of Maros (Sulawesi, Indonesia). In November 2018, however, scientists reported the discovery of the then-oldest known figurative art painting, over 40,000 (perhaps as old as 52,000) years old, of an unknown animal, in the cave of Lubang Jeriji Saléh on the Indonesian island of Borneo (Kalimantan).NEWS, Zimmer, Carl, Carl Zimmer, In Cave in Borneo Jungle, Scientists Find Oldest Figurative Painting in the World – A cave drawing in Borneo is at least 40,000 years old, raising intriguing questions about creativity in ancient societies.,www.nytimes.com/2018/11/07/science/oldest-cave-art-borneo.html, 7 November 2018, The New York Times, 8 November 2018, JOURNAL, Aubert, M., et al, Palaeolithic cave art in Borneo, 7 November 2018, Nature (journal), Nature, 10.1038/s41586-018-0679-9, 30405242, 564, 7735, 254–257, 2018Natur.564..254A, 53208538, In December 2019, figurative cave paintings depicting pig hunting in the Maros-Pangkep karst in Sulawesi were estimated to be even older, at at least 43,900 years old. The finding was noted to be “the oldest pictorial record of storytelling and the earliest figurative artwork in the world”.JOURNAL, Aubert, M., et al., 11 December 2019, Earliest hunting scene in prehistoric art., Nature, 576, 7787, 442–445, 10.1038/s41586-019-1806-y, 31827284, 2019Natur.576..442A, 209311825, NEWS, Ferreira, Becky, Mythical Beings May Be Earliest Imaginative Cave Art by Humans – The paintings on an Indonesian island are at least 43,900 years old and depict humanoid figures with animal-like features in a hunting scene.,www.nytimes.com/2019/12/11/science/cave-art-indonesia.html, 11 December 2019, The New York Times, 12 December 2019, More recently, in 2021, cave art of a pig found in an Indonesian island, and dated to over 45,500 years, has been reported.JOURNAL, Adam Brumm, Brumm, Adam, Oktaviana, Adhi Agus, Burhan, Basran, Hakim, Budianto, Lebe, Rustan, Zhao, Jian-xin, Sulistyarto, Priyatno Hadi, Ririmasse, Marlon, Adhityatama, Shinatria, Sumantri, Iwan, Aubert, Maxime, 1 January 2021, Oldest cave art found in Sulawesi, Science Advances, en, 7, 3, eabd4648, 10.1126/sciadv.abd4648, 2375-2548, 33523879, 7806210, 2021SciA....7.4648B, free, NEWS, Ferreira, Becky, Pig Painting May Be World’s Oldest Cave Art Yet, Archaeologists Say – The depiction of the animal on an Indonesian island is at least 45,500 years old...,www.nytimes.com/2021/01/13/science/cave-painting-indonesia.html, 13 January 2021, The New York Times, 14 January 2021, 21 June 2021,web.archive.org/web/20210621015500/https://www.nytimes.com/2021/01/13/science/cave-painting-indonesia.html, live, However, the earliest evidence of the act of painting has been discovered in two rock-shelters in Arnhem Land, in northern Australia. In the lowest layer of material at these sites, there are used pieces of ochre estimated to be 60,000 years old. Archaeologists have also found a fragment of rock painting preserved in a limestone rock-shelter in the Kimberley region of North-Western Australia, that is dated to 40,000 years old.WEB,www.aboriginalartonline.com/art/rockage.php, How Old is Australia’s Rock Art?, Aboriginalartonline.com, 13 March 2014, 4 May 2013,www.aboriginalartonline.com/art/rockage.php," title="web.archive.org/web/20130504175713www.aboriginalartonline.com/art/rockage.php,">web.archive.org/web/20130504175713www.aboriginalartonline.com/art/rockage.php, dead, There are examples of cave paintings all over the world—in Indonesia, France, Spain, Portugal, Italy, China, India, Australia, Mexico,WEB,www.bbc.co.uk/portuguese/noticias/2013/05/130523_pinturas_caverna_mexico_an, Milhares de pinturas rupestres são descobertas em cavernas no México, BBC News Brasil, pt, 23 May 2013, 2 March 2015, 12 April 2015,www.bbc.co.uk/portuguese/noticias/2013/05/130523_pinturas_caverna_mexico_an," title="web.archive.org/web/20150412001151www.bbc.co.uk/portuguese/noticias/2013/05/130523_pinturas_caverna_mexico_an,">web.archive.org/web/20150412001151www.bbc.co.uk/portuguese/noticias/2013/05/130523_pinturas_caverna_mexico_an, live, etc. In Western cultures, oil painting and watercolor painting have rich and complex traditions in style and subject matter. In the East, ink and color ink historically predominated the choice of media, with equally rich and complex traditions.The invention of photography had a major impact on painting. In the decades after the first photograph was produced in 1829, photographic processes improved and became more widely practiced, depriving painting of much of its historic purpose to provide an accurate record of the observable world. A series of art movements in the late 19th and early 20th centuries—notably Impressionism, Post-Impressionism, Fauvism, Expressionism, Cubism, and Dadaism—challenged the Renaissance view of the world. Eastern and African painting, however, continued a long history of stylization and did not undergo an equivalent transformation at the same time.{{Citation needed|date=October 2015}}Modern and Contemporary art has moved away from the historic value of craft and documentation in favour of concept. This has not deterred the majority of living painters from continuing to practice painting either as a whole or part of their work. The vitality and versatility of painting in the 21st century defy the previous “declarations” of its demise. In an epoch characterized by the idea of pluralism, there is no consensus as to a representative style of the age. Artists continue to make important works of art in a wide variety of styles and aesthetic temperaments—their merits are left to the public and the marketplace to judge.The Feminist art movementWEB, A Guide to the Feminist Art Movement’s History & Contemporary Impact,www.riseart.com/guide/2418/guide-to-the-feminist-art-movement#:~:text=The%20Feminist%20Art%20movement%20emerged,gender%20stereotypes%20in%20the%20arts., live, Rise Art,web.archive.org/web/20230426170755/https://www.riseart.com/guide/2418/guide-to-the-feminist-art-movement, Apr 26, 2023, began in the 1960s during the second wave of feminism. The movement sought to gain equal rights and equal opportunities for female artists internationally.

Elements of painting

File:Chen Hongshou, leaf album painting.jpg|thumb|right|Chen Hongshou (1598–1652), Leaf album painting (Ming dynastyMing dynastyFile:Georges Seurat 066.jpg|thumb|Georges Seurat, Circus SideshowCircus Sideshow

Color and tone

Color, made up of hue, saturation, and value, dispersed over a surface is the essence of painting, just as pitch and rhythm are the essence of music. Color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, white is. Some painters, theoreticians, writers, and scientists, including Goethe,Johann Wolfgang von Goethe, Goethe’s theory of colours, John Murray, London 1840 Kandinsky,Wassily Kandinsky Concerning The Spiritual in Art, [Translated By Michael T. H. Sadler, pdf {{Webarchive|url=https://web.archive.org/web/20160210194701www.semantikon.com/art/kandinskyspiritualinart.pdf |date=10 February 2016 }}. and Newton,A letter to the Royal Society presenting A new theory of light and colours Isaac Newton, 1671 pdf {{Webarchive|url=https://web.archive.org/web/20151020073107www.earlymoderntexts.com/assets/pdfs/newton1671.pdf |date=20 October 2015 }} have written their own color theory.Moreover, the use of language is only an abstraction for a color equivalent. The word “red”, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a formalized register of different colors in the way that there is agreement on different notes in music, such as F or C♯. For a painter, color is not simply divided into basic (primary) and derived (complementary or mixed) colors (like red, blue, green, brown, etc.).Painters deal practically with pigments,Pigments {{Webarchive|url=https://web.archive.org/web/20160106133914colourlex.com/pigments/pigments-colour/ |date=6 January 2016 }} at ColourLex so “blue” for a painter can be any of the blues: phthalocyanine blue, Prussian blue, indigo, Cobalt blue, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, means of painting. Colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music (like a C note) is analogous to “light” in painting, “shades” to dynamics, and “coloration” is to painting as the specific timbre of musical instruments is to music. These elements do not necessarily form a melody (in music) of themselves; rather, they can add different contexts to it.

Non-traditional elements

Modern artists have extended the practice of painting considerably to include, as one example, collage, which began with Cubism and is not painting in the strict sense. Some modern painters incorporate different materials such as metal, plastic, sand, cement, straw, leaves or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer. There is a growing community of artists who use computers to “paint” color onto a digital “canvas” using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required.

Rhythm

File:Jean Metzinger, 1906, La dance (Bacchante), oil on canvas, 73 x 54 cm DSC05359...jpg|thumb|Jean Metzinger, La danse (Bacchante) ({{circa|1906}}), oil on canvas, 73 x 54 cm, Kröller-Müller MuseumKröller-Müller MuseumJean Metzinger’s mosaic-like Divisionist technique had its parallel in literature; a characteristic of the alliance between Symbolist writers and Neo-Impressionist artists:I ask of divided brushwork not the objective rendering of light, but iridescences and certain aspects of color still foreign to painting. I make a kind of chromatic versification and for syllables, I use strokes which, variable in quantity, cannot differ in dimension without modifying the rhythm of a pictorial phraseology destined to translate the diverse emotions aroused by nature. (Jean Metzinger, {{Circa|1907}})Jean Metzinger, circa 1907, quoted by Georges Desvallières in La Grande Revue, vol. 124, 1907File:Piet Mondriaan, 1921 - Composition en rouge, jaune, bleu et noir.jpg|thumb|Piet Mondrian, Composition en rouge, jaune, bleu et noir (1921), Gemeentemuseum Den HaagGemeentemuseum Den HaagRhythm, for artists such as Piet Mondrian,Eiichi Tosaki, Mondrian’s Philosophy of Visual Rhythm: Phenomenology, Wittgenstein, and Eastern thought {{Webarchive|url=https://web.archive.org/web/20220225073637www.google.com/search?tbo=p&tbm=bks&q=isbn:9402411984 |date=25 February 2022 }}, Vol. 23 of Sophia Studies in Cross-cultural Philosophy of Traditions and Cultures, Springer, 2017, pp. 108–109, 130, 139, 158, {{ISBN|9402411984}}Piet Mondrian, Neo-Plasticism: Its Realization in Music and in Future Theater, 1922 is important in painting as it is in music. If one defines rhythm as “a pause incorporated into a sequence”, then there can be rhythm in paintings. These pauses allow creative force to intervene and add new creations—form, melody, coloration. The distribution of form or any kind of information is of crucial importance in the given work of art, and it directly affects the aesthetic value of that work. This is because the aesthetic value is functionality dependent, i.e. the freedom (of movement) of perception is perceived as beauty. Free flow of energy, in art as well as in other forms of “techne”, directly contributes to the aesthetic value.Music was important to the birth of abstract art since music is abstract by nature—it does not try to represent the exterior world, but expresses in an immediate way the inner feelings of the soul. Wassily Kandinsky often used musical terms to identify his works; he called his most spontaneous paintings “improvisations” and described more elaborate works as “compositions”. Kandinsky theorized that “music is the ultimate teacher”,WEB,www.wassilykandinsky.net/quotes.php, Wassily Kandinsky – Quotes, www.wassilykandinsky.net, 17 September 2016, 4 February 2019,web.archive.org/web/20190204065812/https://www.wassilykandinsky.net/quotes.php, live, and subsequently embarked upon the first seven of his ten Compositions. Hearing tones and chords as he painted, Kandinsky theorized that (for example), yellow is the color of middle C on a brassy trumpet; black is the color of closure, and the end of things; and that combinations of colors produce vibrational frequencies, akin to chords played on a piano. In 1871 the young Kandinsky learned to play the piano and cello., François Le Targat, Kandinsky, Twentieth Century masters series, Random House Incorporated, 1987, p. 7, {{ISBN|0847808106}}Susan B. Hirschfeld, Solomon R. Guggenheim Museum, Hilla von Rebay Foundation, Watercolours by Kandinsky at the Guggenheim Museum: a selection from the Solomon R. Guggenheim Museum and the Hilla von Rebay Foundation, 1991 Kandinsky’s stage design for a performance of Mussorgsky’s Pictures at an Exhibition illustrates his “synaesthetic” concept of a universal correspondence of forms, colors and musical sounds.BOOK, Bauhaus, Fiedler, Jeannine, h.f. ullmann publishing GmbH, 2013, 978-3848002757, Germany, 262, Music defines much of modernist abstract painting. Jackson Pollock underscores that interest with his 1950 painting Autumn Rhythm (Number 30).WEB,www.interlude.hk/front/intersections-art-music-rothko-pollock/, Intersections with art and music, Rothko and Pollock, 16 April 2016, 3 February 2019, 4 February 2019,www.interlude.hk/front/intersections-art-music-rothko-pollock/," title="web.archive.org/web/20190204020105www.interlude.hk/front/intersections-art-music-rothko-pollock/,">web.archive.org/web/20190204020105www.interlude.hk/front/intersections-art-music-rothko-pollock/, live,

Aesthetics and theory

File:Pompeii Painter.jpg|thumb|left|Female painter sitting on a campstool and painting a statue of Dionysus or Priapus onto a panel which is held by a boy. Fresco from PompeiiPompeiiAesthetics is the study of art and beauty; it was an important issue for 18th- and 19th-century philosophers such as Kant and Hegel. Classical philosophers like Plato and Aristotle also theorized about art and painting in particular. Plato disregarded painters (as well as sculptors) in his philosophical system; he maintained that painting cannot depict the truth—it is a copy of reality (a shadow of the world of ideas) and is nothing but a craft, similar to shoemaking or iron casting.WEB, Plato’s Aesthetics,www.rowan.edu/open/philosop/clowney/aesthetics/philos_artists_onart/plato.htm, www.rowan.edu, 1 October 2017,www.rowan.edu/open/philosop/clowney/Aesthetics/philos_artists_onart/plato.htm," title="web.archive.org/web/20171001041449www.rowan.edu/open/philosop/clowney/Aesthetics/philos_artists_onart/plato.htm,">web.archive.org/web/20171001041449www.rowan.edu/open/philosop/clowney/Aesthetics/philos_artists_onart/plato.htm, 1 October 2017, dead, By the time of Leonardo, painting had become a closer representation of the truth than painting was in Ancient Greece. Leonardo da Vinci, on the contrary, said that “” (“”).Rollason, C., & Mittapalli, R. (2002). Modern criticism. New Delhi: Atlantic Publishers and Distributors. p. 196. {{ISBN|812690187X}} Kant distinguished between Beauty and the Sublime, in terms that clearly gave priority to the former.{{citation needed|date=October 2013}} Although he did not refer to painting in particular, this concept was taken up by painters such as J.M.W. Turner and Caspar David Friedrich.File:Formella 18, apelle o la pittura, nino pisano, 1334-1336 dettaglio 01.JPG|thumb|upright|Nino Pisano, Apelles or the Art of painting in detail (1334–1336); relief of the Giotto’s Bell Tower in alt=A relief against a wall shows a bearded man reaching up with his hands as his clothes are draped over his body.Hegel recognized the failure of attaining a universal concept of beauty and, in his aesthetic essay, wrote that painting is one of the three “romantic” arts, along with Poetry and Music, for its symbolic, highly intellectual purpose.BOOK,books.google.com/books?id=5m5z_ca-qDkC&pg=PA276, Craig, Edward. Routledge Encyclopedia of Philosophy: Genealogy to Iqbal, 278, Routledge, 978-0415187091, 1998, 27 March 2020, 22 April 2021,web.archive.org/web/20210422165916/https://books.google.com/books?id=5m5z_ca-qDkC&pg=PA276, live, EB1911, Hegel, Georg Wilhelm Friedrich, 13, William, Wallace, William Wallace, 200–207; see page 207, Painting and music are the specially romantic arts. Lastly, as a union of painting and music comes poetry, where the sensuous element is more than ever subordinate to the spirit, Painters who have written theoretical works on painting include Kandinsky and Paul Klee.Franciscono, Marcel, Paul Klee: His Work and Thought, part 6 ‘The Bauhaus and Düsseldorf’, chap. ‘Klee’s theory courses’, p. 246 and under ‘notes to pp. 245–54’ p. 365Barasch, Moshe (2000) Theories of art – from impressionism to Kandinsky {{Webarchive|url=https://web.archive.org/web/20160401050825books.google.com/books?id=R_2wIujisH4C |date=1 April 2016 }}, part IV ‘Abstract art’, chap. ‘Color’ pp. 332–33 In his essay, Kandinsky maintains that painting has a spiritual value, and he attaches primary colors to essential feelings or concepts, something that Goethe and other writers had already tried to do.Iconography is the study of the content of paintings, rather than their style. Erwin Panofsky and other art historians first seek to understand the things depicted, before looking at their meaning for the viewer at the time, and finally analyzing their wider cultural, religious, and social meaning.JOURNAL, Jones, Howard, The Varieties of Aesthetic Experience, Journal for Spiritual & Consciousness Studies, October 2014, 37, 4, 541–252, {{page needed|date=January 2018}}In 1890, the Parisian painter Maurice Denis famously asserted: “Remember that a painting—before being a warhorse, a naked woman or some story or other—is essentially a flat surface covered with colors assembled in a certain order.“Encyclopedia Encarta {{webarchive|url=https://web.archive.org/web/20080704155609uk.encarta.msn.com/encyclopedia_761563353/Abstract_Art.html |date=4 July 2008 }} Thus, many 20th-century developments in painting, such as Cubism, were reflections on the means of painting rather than on the external world—nature—which had previously been its core subject. Recent contributions to thinking about painting have been offered by the painter and writer Julian Bell. In his book What is Painting?, Bell discusses the development, through history, of the notion that paintings can express feelings and ideas.WEB,www.artnet.com/Magazine/index/cohen/cohen8-16-99.asp, Review by art historian David Cohen, Artnet.com, 13 March 2014, 26 January 2009,www.artnet.com/Magazine/index/cohen/cohen8-16-99.asp," title="web.archive.org/web/20090126181932www.artnet.com/Magazine/index/cohen/cohen8-16-99.asp,">web.archive.org/web/20090126181932www.artnet.com/Magazine/index/cohen/cohen8-16-99.asp, live, In Mirror of The World, Bell writes:A work of art seeks to hold your attention and keep it fixed: a history of art urges it onwards, bulldozing a highway through the homes of the imagination.BOOK, Mirror of the World: A New History of Art, Julian, Bell, Thames and Hudson, 496, 2007, 978-0500238370,

Painting media

Different types of paint are usually identified by the medium that the pigment is suspended or embedded in, which determines the general working characteristics of the paint, such as viscosity, miscibility, solubility, drying time, etc.

Hot wax or encaustic

File:Petersinai.jpg|thumb|Encaustic icon from Saint Catherine’s Monastery, EgyptEgyptEncaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The liquid/paste is then applied to a surface—usually prepared wood, though canvas and other materials are often used. The simplest encaustic mixture can be made from adding pigments to beeswax, but there are several other recipes that can be used—some containing other types of waxes, damar resin, linseed oil, or other ingredients. Pure, powdered pigments can be purchased and used, though some mixtures use oil paints or other forms of pigment. Metal tools and special brushes can be used to shape the paint before it cools, or heated metal tools can be used to manipulate the wax once it has cooled onto the surface. Other materials can be encased or collaged into the surface, or layered, using the encaustic medium to adhere it to the surface.The technique was the normal one for ancient Greek and Roman panel paintings, and remained in use in the Eastern Orthodox icon tradition.

Watercolor

File:John Martin - Manfred on the Jungfrau (1837).jpg|thumb|left|John Martin, Manfred on the Jungfrau (1837), watercolor]]Watercolor is a painting method in which the paints are made of pigments suspended in a water-soluble vehicle. The traditional and most common support for watercolor paintings is paper; other supports include papyrus, bark papers, plastics, vellum or leather, fabric, wood and canvas. In East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean, and Japanese painting it has been the dominant medium, often in monochrome black or browns. India, Ethiopia and other countries also have long traditions. Finger-painting with watercolor paints originated in China. There are various types of watercolors used by artists. Some examples are pan watercolors, liquid watercolors, watercolor brush pens, and watercolor pencils. Watercolor pencils (water-soluble color pencils) may be used either wet or dry.

Gouache

(File:Rudolf Reschreiter Blick von der Höllentalangerhütte zum Höllentalgletscher und den Riffelwandspitzen 1921.jpg|thumb|left|Rudolf Reschreiter, Blick von der Höllentalangerhütte zum Höllentalgletscher und den Riffelwandspitzen, Gouache (1921))Gouache is a water-based paint consisting of pigment and other materials designed to be used in an opaque painting method. Gouache differs from watercolor in that the particles are larger, the ratio of pigment to water is much higher, and an additional, inert, white pigment such as chalk is also present. This makes gouache heavier and more opaque, with greater reflective qualities. Like all water media, it is diluted with water.Cohn, Marjorie B., Wash and Gouache, Fogg Museum, 1977.Gouache was a popular paint utilized by Egyptians,WEB, Gouache {{!, Watercolor, Acrylics, Tempera |url=https://www.britannica.com/art/gouache |website=www.britannica.com |publisher=Britannica |access-date=March 18, 2024 |language=en}} Painters such as Francois Boucher used this medium. This paint is best applied with sable brushes.Ceramic GlazeGlazing is commonly known as a premelted liquid glass. This glaze can be dipped or brushed on. This glaze appears chalky and there is a vast difference between the beginning and finished result. To be activated glazed pottery must be placed in a kiln to be fired. This melts the Silica glass in the glaze and transforms it into a vibrant glossy version of itself.Grey Fox Pottery. “The History of Ceramic Glaze.” Grey Fox Pottery, 4 Aug. 2023, greyfoxpottery.com/coffee-mugs/the-history-of-ceramic-glaze#:~:text=Glaze%20is%20very%20technically%20a,temperature%20of%20a%20kiln%20firing. “Ceramic glaze.” Merriam-Webster.com Dictionary, Merriam-Webster,www.merriam-webster.com/dictionary/ceramic%20glaze. Accessed 19 Mar. 2024.

Ink

File:Landscapes of the Four Seasons.jpg|thumb|SesshÅ« TōyōSesshÅ« TōyōInk paintings are done with a liquid that contains pigments or dyes and is used to color a surface to produce an image, text, or design. Ink is used for drawing with a pen, brush, or quill. Ink can be a complex medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescers, and other materials. The components of inks serve many purposes; the ink’s carrier, colorants, and other additives control flow and thickness of the ink and its appearance when dry.

Enamel

File:Waddesdon bequest British Museum DSCF9814 05.JPG|thumb|300px|Jean de Court (attributed), painted Limoges enamel dish in detail (mid-16th century), Waddesdon Bequest, British MuseumBritish MuseumEnamels are made by painting a substrate, typically metal, with powdered glass; minerals called color oxides provide coloration. After firing at a temperature of 750–850 degrees Celsius (1380–1560 degrees Fahrenheit), the result is a fused lamination of glass and metal. Unlike most painted techniques, the surface can be handled and wetted Enamels have traditionally been used for decoration of precious objects,Mayer, Ralph,The Artist’s Handbook of Materials and Techniques, 3rd ed., New York: Viking, 1970, p. 375. but have also been used for other purposes. Limoges enamel was the leading centre of Renaissance enamel painting, with small religious and mythological scenes in decorated surrounds, on plaques or objects such as salts or caskets. In the 18th century, enamel painting enjoyed a vogue in Europe, especially as a medium for portrait miniatures.McNally, Rika Smith, “Enamel”, Oxford Art Online In the late 20th century, the technique of porcelain enamel on metal has been used as a durable medium for outdoor murals.Mayer, Ralph, The Artist’s Handbook of Materials and Techniques, 3rd ed., New York: Viking, 1970, p. 371.

Tempera

File:Sandro Botticelli - La nascita di Venere - Google Art Project - edited.jpg|thumb|left|Sandro Botticelli, The Birth of VenusThe Birth of VenusTempera, also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium (usually a glutinous material such as egg yolk or some other size). Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first centuries CE still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by the invention of oil painting. A paint commonly called tempera (though it is not) consisting of pigment and glue size is commonly used and referred to by some manufacturers in America as poster paint.

Fresco

File:Meister von Mileseva 001.jpg|thumb|left|White AngelWhite AngelFresco is any of several related mural painting types, done on plaster on walls or ceilings. The word fresco comes from the Italian word affresco {{IPA|[afˈfresːko]}}, which derives from the Latin word for fresh. Frescoes were often made during the Renaissance and other early time periods.Buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh lime mortar or plaster, for which the Italian word for plaster, intonaco, is used. A secco painting, in contrast, is done on dry plaster (secco is “dry” in Italian). The pigments require a binding medium, such as egg (tempera), glue or oil to attach the pigment to the wall.

Oil

File:Honoré Daumier 008.jpg|thumb|Honoré DaumierHonoré DaumierOil painting is the process of painting with pigments that are bound with a medium of drying oil, such as linseed oil, which was widely used in early modern Europe. Often the oil was boiled with a resin such as pine resin or even frankincense; these were called ‘varnishes’ and were prized for their body and gloss. Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. The transition began with Early Netherlandish painting in northern Europe, and by the height of the Renaissance oil painting techniques had almost completely replaced tempera paints in the majority of Europe.

Pastel

File:Louis15-1.jpg|thumb|left|Maurice Quentin de La TourMaurice Quentin de La TourPastel is a painting medium in the form of a stick, consisting of pure powdered pigment and a binder.Mayer, Ralph (1970), The Artist’s Handbook of Materials and Techniques, 3rd ed., New York: Viking. p. 312. The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process.Mayer, Ralph (1971). The Artist’s Handbook of Materials and Techniques. Viking Adult; 5th ed. {{ISBN|0670837016}} Because the surface of a pastel painting is fragile and easily smudged, its preservation requires protective measures such as framing under glass; it may also be sprayed with a fixative. Nonetheless, when made with permanent pigments and properly cared for, a pastel painting may endure unchanged for centuries. Pastels are not susceptible, as are paintings made with a fluid medium, to the cracking and discoloration that result from changes in the color, opacity, or dimensions of the medium as it dries.

Acrylic

File:Jungle Arc.jpg|thumb|Ray BurggrafRay Burggraf Acrylic paint is fast drying paint containing pigment suspension in acrylic polymer emulsion. Acrylic paints can be diluted with water but become water-resistant when dry. Depending on how much the paint is diluted (with water) or modified with acrylic gels, media, or pastes, the finished acrylic painting can resemble a watercolor or an oil painting, or have its own unique characteristics not attainable with other media. The main practical difference between most acrylics and oil paints is the inherent drying time.WEB, artincontext, 2021-08-22, Watercolor vs. Acrylic - The Difference Between Watercolor and Acrylic,artincontext.org/watercolor-vs-acrylic/, 2022-06-28, artincontext.org, en-US, Oils allow for more time to blend colors and apply even glazes over under-paintings. This slow drying aspect of oil can be seen as an advantage for certain techniques but may also impede the artist’s ability to work quickly. Another difference is that watercolors must be painted onto a porous surface, primarily watercolor paper. Acrylic paints can be used on many different surfaces.WEB, Understanding drying times for acrylic paints,www.winsornewton.com/row/education/guides/understanding-the-drying-times-for-acrylic-paints/, 2022-06-28, Winsor & Newton - ROW, en-GB, Both acrylic and watercolor are easy to clean up with water. Acrylic paint should be cleaned with soap and water immediately following use. Watercolor paint can be cleaned with just water.Watercolor vs Acrylic weblink accessed August 21, 2020BOOK, Appellof, M.E.,books.google.com/books?id=E2HeUJFqfzsC, Everything You Ever Wanted to Know About Watercolor, Watson-Guptill Publications, 1992, 978-0-823-05649-1, 399–, Why WaterColor weblink accessed August 21, 2020Between 1946 and 1949, Leonard Bocour and Sam Golden invented a solution acrylic paint under the brand Magna paint. These were mineral spirit-based paints. Water-based acrylic paints were subsequently sold as latex house paints.WEB, Sickler, Dean, Spring 2002, Water-based Alchemy by Dean Sickler,dundean.com/tips_what_is_latex_paint.shtml, dead,dundean.com/tips_what_is_latex_paint.shtml," title="web.archive.org/web/20120829153753dundean.com/tips_what_is_latex_paint.shtml,">web.archive.org/web/20120829153753dundean.com/tips_what_is_latex_paint.shtml, August 29, 2012, August 11, 2012, Dundean.com, In 1963, George Rowney (part of Daler-Rowney since 1983) was the first manufacturer to introduce artists’ acrylic paints in Europe, under the brand name “Cryla”.WEB, 2012-02-15, Art Materials,www.daler-rowney.com/, 2013-02-05, Daler Rowney, Acrylics are the most common paints used in grattage, a surrealist technique that began to be used with the advent of this type of paint. Acrylics are used for this purpose because they easily scrape or peel from a surface.Grattage weblink {{Webarchive|url=https://web.archive.org/web/20100904065444www.wordiq.com/definition/Grattage|date=2010-09-04}} Art Techniques accessed December 08, 2010

Spray paint

Aerosol paint (also called spray paint)BOOK,www.encyclopedia.com/reference/encyclopedias-almanacs-transcripts-and-maps/aerosol-dispenser, Aerosol Dispenser, 2018, is a type of paint that comes in a sealed pressurized container and is released in a fine spray mist when depressing a valve button. A form of spray painting, aerosol paint leaves a smooth, evenly coated surface. Standard sized cans are portable, inexpensive and easy to store. Aerosol primer can be applied directly to bare metal and many plastics.Speed, portability and permanence also make aerosol paint a common graffiti medium. In the late 1970s, street graffiti writers’ signatures and murals became more elaborate, and a unique style developed as a factor of the aerosol medium and the speed required for illicit work. Many now recognize graffiti and street art as a unique art form and specifically manufactured aerosol paints are made for the graffiti artist. A stencil protects a surface, except the specific shape to be painted. Stencils can be purchased as movable letters, ordered as professionally cut logos or hand-cut by artists.

Water miscible oil paint

Water miscible oil paints (also called “water soluble” or “water-mixable“) is a modern variety of oil paint engineered to be thinned and cleaned up with water,WEB, RX Series Alkyd Emulsifiers,ethox.com/rx-series-alkyd-emulsifiers/, 2021-04-26, Ethox, en-US, 26 April 2021,web.archive.org/web/20210426140405/https://ethox.com/rx-series-alkyd-emulsifiers/, dead, BOOK, Sean Dye,books.google.com/books?id=TPa8JyQkmgMC, Painting with Water-Soluble Oils, 15 June 2001, North Light Books, 1-58180-033-9, {{Dead link|date=March 2024 |bot=InternetArchiveBot |fix-attempted=yes }} rather than having to use chemicals such as turpentine. It can be mixed and applied using the same techniques as traditional oil-based paint, but while still wet it can be effectively removed from brushes, palettes, and rags with ordinary soap and water. Its water solubility comes from the use of an oil medium in which one end of the molecule has been altered to bind loosely to water molecules, as in a solution.

Sand

Sandpainting is the art of pouring coloured sands, and powdered pigments from minerals or crystals, or pigments from other natural or synthetic sources onto a surface to make a fixed or unfixed sand painting.

Digital painting

Digital painting is a method of creating an art object (painting) digitally or a technique for making digital art on the computer. As a method of creating an art object, it adapts traditional painting medium such as acrylic paint, oils, ink, watercolor, etc. and applies the pigment to traditional carriers, such as woven canvas cloth, paper, polyester, etc. by means of software driving industrial robotic or office machinery (printers). As a technique, it refers to a computer graphics software program that uses a virtual canvas and virtual painting box of brushes, colors, and other supplies. The virtual box contains many instruments that do not exist outside the computer, and which give a digital artwork a different look and feel from an artwork that is made the traditional way. Furthermore, digital painting is not ‘computer-generated’ art as the computer does not automatically create images on the screen using some mathematical calculations. On the other hand, the artist uses his own painting technique to create a particular piece of work on the computer.NEWS,www.turningpointarts.com/what-is-digital-painting/, What is digital painting?, 1 November 2008, Turning Point Arts, 17 May 2017, en-US, 5 May 2017,www.turningpointarts.com/what-is-digital-painting," title="web.archive.org/web/20170505040853www.turningpointarts.com/what-is-digital-painting,">web.archive.org/web/20170505040853www.turningpointarts.com/what-is-digital-painting, live, Other- Unruly Painting Methods. Painting is not confined to one method over another. Artists such as Andy Warhol Explored the limits of painting. Oxidization WEB,www.thoughtco.com/definition-of-oxidation-in-chemistry-605456, Understand What Oxidation Means in Chemistry, was utilized by Andy Warhol as he painted canvases sprawled on the ground. He then had his assistants and friends urinate on the still-wetWarhol, Andy. “Oxidation Paintings.” The Andy Warhol Museum, www.warhol.org/conservation/oxidation-paintings/. Accessed 18 Mar. 2024. Paint to witness the visible changes that would occur. Menstrual PaintingOther interesting painting mediums have helped women and menstruating individuals gain freedom and liberty over their bodies. Blood from menstrual periods has been used to paint images across the world for centuries Green-Cole, Ruth. “Painting Blood: Visualizing Menstrual Blood in Art.” The Palgrave Handbook of Critical Menstruation Studies [Internet]., U.S. National Library of Medicine, 25 July 2020, www.ncbi.nlm.nih.gov/books/NBK565646/. Sarah Maple, a contemporary artist, has used her menstrual blood to create portraits to help erase the taboo covering the topic of periods.

Painting styles

Style is used in two senses: It can refer to the distinctive visual elements, techniques, and methods that typify an individual artist’s work. It can also refer to the movement or school that an artist is associated with. This can stem from an actual group that the artist was consciously involved with or it can be a category in which art historians have placed the painter. The word ‘style’ in the latter sense has fallen out of favor in academic discussions about contemporary painting, though it continues to be used in popular contexts. Such movements or classifications include the following:

Western

Modernism

Modernism describes both a set of cultural tendencies and an array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th century and early 20th century. Modernism was a revolt against the conservative values of realism.Barth, John (1979) The Literature of Replenishment, later republished in The Friday Book (1984).Graff, Gerald (1975) Babbitt at the Abyss: The Social Context of Postmodern. American Fiction, TriQuarterly, No. 33 (Spring 1975), pp. 307–37; reprinted in Putz and Freese, eds., Postmodernism and American Literature. The term encompasses the activities and output of those who felt the “traditional” forms of art, architecture, literature, religious faith, social organization, and daily life were becoming outdated in the new economic, social, and political conditions of an emerging fully industrialized world. A salient characteristic of modernism is self-consciousness. This often led to experiments with form, and work that draws attention to the processes and materials used (and to the further tendency of abstraction).Gardner, Helen, Horst De la Croix, Richard G. Tansey, and Diane Kirkpatrick. Gardner’s Art Through the Ages (San Diego: Harcourt Brace Jovanovich, 1991). {{ISBN|0155037706}}. p. 953.

Impressionism

File:Monet - Impression, Sunrise.jpg|thumb|Claude Monet’s 1872 Impression, Sunrise inspired the name of the movement ]]The first example of modernism in painting was impressionism, a school of painting that initially focused on work done, not in studios, but outdoors (en plein air). Impressionist paintings demonstrated that human beings do not see objects, but instead see light itself. The school gathered adherents despite internal divisions among its leading practitioners and became increasingly influential. Initially rejected from the most important commercial show of the time, the government-sponsored Paris Salon, the Impressionists organized yearly group exhibitions in commercial venues during the 1870s and 1880s, timing them to coincide with the official Salon. A significant event of 1863 was the Salon des Refusés, created by Emperor Napoleon III to display all of the paintings rejected by the Paris Salon.

Abstract styles

Abstract painting uses a visual language of form, colour and line to create a composition that may exist with a degree of independence from visual references in the world.Arnheim, Rudolph, 1969, Visual ThinkingJOURNAL, Key, Joan, Future Use: Abstract Painting, Third Text, September 2009, 23, 5, 557–63, 10.1080/09528820903184666, 144061791, Abstract expressionism was an American post-World War II art movement that combined the emotional intensity and self-denial of the German Expressionists with the anti-figurative aesthetic of the European abstract schools—such as Futurism, Bauhaus and Cubism, and the image of being rebellious, anarchic, highly idiosyncratic and, some feel, nihilistic.Shapiro, David/Cecile (2000): Abstract Expressionism. The politics of apolitical painting. p. 189-90 In: Frascina, Francis (2000): Pollock and After. The critical debate. 2nd ed. London: RoutledgeAction painting, sometimes called gestural abstraction, is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied.WEB,painting.about.com/od/artglossarya/g/defactionpaint.htm, Art Glossary: Action Painting, 20 August 2006, Boddy-Evans, Marion, About.com, 12 March 2007,painting.about.com/od/artglossarya/g/defactionpaint.htm," title="web.archive.org/web/20070312224234painting.about.com/od/artglossarya/g/defactionpaint.htm,">web.archive.org/web/20070312224234painting.about.com/od/artglossarya/g/defactionpaint.htm, live, The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist. The style was widespread from the 1940s until the early 1960s and is closely associated with abstract expressionism (some critics have used the terms “action painting” and “abstract expressionism” interchangeably).Other modernist styles include:

• Color Field
• Lyrical Abstraction
• Hard-edge painting
• Pop art

Outsider art

The term outsider art was coined by art critic Roger Cardinal in 1972 as an English synonym for art brut ({{IPA-fr|aʁ bʁyt|lang}}, “raw art” or “rough art“), a label created by French artist Jean Dubuffet to describe art created outside the boundaries of official culture; Dubuffet focused particularly on art by insane-asylum inmates.Cardinal, Roger, Outsider Art, London, 1972 Outsider art has emerged as a successful art marketing category (an annual Outsider Art Fair has taken place in New York since 1992). The term is sometimes misapplied as a catch-all marketing label for art created by people outside the mainstream “art world,” regardless of their circumstances or the content of their work.

Photorealism

Photorealism is the genre of painting based on using the camera and photographs to gather information and then from this information, creating a painting that appears to be very realistic like a photograph. The term is primarily applied to paintings from the United States art movement that began in the late 1960s and early 1970s. As a full-fledged art movement, Photorealism evolved from Pop ArtLindey, Christine Superrealist Painting and Sculpture, William Morrow and Company, New York, 1980, pp. 27–33.Chase, Linda, Photorealism at the Millennium, The Not-So-Innocent Eye: Photorealism in Context. Harry N. Abrams, Inc. New York, 2002. pp. 14–15.Nochlin, Linda, The Realist Criminal and the Abstract Law II, Art in America. 61 (November – December 1973), P. 98. and as a counter to Abstract Expressionism.Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is a fully-fledged school of art and can be considered an advancement of Photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 2000s.Bredekamp, Horst, Hyperrealism – One Step Beyond. Tate Museum, Publishers, UK. 2006. p. 1

Surrealism

Surrealism is a cultural movement that began in the early 1920s and is best known for the artistic and literary production of those affiliated with the Surrealist Movement. Surrealist artworks feature the element of surprise, the uncanny, the unconscious, unexpected juxtapositions and non-sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artifact. Leader André Breton was explicit in his assertion that Surrealism was above all a revolutionary movement.Surrealism developed out of the Dada activities of World War I and the most important center of the movement was Paris. From the 1920s onward, the movement spread around the globe, eventually affecting the visual arts, literature, film and music of many countries, as well as political thought and practice, philosophy and social theory.{{See also|Outline of painting#Styles of painting}}

East Asian

• File:Immortal in Splashed Ink.jpg|thumb|Liang Kai, Drunken Celestial (12th century), ink on Xuan paperXuan paper File:MET DP153920.jpg|thumb|Yun BingYun BingChinese
  • Tang Dynasty
  • Ming Dynasty
  • Shan shui
  • Ink and wash painting
  • Hua niao
  • Southern School
    • Zhe School
    • Wu School
  • Contemporary
• Japanese
  • Yamato-e
  • Rimpa school
  • Emakimono
  • Kanō school
  • Shijō school
  • Superflat
• Korean

Southeast Asia

• Indonesian

Islamic

• Arabic miniature
• Ottoman miniature
• Persian miniature
• Calligraphy

Indian

Miniature painting

Miniature paintings were the primary form of painting in pre-colonial India. These were done on a special paper (known as wasli) using mineral and natural colours. Miniature painting is not one style but a group of several styles of schools of painting such as Mughal, Pahari, Rajasthani, Company style etc.Mughal miniature painting is a particular style of South Asian, particularly North Indian (more specifically, modern day India and Pakistan), painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emergedWEB, Mughal Painting – Evolution & History, Features & Prominent Artists,www.culturalindia.net/indian-art/paintings/mughal.html, live,web.archive.org/web/20211122102715/https://www.culturalindia.net/indian-art/paintings/mughal.html, 22 November 2021, 22 November 2021, www.culturalindia.net, en, from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted.WEB, 22 August 2016, Mughal Painting,selfstudyhistory.com/2016/08/22/mughal-painting-2/, live,web.archive.org/web/20211122102703/https://selfstudyhistory.com/2016/08/22/mughal-painting-2/, 22 November 2021, 22 November 2021, Self Study History, en-US, WEB, Religions – Islam: Mughal Empire (1500s, 1600s),www.bbc.co.uk/religion/religions/islam/history/mughalempire_1.shtml, live,www.bbc.co.uk/religion/religions/islam/history/mughalempire_1.shtml," title="web.archive.org/web/20101110065723www.bbc.co.uk/religion/religions/islam/history/mughalempire_1.shtml,">web.archive.org/web/20101110065723www.bbc.co.uk/religion/religions/islam/history/mughalempire_1.shtml, 10 November 2010, 22 November 2021, BBC, 2009, en-GB, WEB, Mughal painting,www.britannica.com/art/Mughal-painting, live,web.archive.org/web/20211122102658/https://www.britannica.com/art/Mughal-painting, 22 November 2021, 22 November 2021, Encyclopedia Britannica, en, Rajasthani painting evolved and flourished in the royal courts of RajputanaWEB, Rājput painting {{!, Indian art |url=https://www.britannica.com/art/Rajput-painting |url-status=live |archive-url=https://web.archive.org/web/20211122102657www.britannica.com/art/Rajput-painting |archive-date=22 November 2021 |access-date=22 November 2021 |website=Britannica |language=en}} in northern India, mainly during the 17th century. Artists trained in the tradition of the Mughal miniature were dispersed from the File:Maker unknown, India - Krishna and Radha - Google Art Project.jpg|thumb|Krishna and Radha, might be the work of Nihâl ChandNihâl Chandimperial Mughal court, and developed styles also drawing from local traditions of painting, especially those illustrating the Sanskrit Epics, the Mahabharata and Ramayana. Subjects varied, but portraits of the ruling family, often engaged in hunting or their daily activities, were generally popular, as were narrative scenes from the epics or Hindu mythology, as well as some genre scenes of landscapes, and humans.WEB, Rajput Paintings, Rajput Paintings India, Rajput Painting History,www.culturalindia.net/indian-art/paintings/rajput.html, live,web.archive.org/web/20211122102657/https://www.culturalindia.net/indian-art/paintings/rajput.html, 22 November 2021, 22 November 2021, www.culturalindia.net, WEB, 17 August 2012, Rajput painting,www.jagranjosh.com/general-knowledge/rajput-painting-1345188164-1, live,web.archive.org/web/20211122104201/https://www.jagranjosh.com/general-knowledge/rajput-painting-1345188164-1, 22 November 2021, 22 November 2021, Jagran Josh, Punjab Hills or Pahari painting of which Kangra, Guller, Basholi were major sub-styles. Kangra painting is the pictorial art of Kangra, named after Kangra, Himachal Pradesh, a former princely state, which patronized the art. It became prevalent with the fading of Basohli school of painting in mid-18th century.WEB, Kāngra painting,www.britannica.com/art/Kangra-painting, live,web.archive.org/web/20211122102656/https://www.britannica.com/art/Kangra-painting, 22 November 2021, 22 November 2021, Britannica, en, BOOK, Bradnock, Robert W.,books.google.com/books?id=nWKaR6LbEGcC&q=pligrim+Dharamshala%22&pg=PA512, Footprint India, Bradnock, Roma, 2004, Footprint, 978-1904777007, 512, en, 26 November 2021,web.archive.org/web/20220219034009/https://books.google.com/books?id=nWKaR6LbEGcC&q=pligrim+Dharamshala%22&pg=PA512, 19 February 2022, live, The focal theme of Kangra painting is Shringar (the erotic sentiment). The subjects are seen in Kangra painting exhibit the taste and the traits of the lifestyle of the society of that period.WEB, 27 July 2021, Kangra Painting – The Delicate Art of the Himachal Pradesh,www.caleidoscope.in/art-culture/kangra-painting, live,web.archive.org/web/20211122102659/https://www.caleidoscope.in/art-culture/kangra-painting, 22 November 2021, 22 November 2021, Caleidoscope {{!, Indian Culture, Heritage |language=en-US}} The artists adopted themes from the love poetry of Jayadeva and Keshav Das who wrote ecstatically of the love of Radha and Krishna with Bhakti being the driving force.WEB, Kangra Paintings {{!, District Kangra, Government of Himachal Pradesh {{!}} India |url=https://hpkangra.nic.in/gallery/kangra-paintings/ |url-status=live |archive-url=https://web.archive.org/web/20211122102659hpkangra.nic.in/gallery/kangra-paintings/ |archive-date=22 November 2021 |access-date=22 November 2021 |language=en-US}}WEB, Sharma, Vijay, 1 November 2020, How love, war and Mughal fine art inspired Kangra painting,theprint.in/pageturner/excerpt/how-love-war-and-mughal-fine-art-inspired-kangra-painting/533500/, live,web.archive.org/web/20211122102657/https://theprint.in/pageturner/excerpt/how-love-war-and-mughal-fine-art-inspired-kangra-painting/533500/, 22 November 2021, 22 November 2021, ThePrint, en-US, (File:Khan Bahadur Khan with men of his clan (6125079998) cropped.jpg|left|thumb|Khan Bahadur Khan with Men of his Clan, c. 1815, from the Fraser Album, Company Style)Company style is a term for a hybrid Indo-European style of paintings made in India by Indian artists, many of whom worked for European patrons in the British East India Company or other foreign Companies in the 18th and 19th centuries.WEB, Company Painting in Nineteenth-Century India | Essay | Heilbrunn Timeline of Art History | the Metropolitan Museum of Art,www.metmuseum.org/toah/hd/cpin/hd_cpin.htm, live,web.archive.org/web/20171220030814/https://metmuseum.org/toah/hd/cpin/hd_cpin.htm, 20 December 2017, 22 November 2021, www.metmuseum.org, Three distinct styles of Company Painting emerged in three British Power Centres – Delhi, Calcutta and Madras. The subject matter of company paintings made for western patrons was often documentary rather than imaginative, and as a consequence, the Indian artists were required to adopt a more naturalistic approach to painting than had traditionally been usual.WEB, Company Paintings – Capturing an Era,s3.ap-south-1.amazonaws.com/img.livehistoryindia.com/wp-content/uploads/2018/12/9__Tavern_Scene-scaled.jpg, live,web.archive.org/web/20211122102659/https://s3.ap-south-1.amazonaws.com/img.livehistoryindia.com/wp-content/uploads/2018/12/9__Tavern_Scene-scaled.jpg, 22 November 2021, 22 November 2021, Live History India, en-US, WEB, Victoria and Albert Museum, Digital Media, 16 November 2012, Indian company paintings,www.vam.ac.uk/content/articles/i/indian-company-paintings/, live,www.vam.ac.uk/content/articles/i/indian-company-paintings/," title="web.archive.org/web/20211122102700www.vam.ac.uk/content/articles/i/indian-company-paintings/,">web.archive.org/web/20211122102700www.vam.ac.uk/content/articles/i/indian-company-paintings/, 22 November 2021, 22 November 2021, www.vam.ac.uk, en-GB, The Sikh style and Deccan style are other prominent Miniature painting styles of India.

Pichwai painting

Pichwai paintings are paintings on textile and usually depicting stories from the life of Lord Krishna.WEB, 2022-07-15, The colourful tradition of Indian Pichwai Painting,indianartspalace.in/the-colorful-tradition-of-indian-pichwai-paintings/, 2022-08-10, en-US, These were made in large format and often used as a backdrop to the main idol in temples or homes. Pichwai paintings were made and are still made mainly in Rajasthan, India. However very few were made in the Deccan region, but these are extremely rare. The purpose of pichhwais, other than artistic appeal, is to narrate tales of Krishna to the illiterate. Temples have sets with different images, which are changed according to the calendar of festivals celebrating the deity.Blurton, 142-143

Folk and tribal art

Pattachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha and West Bengal.WEB, Parampara Project {{!, Pata Chitra|url=https://www.paramparaproject.org/traditions_pata-chitra.html|access-date=22 November 2021|website=www.paramparaproject.org|archive-date=19 February 2022|archive-url=https://web.archive.org/web/20220219040030www.paramparaproject.org/traditions_pata-chitra.html|url-status=live}} The Pattachitra painting tradition is closely linked with the worship of Lord Jagannath in Odisha.WEB, Daricha Foundation,www.daricha.org/sub_genre.aspx?ID=39&Name=Patachitra, 22 November 2021, www.daricha.org, 22 November 2021,www.daricha.org/sub_genre.aspx?ID=39&Name=Patachitra," title="web.archive.org/web/20211122102659www.daricha.org/sub_genre.aspx?ID=39&Name=Patachitra,">web.archive.org/web/20211122102659www.daricha.org/sub_genre.aspx?ID=39&Name=Patachitra, live, The subject matter of Pattachitra is limited to religious themes. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it. All colours used in the Paintings are natural and paintings are made fully old traditional way by Chitrakaras that is Odiya Painter. Pattachitra style of painting is one of the oldest and most popular art forms of Odisha. Patachitras are a component of an ancient Bengali narrative art, originally serving as a visual device during the performance of a song.WEB, 2 August 2015, Myths and Folktales in the Patachitra Art of Bengal: Tradition and Modernity,chitrolekha.com/myths-and-folktales-patachitra/, 22 November 2021, The Chitrolekha Journal on Art and Design, en-US, 22 November 2021,web.archive.org/web/20211122102700/https://chitrolekha.com/myths-and-folktales-patachitra/, live, NEWS, 15 June 2016, Orissa Pattachitra –, en-IN, The Hindu,www.thehindu.com/todays-paper/tp-in-school/orissa-pattachitra/article14422369.ece, 22 November 2021, 0971-751X, 22 November 2021,web.archive.org/web/20211122102657/https://www.thehindu.com/todays-paper/tp-in-school/orissa-pattachitra/article14422369.ece, live, WEB, says, Conrad Comrie, 26 April 2017, Patachitra: Ancient scroll painting of Bengal,mediaindia.eu/culture/patachitra-ancient-scroll-painting-of-bengal/, 22 November 2021, Media India Group, en, 22 November 2021,web.archive.org/web/20211122154252/https://mediaindia.eu/culture/patachitra-ancient-scroll-painting-of-bengal/, live, Madhubani Art is a style of Indian painting, practiced in the Mithila region of India and Nepal. The style is characterized by complex geometrical patterns, these paintings are famous for representing ritual content used for particular occasions like festivals, religious rituals etc.WEB, Madhubani (Mithila) Painting – History, Designs & Artists,www.culturalindia.net/indian-art/paintings/madhubani.html, live,web.archive.org/web/20211122102658/https://www.culturalindia.net/indian-art/paintings/madhubani.html, 22 November 2021, 22 November 2021, www.culturalindia.net, en, Warli is another folk tribal art form from India.

Bengal School

The Bengal SchoolWEB, National Gallery of Modern Art, New Delhi,ngmaindia.gov.in/sh-bengal.asp, 22 November 2021, ngmaindia.gov.in, 22 October 2018,ngmaindia.gov.in/sh-bengal.asp," title="web.archive.org/web/20181022113236ngmaindia.gov.in/sh-bengal.asp,">web.archive.org/web/20181022113236ngmaindia.gov.in/sh-bengal.asp, live, was an art movement and a style of Indian painting that originated in Bengal, primarily Kolkata and Shantiniketan, and flourished throughout the Indian subcontinent, during the British Raj in the early 20th century.WEB, 8 August 2022, Bengal School Painting – The transition to Modernism,indianartspalace.in/bengal-school-painting/, 10 August 2022, en-US, The Bengal school arose as an avant garde and nationalist movement reacting against the academic art styles previously promoted in India, both by Indian artists such as Raja Ravi Varma and in British art schools. The school wanted to establish a distinct Indian style which celebrated the indigenous cultural heritage. In an attempt to reject colonial aesthetics, Abanindranath Tagore also turned to China and Japan with the intent of promoting a pan-Asian aesthetic and incorporated elements from Far Eastern art, such as the Japanese wash technique.WEB, Bengal School of Art,www.artsy.net/gene/bengal-school-of-art, 22 November 2021, Artsy, 22 November 2021,web.archive.org/web/20211122102658/https://www.artsy.net/gene/bengal-school-of-art, live, WEB, How the Bengal School of Art Changed Colonial India’s Art Landscape,www.artisera.com/blogs/expressions/how-the-bengal-school-of-art-changed-colonial-indias-art-landscape, February 27, 2017, 22 November 2021, Artisera, 22 November 2021,web.archive.org/web/20211122102658/https://www.artisera.com/blogs/expressions/how-the-bengal-school-of-art-changed-colonial-indias-art-landscape, live, WEB, 18 August 2012, Bengal School of Art,www.jagranjosh.com/general-knowledge/bengal-school-of-art-1345270637-1, 22 November 2021, Jagran Josh, 22 November 2021,web.archive.org/web/20211122102659/https://www.jagranjosh.com/general-knowledge/bengal-school-of-art-1345270637-1, live,

Others

File:Mysore Painting.jpg|left|thumb|250x250px|19th Century Mysore Painting of Goddess SaraswathiSaraswathi

• Mysore painting is an important form of classical South Indian painting that originated in and around the town of Mysore in Karnataka encouraged and nurtured by the Mysore rulers. Mysore paintings are known for their elegance, muted colours, and attention to detail. The themes for most of these paintings are Hindu gods and goddesses and scenes from Hindu mythology.WEB, Mysore Paintings {{!, Buy Mysore School Paintings {{!}} Shop Online at Artisera|url=https://www.artisera.com/collections/mysore-paintings|access-date=22 November 2021|website=Artisera|archive-date=22 November 2021|archive-url=https://web.archive.org/web/20211122102659www.artisera.com/collections/mysore-paintings|url-status=live}}
• Samikshavad
• Tanjore
• Kerala mural painting

African

• Tingatinga

Contemporary art

{| border=“0” cellpadding=“0” cellspacing=“0” style="margin:auto; width:100%; border:0 solid #e5ffec; background:#=#e5ffec;”

1950s Abstract Expressionism American Figurative Expressionism Bay Area Figurative Movement Lyrical Abstraction New York Figurative Expressionism New York School	1960s Abstract expressionism American Figurative Expressionism Abstract Imagists Bay Area Figurative Movement Color field Computer art Conceptual art Fluxus Happenings Hard-edge painting Lyrical Abstraction Minimalism Neo-figurative Neo-Dada New York School Nouveau Réalisme Op Art Performance art Pop Art Postminimalism Washington Color School Kinetic art	1970s Arte Povera Ascii Art Bad Painting Body art Artist’s book Feminist art Installation art Land Art Lowbrow (art movement) Photorealism Postminimalism Process Art Video art Funk art Pattern and Decoration	1980s Appropriation art Culture jamming Demoscene Electronic art Figuration Libre Graffiti Art Live art Mail art Postmodern art Neo-conceptual art Neo-expressionism Neo-pop Sound art Transgressive art Video installation Institutional Critique NeoGeo	1990s Bio art Cyberarts Cynical Realism Digital Art Information art Internet art Massurrealism Maximalism New media art Software art New European Painting Young British Artists	2000s Digital Painting Hyperrealism Classical Realism Relational art Street art Stuckism Superflat Pseudorealism Videogame art Superstroke VJ art Virtual art

Types of painting

File:Bodegón de recipientes (Zurbarán).jpg|thumb|Francisco de Zurbarán, Still Life with Pottery Jars () (1636), oil on canvas, 46 x 84 cm, Museo del Prado, MadridMadrid

Allegory

Allegory is a figurative mode of representation conveying meaning other than the literal. Allegory communicates its message by means of symbolic figures, actions, or symbolic representation. Allegory is generally treated as a figure of rhetoric, but an allegory does not have to be expressed in language: it may be addressed to the eye and is often found in realistic painting. An example of a simple visual allegory is the image of the grim reaper. Viewers understand that the image of the grim reaper is a symbolic representation of death.

Bodegón

File:Reza Abbasi - Two Lovers (1630).jpg|thumb|Reza AbbasiReza AbbasiIn Spanish art, a bodegón is a still life painting depicting pantry items, such as victuals, game, and drink, often arranged on a simple stone slab, and also a painting with one or more figures, but significant still life elements, typically set in a kitchen or tavern. Starting in the Baroque period, such paintings became popular in Spain in the second quarter of the 17th century. The tradition of still life painting appears to have started and was far more popular in the contemporary Low Countries, today Belgium and Netherlands (then Flemish and Dutch artists), than it ever was in southern Europe. Northern still lifes had many subgenres: the breakfast piece was augmented by the trompe-l’Å“il, the flower bouquet, and the vanitas. In Spain, there were much fewer patrons for this sort of thing, but a type of breakfast piece did become popular, featuring a few objects of food and tableware laid on a table.

Figure painting

A figure painting is a work of art in any of the painting media with the primary subject being the human figure, whether clothed or nude.Figure painting may also refer to the activity of creating such a work. The human figure has been one of the contrast subjects of art since the first Stone Age cave paintings and has been reinterpreted in various styles throughout history.JOURNAL, Droste, Flip, Cave Paintings of the Early Stone Age, Semiotica, October 2014, 2014, 202, 155–165, 10.1515/sem-2014-0035, 170631343, Some artists well known for figure painting are Peter Paul Rubens, Edgar Degas, and Édouard Manet.

Illustration painting

Illustration paintings are those used as illustrations in books, magazines, and theater or movie posters and comic books. Today, there is a growing interest in collecting and admiring the original artwork. Various museum exhibitions, magazines, and art galleries have devoted space to the illustrators of the past. In the visual art world, illustrators have sometimes been considered less important in comparison with fine artists and graphic designers. But as the result of computer game and comic industry growth, illustrations are becoming valued as popular and profitable artworks that can acquire a wider market than the other two, especially in Korea, Japan, Hong Kong and the United States.The illustrations of medieval codices were known as illuminations, and were individually hand-drawn and painted. With the invention of the printing press during the 15th century, books became more widely distributed, and often illustrated with woodcuts.WEB, What Is an Illuminated Manuscript?,www.nga.gov/conservation/paper/manuscript-project.html, live,web.archive.org/web/20221004050635/https://www.nga.gov/conservation/paper/manuscript-project.html, 4 October 2022, 21 October 2022, National Gallery of Art, WEB, 27 July 2010, Heavenly Craft: The Woodcut in Early Printed Books,www.loc.gov/exhibits/heavenlycraft/heavenly-15th.html, live,web.archive.org/web/20221020234750/https://www.loc.gov/exhibits/heavenlycraft/heavenly-15th.html, 20 October 2022, 21 October 2022, Library of Congress, In America, this led to a “golden age of illustration” from before the 1880s until the early 20th century. A small group of illustrators became highly successful, with the imagery they created considered a portrait of American aspirations of the time.WEB, The R. Atkinson Fox Society: What Was the Golden Age of Illustration?,www.rafoxsociety.com/what-was-the-golden-age-of-illustration/, live,www.rafoxsociety.com/what-was-the-golden-age-of-illustration/," title="web.archive.org/web/20150414063829www.rafoxsociety.com/what-was-the-golden-age-of-illustration/,">web.archive.org/web/20150414063829www.rafoxsociety.com/what-was-the-golden-age-of-illustration/, 2015-04-14, 2015-04-08, Among the best-known illustrators of that period were N.C. Wyeth and Howard Pyle of the Brandywine School, James Montgomery Flagg, Elizabeth Shippen Green, J. C. Leyendecker, Violet Oakley, Maxfield Parrish, Jessie Willcox Smith, and John Rea Neill. In France, on 1905, the Contemporary Book Society commissioned Paul Jouve to illustrate Rudyard Kipling’s Jungle Book. Paul Jouve will devote ten years to the 130 illustrations of this book which will remain as one of the masterpieces of bibliophilia.WEB, Paul Jouve,www.pauljouve.com/resultats/2021-06-25-sotheby-s-france-128.html, live,web.archive.org/web/20211215154738/https://www.pauljouve.com/resultats/2021-06-25-sotheby-s-france-128.html, 2021-12-15, 2021-12-15,

Landscape painting

File:Andreas Achenbach - Clearing Up—Coast of Sicily - Walters 37116.jpg|left|thumb|Andreas Achenbach, Clearing Up, Coast of Sicily (1847), The Walters Art MuseumAchenbach specialized in the “sublime” mode of landscape painting in which man is dwarfed by nature’s might and fury.WEB

, The Walters Art MuseumThe Walters Art Museum

Landscape painting is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers, lakes, and forests, and especially art where the main subject is a wide view, with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. The sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases.

Portrait painting

File:Abraham Lincoln in the United States Congress by.jpg|thumb|291x291px|Ned Bittinger, Portrait of Abraham Lincoln in Congress (2004), US Capitol ]]Portrait paintings are representations of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person. The art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. One of the best-known portraits in the Western world is Leonardo da Vinci’s painting titled Mona Lisa, which is thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo.WEB,www.louvre.fr/en/oeuvre-notices/mona-lisa-%E2%80%93-portrait-lisa-gherardini-wife-francesco-del-giocondo, Mona Lisa – Portrait of Lisa Gherardini, wife of Francesco del Giocondo, Louvre Museum, 1503–1519, 13 March 2014, dead,www.louvre.fr/en/oeuvre-notices/mona-lisa-%E2%80%93-portrait-lisa-gherardini-wife-francesco-del-giocondo," title="web.archive.org/web/20140730003620www.louvre.fr/en/oeuvre-notices/mona-lisa-%E2%80%93-portrait-lisa-gherardini-wife-francesco-del-giocondo,">web.archive.org/web/20140730003620www.louvre.fr/en/oeuvre-notices/mona-lisa-%E2%80%93-portrait-lisa-gherardini-wife-francesco-del-giocondo, 30 July 2014, Warhol was one of the most prolific portrait painters of the 20th century. Warhol’s painting Orange Shot Marilyn of Marilyn Monroe is an iconic early example of his work from the 1960s, and Orange Prince (1984) of the pop singer Prince is later example, both exhibiting Warhol’s unique graphic style of portraiture.NEWS, Andy Warhol Portraits That Changed The World Forever, Widewalls,www.widewalls.ch/10-faces-by-andy-warhol-february-2015/mao-tse-tung-8/, dead, 2018-03-27,web.archive.org/web/20180327212218/https://www.widewalls.ch/10-faces-by-andy-warhol-february-2015/mao-tse-tung-8/, 2018-03-27, WEB, Andy Warhol. Marilyn Monroe. 1967 {{!, MoMA |url=https://www.moma.org/collection/works/61240 |access-date=2018-03-27 |website=The Museum of Modern Art}}WEB, The Andy Warhol Foundation for the Visual Arts – Andy Warhol Biography,warholfoundation.org/legacy/biography.html, dead,www.warholfoundation.org/legacy/biography.html," title="web.archive.org/web/20100724192941www.warholfoundation.org/legacy/biography.html,">web.archive.org/web/20100724192941www.warholfoundation.org/legacy/biography.html, 2010-07-24, 2018-03-27, warholfoundation.org,

Still life

File:Otto Marseus van Schrieck - A Forest Floor Still-Life - WGA21061.jpg|thumb|Otto Marseus van SchrieckOtto Marseus van SchrieckA still life is a work of art depicting mostly (wikt:inanimate|inanimate) subject matter, typically commonplace objects—which may be either natural (food, flowers, plants, rocks, or shells) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, and so on). With origins in the Middle Ages and Ancient Greek/Roman art, still life paintings give the artist more leeway in the arrangement of design elements within a composition than do paintings of other types of subjects such as landscape or portraiture. Still life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects depicted. Some modern still life breaks the two-dimensional barrier and employs three-dimensional mixed media, and uses found objects, photography, computer graphics, as well as video and sound.

Veduta

A veduta is a highly detailed, usually large-scale painting of a cityscape or some other vista. This genre of landscape originated in Flanders, where artists such as Paul Bril painted vedute as early as the 16th century. As the itinerary of the Grand Tour became somewhat standardized, vedute of familiar scenes like the Roman Forum or the Grand Canal recalled early ventures to the Continent for aristocratic Englishmen. In the later 19th century, more personal impressions of cityscapes replaced the desire for topographical accuracy, which was satisfied instead by painted panoramas.

See also

• 20th-century Western painting
• Cobweb painting
• Drawing
• Fine art
• Graphic arts
• Index of painting-related articles
• List of most expensive paintings
• Outline of painting
• Performance art
• Painting outsourcing in China
• Visual arts
• Image

Notes

{{Reflist}}

Further reading

{{Commons category|Painting}}{{Wiktionary|painting}}{{Wikisource|Portal:Painting}}

• Howard Daniel (1971). Encyclopedia of Themes and Subjects in Painting: Mythological, Biblical, Historical, Literary, Allegorical, and Topical. New York: Harry N. Abrams Inc.
• W. Stanley Taft Jr. and James W. Mayer (2000). The Science of Paintings. Springer-Verlag.

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