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The Rocky Horror Picture Show
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{{Short description|1975 film by Jim Sharman}}{{other uses}}{{Good article}}{{Use British English|date=November 2022}}{{Use dmy dates|date=October 2021}}









factoids
image Original Rocky Horror Picture Show poster.jpg| alt = | caption = Theatrical release poster| director = Jim Sharman
    | writer =     		{edih}| story = The Rocky Horror Show|Richard O’Brien}} {edih} {edih}| cinematography = Peter Suschitzky| editing = Graeme CliffordMichael White (producer)>Michael White Productions| distributor = 20th Century-Foxdf=y8United Kingdom9United States}}ROCKY HORROR PICTURE SHOW (AA) >URL=HTTPS://BBFC.CO.UK/RELEASES/ROCKY-HORROR-PICTURE-SHOW-1970-5 WEBSITE=BRITISH BOARD OF FILM CLASSIFICATION, ARMSTRONG >FIRST=RICHARD TITLE=THE ROUGH GUIDE TO FILM PUBLISHER=ROUGH GUIDES PAGE=506, etal, }}| language = EnglishTITLE=TWENTIETH CENTURY FOX: A CORPORATE AND FINANCIAL HISTORY PUBLISHER=SCARECROW PRESS URL=HTTPS://BOOKS.GOOGLE.COM/BOOKS?ID=WIZWZOZ8LHSC&Q=ROCKY+HORROR URL-ACCESS=SUBSCRIPTION, DATE=19 JUNE 2020 URL=HTTPS://WWW.BBC.COM/CULTURE/ARTICLE/20200618-THE-ROCKY-HORROR-PICTURE-SHOW-THE-FILM-THATS-SAVED-LIVES WEBSITE=BBC date=November 2021|reason=Halloween 2021 receipts increased this}}}}The Rocky Horror Picture Show is a 1975 independentThe Top 10 Indie Movies of All Time | A Cinefix Movie List - IGN10 Indie Movies That Became Pop Culture Hits|Collider musical comedy horror film produced by Lou Adler and Michael White, directed by Jim Sharman, and distributed by 20th Century-Fox. The screenplay was written by Sharman and actor Richard O’Brien, who is also a member of the cast. The film is based on the 1973 musical stage production The Rocky Horror Show, with music, book, and lyrics by O’Brien. The production is a tribute to the science fiction and horror B movies of the 1930s through to the early 1960s. Along with O’Brien, the film stars Tim Curry, Susan Sarandon, and Barry Bostwick and is narrated by Charles Gray, with cast members from the original Royal Court Theatre, Roxy Theatre, and Belasco Theatre productions, including Nell Campbell and Patricia Quinn.The story centres on a young engaged couple whose car breaks down in the rain near a castle, where they search for help. The castle is occupied by strangers in elaborate costumes celebrating. They discover the head of the house is Dr. Frank N. Furter, an apparently mad scientist, who creates a living muscle man named Rocky. Frank seduces the couple and it is finally revealed he is actually an alien transvestite from the planet Transsexual in the galaxy of Transylvania.The film was shot in the United Kingdom at Bray Studios and on location at an old country estate named Oakley Court, best known for its earlier use by Hammer Film Productions. A number of props and set pieces were reused from the Hammer horror films. Although the film is both a parody of and tribute to many kitsch science fiction and horror films, costume designer Sue Blane conducted no research for her designs. Blane has claimed that her creations for the film directly affected the development of punk rock fashion trends, such as torn fishnet stockings and colourfully dyed hair.BOOK, Thompson, Dave,books.google.com/books?id=qx6GDAAAQBAJ&q=Sue+blane,+punk+rock&pg=PA1785, The Rocky Horror Picture Show FAQ: Everything Left to Know About the Campy Cult Classic, 1 February 2016, Applause Theatre & Cinema Books, 978-1-4950-0747-7, 1785, Dave Thompson (author), Initial reception was extremely negative, but it soon became a hit as a midnight movie, when audiences began participating with the film at the Waverly Theater in New York City in 1976. Audience members returned to the cinemas frequently and talked back to the screen and began dressing as the characters, spawning similar performance groups across the United States. At almost the same time, fans in costume began performing alongside the film. This “shadow cast” mimed the actions on screen above and behind them, while lip-synching their characters’ lines.Still in limited release in 2024, some {{age|1975|08|15}} years after its premiere, it is the longest-running theatrical release in film history. In many cities, live amateur shadow-casts act out the film as it is being shown and heavily draw upon a tradition of audience participation.WEB,nerdnationmagazine.com/2014/09/30/rocky-horror-picture-show-a-how-to-guide-for-audience-participation/, Rocky Horror Picture Show – a How-To Guide for Audience Participation, 30 September 2014, live,web.archive.org/web/20201101084155/https://nerdnationmagazine.com/2014/09/30/rocky-horror-picture-show-a-how-to-guide-for-audience-participation/, 1 November 2020, 19 January 2022, The film is most often shown close to Halloween. Today, the film has a large international cult following and has been considered by many as one of the greatest musical films of all time. In 2005, it was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”

    Plot

    The film begins with a pair of floating disembodied lips welcoming the audience to a science fiction double feature (“Science Fiction/Double Feature“). Throughout the film, a criminologist from an unspecified point in the future narrates and provides commentary on the events.In November 1974, following the wedding of their friends, a naïve young couple, Brad Majors and Janet Weiss, get engaged and decide to celebrate with their high school science teacher Dr. Scott, who taught the class where they first met (“Dammit Janet“). En route to Scott’s house on a dark and rainy night, they get lost with a flat tire. Seeking a telephone to call for help, the couple walks to a nearby castle (“Over at the Frankenstein Place“) where a party is being held. They are accepted in by the strangely dressed inhabitants, led by the butler Riff Raff, the maid Magenta, and a groupie named Columbia, who dance to “The Time Warp”. Dr. Frank-N-Furter, a transvestite mad scientist, introduces himself and invites them to stay for the night (“Sweet Transvestite“).With the help of Riff Raff, Frank brings to life a tall, muscular, handsome blond man named Rocky (“The Sword of Damocles“). As Frank vows he can improve Rocky into an ideal man in a week (“I Can Make You a Man“), a head-bandaged motorcyclist named Eddie breaks out of a deep freeze (“Hot Patootie – Bless My Soul“). Frank kills Eddie with an ice axe, justifying it as a “mercy killing”. Rocky and Frank depart for the bridal suite. (“I Can Make You a Man (Reprise)“)Brad and Janet are shown to separate bedrooms, where each is visited and seduced by Frank. Meanwhile, Riff Raff and Magenta torment Rocky, who flees the suite. Janet, having learned of Brad’s dalliance with Frank, discovers Rocky cowering in his birth tank. While tending to his wounds, Janet seduces Rocky as Magenta and Columbia watch from their bedroom monitor (“Touch-a, Touch-a, Touch-a, Touch Me“).Dr. Scott, now a government investigator of UFOs, comes to the castle in search of his nephew Eddie, who sent him a letter implying part of his brain was removed by aliens. Everyone discovers Janet and Rocky together, enraging Frank. Magenta summons everyone to an uncomfortable dinner, which they soon realize has been prepared from Eddie’s mutilated remains (“Eddie“). In the chaos, Janet runs screaming into Rocky’s arms, provoking a jealous Frank to chase her through the halls to the lab, where he uses his Medusa Transducer to turn Dr. Scott, Brad, Janet, Rocky, and Columbia into nude statues (“Planet Schmanet Janet/Wise Up Janet Weiss“/“Planet Hotdog“).After dressing the statues in cabaret costumes, Frank “unfreezes” them and leads them in a live cabaret floor show, complete with an RKO tower and a swimming pool (“Rose Tint My World“/“Don’t Dream It, Be It“/“Wild and Untamed Thing“). Riff Raff and Magenta interrupt, and announce that due to Frank’s extravagance, they are declaring mutiny and returning to their home planet of Transsexual, Transylvania. Frank makes a desperate final plea (“I’m Going Home“) but is ignored as Riff Raff kills both him and Columbia with a laser. An enraged Rocky climbs the tower with Frank’s body, and, after several shots from the laser, plunges to his death. The castle lifts off into space; Brad, Janet, and Dr. Scott are left crawling in the smog and dirt as the criminologist concludes that the human race is equivalent to insects crawling on the planet’s surface: “lost in time, and lost in space... and meaning” (“Super Heroes“).

    Cast

    {{Cast listing| }}Jeremy Newson and Hilary Labow play Brad and Janet’s newlywed friends Ralph and Betty Hapschatt. The guests at both the Hapschatt wedding and Frank’s convention consist of Perry Bedden, Christopher Biggins, Gaye Brown, Ishaq Bux, Stephen Calcutt, Hugh Cecil, Imogen Claire, Tony Cowan, Sadie Corré, Fran Fullenwider, Lindsay Ingram, Peggy Ledger, Annabel Leventon, Anthony Milner, Pamela Obermeyer, Tony Then, Kimi Wong, and Henry Woolf, as well as an uncredited Rufus Collins.

    Production

    Concept and development

    (File:Rocky Horror throne screencap.jpg|thumb|upright=1.60|Little Nell, Patricia Quinn, Tim Curry, and Richard O’Brien in The Rocky Horror Picture Show. All were in the original stage show.)Richard O’Brien was living as an unemployed actor in London during the early 1970s. He wrote most of The Rocky Horror Show during one winter just to occupy himself. Since his youth, O’Brien had loved science fiction and B horror movies. He wanted to combine elements of the unintentional humour of B horror movies, portentous dialogue of schlock-horror, Steve Reeves muscle flicks, and fifties rock and roll into his musical.BOOK, Knapp, Raymond,archive.org/details/americanmusicalp00knap, The American Musical and the Performance of Personal Identity, 2 March 2009, Princeton University Press, 978-0-6911-4105-3, 240, registration, O’Brien conceived and wrote the play set against the backdrop of the glam era that had manifested itself in British popular culture in the 1970s.BOOK, Auslander, Philip,archive.org/details/performingglamro00ausl, Performing Glam Rock: Gender and Theatricality in Popular Music, 2006, University of Michigan Press, 49, limited, Allowing his concept to come into being, O’Brien states “glam rock allowed me to be myself more”.BOOK, Reynolds, Simon, Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century,books.google.com/books?id=KKupCgAAQBAJ&q=Shock+and+Awe:+Glam+Rock+and+Its+Legacy,+from+the+Seventies+to+the+Twenty-First+Century, 11 October 2016, Harper Collins, 978-0-0622-7981-1, subscription, O’Brien showed a portion of the unfinished script to Australian director Jim Sharman, who decided to direct it at the small experimental space Upstairs at the Royal Court Theatre in Sloane Square, Chelsea, London, which was used as a project space for new work. O’Brien had appeared briefly in a stage production of Andrew Lloyd Webber’s Jesus Christ Superstar, directed by Sharman, and the two also worked together in Sam Shepard’s The Unseen Hand. Sharman would bring in production designer Brian Thomson.BOOK, Daniel, Eagan,books.google.com/books?id=2CIJFMMvx9MC&pg=PT2086, America’s Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, 26 November 2009, Continuum International Publishing Group, Limited, 978-1-4411-7541-0, 2086, The original creative team was then rounded out by costume designer Sue Blane, musical director Richard Hartley, and stage producer Michael White, who was brought in to produce. As the musical went into rehearsal, the working title, They Came from Denton High, was changed just before previews at the suggestion of Sharman to The Rocky Horror Show.BOOK, Thomson, Brian, 1998, The Rocky Horror Scrapbook, New York, Interfishnet, 6, 978-0-2339-9581-6, Having premiered in the small 60-seat Royal Court Theatre, it quickly moved to larger venues in London, transferring to the 230-seat Chelsea Classic Cinema on King’s Road on 14 August 1973, before finding a quasi-permanent home at the 500-seat King’s Road Theatre from 3 November that year, running for six years.BOOK, Shuker, Roy,archive.org/details/understandingpop0000shuk_i1i5, Understanding popular music, 1 November 1994, Routledge, annotated, 978-0-415-10722-8, 160, registration, The musical made its U.S. debut in Los Angeles in 1974 before playing in New York City as well as other cities. Producer and Ode Records owner Lou Adler attended the London production in the winter of 1973, escorted by friend Britt Ekland. He immediately decided to purchase the U.S. theatrical rights. His production would be staged at his Roxy Theatre in L.A.BOOK, Erik, Quisling,books.google.com/books?id=M9SwyVx4d8EC&pg=PT245, Straight Whisky: A Living History of Sex, Drugs, and Rock ‘n’ Roll on the Sunset Strip, Austin Lowry, Williams, 2003, Bonus Books, 978-1-5662-5197-6, 245, In 1975, The Rocky Horror Show premiered on Broadway at the 1,000-seat Belasco Theatre.ATT BROADWAY, 33,

    Filming and locations

    (File:Oakley Court.jpg|right|thumb|Oakley Court)Set in the fictional town of Denton, the film was shot at Bray Studios and Oakley Court, a country house near Maidenhead, Berkshire, England, and at Elstree StudiosBOOK, Paul, Newland,books.google.com/books?id=9BZCLVHpA-gC&pg=PA138, Don’t Look Now: British Cinema in the 1970s, 2010, Intellect Books, 978-1-8415-0320-2, 138, for post-production,WEB, Williams, sally, Elstree Studios.,www.thefreelibrary.com/Elstree+Studios.-a0150440147, 16 March 2014, The Free Library, Farlex, Inc., from 21 October to 19 December 1974. Oakley Court, built in 1857 in the Victorian Gothic style, is known for a number of Hammer films.BOOK, Huckvale, David,www.ice.cam.ac.uk/components/tutors/?view=tutor&id=87&cid=500, Hammer Film Scores and the Musical Avant-Garde, 28 May 2008, McFarland, 978-0-7864-3456-5, 150, 30 September 2012, BOOK, Stuart, Fisher,books.google.com/books?id=YWyrAAAAQBAJ&pg=PA227, British River Navigations: Inland Cuts, Fens, Dikes, Channels and Non-tidal Rivers, 24 October 2013, A&C Black, 978-1-4729-0668-7, 227, Much of the location shooting took place there, although at the time the manor was not in good condition.BOOK, Bruce G., Hallenbeck,books.google.com/books?id=2AIgAef-bAcC&pg=PA109, Comedy-Horror Films: A Chronological History, 1914–2008, 30 April 2009, McFarland, 978-0-7864-5378-8, 109, Most of the cast were from the original London stage production, including Tim Curry, who had decided that Dr Frank N. Furter should speak like the Queen of the United Kingdom, extravagantly posh. Fox insisted on casting the two characters of Brad and Janet with American actors, Barry Bostwick and Susan Sarandon. Filming took place during autumn, which made conditions worse. During filming, Sarandon fell ill with pneumonia. Filming of the laboratory scene and the title character’s creation occurred on 30 October 1974.Henkin (1979), p. 16The film is both a parody and tribute to many of the science fiction and horror movies from the 1930s up to the 1970s.BOOK, Scott, Miller,books.google.com/books?id=zAKvBAXbdFkC&pg=PA127, Sex, Drugs, Rock & Roll, and Musicals, 2011, UPNE, 978-1-5555-3761-6, 127, The film production retains many aspects from the stage version, such as production design and music, but adds new scenes not featured in the original stage play. The film’s plot, setting, and style echo those of the Hammer horror films, which had their own instantly recognizable style (just as Universal Studios’ horror films did).BOOK, Harpole, Charles,books.google.com/books?id=bkCxtdir1ZIC&q=The+Rocky+Horror+Picture+Show+parody+of+Hammer+Films&pg=PA212, History of the American cinema, 5 November 1999, Charles Scribner’s Sons, 978-0-6848-0463-7, 1st, 212–213, The originally proposed opening sequence was to contain clips of various films mentioned in the lyrics, as well as the first few sequences shot in black and white, but this was deemed too expensive and scrapped.

    Costumes, make-up, and props

    In the stage productions, actors generally did their own make-up; however, for the film, the producers chose Pierre La Roche, who had previously been a make-up artist for Mick Jagger and David Bowie, to redesign the make-up for each character.BOOK, Hadleigh, Boze, The Lavender Screen: The Gay and Lesbian Films: Their Stars, Makers, Characters, and Critics, 1 January 2001, Citadel, 978-0-8065-2199-2, Revised, 132–135,books.google.com/books?id=H7u2PmlUDpwC&q=rocky+horror, 17 November 2021, Production stills were taken by rock photographer Mick Rock, who has published a number of books from his work.WEB, 2011, Mick Rock,www.mickrock.com/about-mick/, dead,www.mickrock.com/about-mick/," title="web.archive.org/web/20120918045420www.mickrock.com/about-mick/,">web.archive.org/web/20120918045420www.mickrock.com/about-mick/, 18 September 2012, 4 October 2012, Official web site, In Rocky Horror: From Concept to Cult, designer Sue Blane discusses the Rocky Horror costumes’ influence on punk music style, opining “[It was a] big part of the build-up [to punk].” She states that ripped fishnet stockings, glitter, and coloured hair were directly attributable to Rocky Horror.File:Columbia top hat and tux.jpg|thumb|A replica costume based on the film’s gold sequined swallow-tail coatswallow-tail coatSome of the costumes from the film had been originally used in the stage production. Props and set pieces were reused from old Hammer Horror productions and others. The tank and dummy used for Rocky’s birth originally appeared in The Revenge of Frankenstein (1958). These references to earlier productions, in addition to cutting costs, enhanced the cult status of the film.BOOK, Samantha Michele, Riley,core.ac.uk/download/pdf/210600559.pdf, Becoming the Wig: Mis/identifications and Citationality in Queer Rock Musicals, 2008, 978-0-549-53382-5, 22, Costume designer Sue Blane was not keen on working for the film, until she became aware that Curry, an old friend, was committed to the project. Curry and Blane had worked together in Glasgow’s Citizens Theatre in a production of The Maids, for which Curry had worn a woman’s corset. Blane arranged for the theatre to loan her the corset from the other production for Rocky Horror.WEB, Siegel, Robert, Making The Rocky Horror Picture Show,www.blu-ray.com/news/?id=7605, 27 March 2014, Blu-ray.com, Blane admits that she did not conduct research for her designing, had never seen a science fiction film, and is acutely aware that her costumes for Brad and Janet may have been generalizations.{{blockquote|When I designed Rocky, I never looked at any science fiction movies or comic books. One just automatically knows what spacesuits look like, the same way one intuitively knows how Americans dress. I had never been to the United States, but I had this fixed idea of how people looked there. Americans wore polyester so their clothes wouldn’t crease, and their trousers were a bit too short. Since they’re very keen on sports, white socks and white T-shirts played an integral part in their wardrobe. Of course, since doing Rocky I have been to the United States and admit it was a bit of a generalization, but my ideas worked perfectly for Brad and Janet.}}The budget for the film was US$1,600,000, far more than the stage production budget, but having to double up on costumes for the film production was expensive. For filming, corsets for the finale had to be doubled for the pool scene, with one version drying while the other was worn on set. While many of the costumes are exact replicas from the stage productions, other costumes were new to filming, such as Columbia’s gold sequined swallow-tail coat and top hat and Magenta’s maid’s uniform.Blane was amazed by the recreation and understanding of her designs by fans. When she first heard that people were dressing up, she thought it would be tacky, but was surprised to see the depth to which the fans went to recreate her designs. Rocky Horror fan Mina Credeur, who designs costumes and performed as Columbia for Houston’s performance group, states that “the best part is when everyone leaves with a big smile on their face,” noting that there’s “such a kitschiness and campiness that it seems to be winking at you.“NEWS, Keppler, Nick, 7 June 2007, The Beautiful Creatures, Houston Press,www.houstonpress.com/arts/the-beautiful-creatures-6584721, 28 March 2014, The film still plays at many theatre locations and Rocky Horror costumes are often made for Halloween, although many require much time and effort to make.NEWS, Jones, Melanie, 18 October 2011, Rocky Horror Picture Show Costumes: DIY Ideas for Halloween 2011, International Business Times,www.ibtimes.com/rocky-horror-picture-show-costumes-diy-ideas-halloween-2011-324346, 15 November 2014,

    Title sequence

    The film starts with the screen fading to black and oversized, disembodied female lips appear overdubbed with a male voice,BOOK, David, Laderman,books.google.com/books?id=UU8X_FH76uwC&pg=PA32, Punk Slash! Musicals: Tracking Slip-Sync on Film, 1 March 2010, University of Texas Press, 978-0-292-77791-0, 32, establishing the theme of androgyny to be repeated as the film unfolds.BOOK, Kurt, Lancaster,books.google.com/books?id=B9fAl7lwtMEC&pg=PA128, Performing the Force: Essays on Immersion Into Science Fiction, Fantasy, and Horror Environments, Thomas J., Mikotowicz, 1 January 2001, McFarland, 978-0-7864-0895-5, 128, The opening scene and song, “Science Fiction/Double Feature”, consists of the lips of Patricia Quinn (who appears in the film later as the character Magenta and as ‘Trixie the Usherette’ in the original London production, where she also sings the song) but has the vocals of actor and Rocky Horror creator, Richard O’Brien (who appears as Magenta’s brother Riff Raff). The lyrics refer to science fiction and horror films of the past and list several film titles from the 1930s to the 1960s, including The Day the Earth Stood Still (1951), Flash Gordon (1936), The Invisible Man (1933), King Kong (1933), It Came from Outer Space (1953), Doctor X (1932), Forbidden Planet (1956), Tarantula (1955), The Day of the Triffids (1962), Curse of the Demon (1957), and When Worlds Collide (1951).

    Music

    The soundtrack was released in 1975 by Ode Records and produced by English composer Richard Hartley. The album peaked at No. 49 on the U.S. Billboard 200 in 1978.WEB, The Rocky Horror Picture Show > Charts & Awards, {{AllMusic, album, r84835/charts-awards, yes, |website=AllMusic |access-date=3 October 2010}} It reached No. 12 on the Australian albums chartBOOK, Kent, David, Australian Chart Book 1970–1992, Australian Chart Book, 1993, 978-0-646-11917-5, St Ives, New South Wales, 282, David Kent (historian), and No. 11 on the New Zealand albums chart.WEB, The Rocky Horror Picture Show (album),charts.nz/showitem.asp?interpret=Soundtrack&titel=The+Rocky+Horror+Picture+Show&cat=a, 3 October 2010, New Zealand charts portal, The album is described as the “definitive version of the [Rocky Horror] score”.WEB, Ruhlmann, William, The Rocky Horror Picture Show > Review, {{AllMusic, album, r84835/review, yes, |website=Allmusic |access-date=3 October 2010}}{{Div col|colwidth=30em}}
    1. “Science Fiction/Double Feature” – The Lips (those of Patricia Quinn; voice of Richard O’Brien)
    2. “Dammit Janet” – Brad, Janet, and Chorus
    3. “Over at the Frankenstein Place” – Janet, Brad, Riff Raff, and Chorus
    4. “The Time Warp” – Riff Raff, Magenta, The Criminologist, Columbia, and Transylvanians
    5. “Sweet Transvestite” – Frank with spoken lyrics by Brad and Janet
    6. “The Sword of Damocles” – Rocky and Transylvanians
    7. “I Can Make You a Man” – Frank and Transylvanians
    8. “Hot Patootie – Bless My Soul” – Eddie and Transylvanians
    9. “I Can Make You a Man (Reprise)” – Frank, Janet, and Transylvanians
    10. “Touch-a, Touch-a, Touch-a, Touch Me” – Janet with Magenta, Columbia, Rocky, Brad, Frank, and Riff Raff
    11. “Once in a While” (deleted scene) – Brad
    12. “Eddie” – Dr. Scott, The Criminologist, Janet, Columbia, and Frank
    13. “Planet Schmanet Janet (Wise Up Janet Weiss)” – Frank with one line by Janet
    14. “Planet Hot Dog” – Frank, Brad, Dr. Scott, and Janet
    15. “Rose Tint My World” – Columbia, Rocky, Brad, and Janet
    16. “Fanfare/Don’t Dream It, Be It” – Frank with Dr. Scott, Brad, and Janet
    17. “Wild and Untamed Thing” – Frank with Brad, Janet, Rocky, Columbia, and Riff Raff
    18. “I’m Going Home” – Frank and Chorus
    19. “Super Heroes” (only present in full in the original UK release) – Brad, Janet, The Criminologist, and Chorus
    20. “Science Fiction/Double Feature (Reprise)” – The Lips
    {{div col end}}

    Release

    (File:London opening poster for Rialto.jpeg|thumb|right|London release poster for 14 August 1975 premiere)The film opened in the United Kingdom at the Rialto Theatre in London on 14 August 1975 and in the United States on 26 September at the UA Westwood in Los Angeles.NEWS,inmagazine.ca/2019/09/flashback-the-rocky-horror-picture-show-premieres-in-north-america-september-26-1975/, FLASHBACK: The Rocky Horror Picture Show Premieres In North America (September 26, 1975), 26 September 2019, 14 August 2020, In Magazine, It did well at that location, but not elsewhere.BOOK, Henkin, William A.,archive.org/details/rockyhorrorpictu0000henk/page/24/mode/2up?q=westwood, The Rocky Horror Picture Show Book, Henkin, Bill, 1 August 1979, Penguin Books, 978-0-4522-6654-4, New York City, 27, 17 November 2021, Before the midnight screenings’ success, the film was withdrawn from its eight opening cities due to very small audiences, and its planned New York City opening on Halloween night was cancelled.Samuels (1983), p. 11 Fox re-released the film around college campuses on a double-bill with another rock music film parody, Brian De Palma’s Phantom of the Paradise (1974), but again it drew small audiences.File:The Rocky Horror Picture Show.jpg|thumb|left|upright|The iconic “Lips” poster, a parody of the poster for the 1975 film Jaws]]A second film poster was created using a set of red lipstick-painted lips with the tagline “A Different Set of Jaws”, a spoof of the poster for the film Jaws (which was also released in 1975). The lips of former Playboy model Lorelei Shark are featured on the poster.WEB, 7 June 2016, Lorelei Shark Interview – She IS The Rocky Horror LIPS – Scott Michaels Dearly Departed online,www.youtube.com/watch?v=TcM0920SS20,ghostarchive.org/varchive/youtube/20211211/TcM0920SS20, 2021-12-11, live, YouTube, 15 August 2016, {{cbignore}}With Pink Flamingos (1972) and Reefer Madness (1936) making money in midnight showings nationwide, a Fox executive, Tim Deegan, was able to talk distributors into midnight screenings, starting in New York City on April Fools’ Day of 1976. It was the “Secret” film, on 20 May, in the first Seattle International Film Festival.WEB,historylink.org/File/10097, First Seattle International Film Festival (SIFF) opens at Moore Egyptian Theatre on May 14, 1976., HistoryLink, Caldbick, John, 5 January 2012, live,web.archive.org/web/20161019075804/https://historylink.org/File/10097, 19 October 2016, 27 January 2022, The cult following started shortly after the film began its midnight run at the Waverly Theater in New York City, then spread to other counties in New York, and to Uniondale, Long Island. Rocky Horror was not only found in the larger cities but throughout the United States, where many attendees would get in free if they arrived in costume. The western division of the film’s release included the U.A. Cinemas in Fresno and Merced, the Cinema J. in Sacramento, the UC Theatre in Berkeley and the Covell in Modesto. In New Orleans, an early organised performance group was active with the release there, as well as in such cities as Pittsburgh, Pennsylvania, and Chicago (at the Biograph Theater). Before long, nearly every screening of the film was accompanied by a live fan cast.{{sfn|Henkin|1979|p=118}}(File:UA Cinema Rocky Horror 1978.jpg|thumb|19 January 1978, opening at the UA Cinema, Merced, California)The Rocky Horror Picture Show is considered to be the longest-running release in film history.PRESS RELEASE, Fox Celebrates 25 Years of Absolute Pleasure, Pop Culture Phenomenon and Midnight Classic, 24 August 2000, RHPS Official Fan Site,www.rockyhorror.com/news/pr_25thannivdvd.php, 13 June 2007, It benefited from a 20th Century Fox policy that made archival films available to theatres at any time.JOURNAL, Zoller-Seitz, Matt, 24 October 2019, Disney Is Quietly Placing Classic Fox Movies Into Its Vault, and That’s Worrying,www.vulture.com/amp/2019/10/disney-is-quietly-placing-classic-fox-movies-into-its-vault.html, 24 October 2019, New York (magazine)#Digital expansion and destination sites, Vulture, Having never been pulled by 20th Century Fox from its original 1975 release, it continues to play in cinemas.WEB, RHPS regular showtimes,www.rockyhorror.com/participation/showtimes_listings.php?type=r, 13 April 2013, NEWS, Smith, Zach, 27 October 2010, What keeps The Rocky Horror Picture Show flame burning for more than two decades in Raleigh?, Indy Week,www.indyweek.com/indyweek/what-keeps-the-rocky-horror-picture-show-flame-burning-for-more-than-two-decades-in-raleigh/Content?oid=1753817, 13 April 2013, 19 May 2017,www.indyweek.com/indyweek/what-keeps-the-rocky-horror-picture-show-flame-burning-for-more-than-two-decades-in-raleigh/Content?oid=1753817," title="web.archive.org/web/20170519111239www.indyweek.com/indyweek/what-keeps-the-rocky-horror-picture-show-flame-burning-for-more-than-two-decades-in-raleigh/Content?oid=1753817,">web.archive.org/web/20170519111239www.indyweek.com/indyweek/what-keeps-the-rocky-horror-picture-show-flame-burning-for-more-than-two-decades-in-raleigh/Content?oid=1753817, dead, After The Walt Disney Company acquired 20th Century Fox in 2019 and began withdrawing archival Fox movies from theatres to be placed into the Disney Vault, the company made an exception in the case of The Rocky Horror Picture Show to allow the traditional midnight screenings to continue.NEWS, Henriksen, Erik, 29 August 2019, As Disney Cracks Down on Repertory Screenings, Portland’s Independent Theaters Adapt,www.portlandmercury.com/blogtown/2019/08/29/27051960/as-disney-cracks-down-on-repertory-screenings-portlands-indie-theaters-adapt, 31 October 2019, Portland Mercury,

    Home media

    A Super 8 version of selected scenes of the film was made available.Piro & Hess (1991), p. 77 In 1983, Ode Records released The Rocky Horror Picture Show, Audience Par-Tic-I-Pation Album, recorded at the 8th Street Playhouse. The recording consisted of the film’s audio and the standardized call-backs from the audience.BOOK, Peraino, Judith A.,books.google.com/books?id=97PGJX3DMFAC&pg=PA234, Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig, 30 October 2005, University of California Press, 978-0-5209-2174-0, Oakland, California, 234, A home video release was made available in 1987 in the UK.WEB, British Board of Film Classification: RHPS,bbfc.co.uk/releases/rocky-horror-picture-show-1975, 14 April 2016, In the US, the film (including documentary footage and extras) was released on VHS on 8 November 1990, retailing for $89.95.NEWS, Champion, Lindsay, 14 August 2013, Happy Birthday, Dear Rocky! 38 Freaky Facts About The Rocky Horror Picture Show, John Gore Organization, Broadway.com,www.broadway.com/buzz/171159/happy-birthday-dear-rocky-38-freaky-facts-about-the-rocky-horror-picture-show/, 27 March 2014, The film was released on DVD in 2000 for the film’s 25th anniversary. A 35th anniversary edition Blu-ray was released by 20th Century Fox Home Entertainment in the US on 19 October 2010. The disc includes a newly created 7.1 surround sound mix, the original theatrical mono sound mix, and a 4K/2K image transfer from the original camera negative. In addition, new content featuring karaoke and a fan performance were included.PRESS RELEASE, An Absolute Pleasure...For 35 Years, RHPS Official Fan Site,www.rockyhorror.com/news/pr_bluray.php, 4 August 2010, 17 November 2021, A 45th anniversary edition Blu-ray was released in September 2020 by Walt Disney Studios Home Entertainment under the 20th Century Home Entertainment label.WEB, 9 September 2020, THE ROCKY HORROR PICTURE SHOW 45th Anniversary Limited-Edition SteelBook Arrives Sept. 15,www.broadwayworld.com/bwwtv/article/THE-ROCKY-HORROR-PICTURE-SHOW-45th-Anniversary-Limited-Edition-SteelBook-Arrives-Sept-15-20200909, 27 September 2020, BroadwayWorld, en, In October 2021, the film was added to Disney+ on the Star hub for users in locations such as the UK, Ireland and Canada.WEB, 23 September 2021, “Rocky Horror Picture Show” Coming Soon To Disney+ (UK/Ireland), What’s On Disney Plus,whatsondisneyplus.com/rocky-horror-picture-show-coming-soon-to-disney-uk-ireland/, 3 October 2021, en-US, 10 February 2022,web.archive.org/web/20220210113714/https://whatsondisneyplus.com/rocky-horror-picture-show-coming-soon-to-disney-uk-ireland/, dead,

    Reception

    Chicago Sun-Times critic Roger Ebert noted that when first released, The Rocky Horror Picture Show was “ignored by pretty much everyone, including the future fanatics who would eventually count the hundreds of times they’d seen it”. He considered it more a “long-running social phenomenon” than a movie, rating it 2.5 out of 4 stars and describing Curry as “the best thing in the movie, maybe because he seems to be having the most fun” but thinking the story would work better performed on stage for a live audience.NEWS, Ebert, Roger, Roger Ebert, 1 January 1975, The Rocky Horror Picture Show,rogerebert.com/reviews/the-rocky-horror-picture-show-1975, 5 April 2014, Chicago Sun-Times, Rogerebert.com, Bill Henkin noted that Variety thought that the “campy hijinks” of the film seemed labored, and also mentioned that the San Francisco Chronicle{{’s}} John Wasserman, who had liked the stage play in London, found the film “lacking both charm and dramatic impact”. Newsweek, in 1978, called the film “tasteless, plotless and pointless”.BOOK, Caroline Joan, Picart,books.google.com/books?id=f75PPxXDpeIC&pg=PA62, Remaking the Frankenstein Myth on Film: Between Laughter and Horror, 2 July 2003, SUNY Press, 978-0-7914-5770-2, 62, Review aggregator website Rotten Tomatoes gives the film a rating of 80% based on 49 reviews, and an average grade of 6.9/10, with the critical consensus reading ”The Rocky Horror Picture Show brings its quirky characters in tight, but it’s the narrative thrust that really drives audiences insane and keeps ‘em doing the time warp again”.WEB, The Rocky Horror Picture Show,rottentomatoes.com/m/rocky_horror_picture_show/, 24 February 2024, Rotten Tomatoes, A number of contemporary critics find it compelling and enjoyable because of its offbeat and bizarre qualities; the BBC summarised: “for those willing to experiment with something a little bit different, a little bit outré, The Rocky Horror Picture Show has a lot to offer.“WEB, 25 August 2000, The Rocky Horror Picture Show,www.bbc.co.uk/films/2000/08/25/rocky_horror_review.shtml, 5 April 2014, BBC, The New York Times called it a “low-budget freak show/cult classic/cultural institution” with “catchy” songs.NEWS, The Rocky Horror Picture Show,www.nytimes.com/movies/movie/41864/The-Rocky-Horror-Picture-Show/overview,www.nytimes.com/movies/movie/41864/The-Rocky-Horror-Picture-Show/overview," title="web.archive.org/web/20140426131421www.nytimes.com/movies/movie/41864/The-Rocky-Horror-Picture-Show/overview,">web.archive.org/web/20140426131421www.nytimes.com/movies/movie/41864/The-Rocky-Horror-Picture-Show/overview, dead, 26 April 2014, The New York Times, Derek, Armstrong, 26 April 2014, 5 April 2014, Geoff Andrew, of Time Out, noted that the “string of hummable songs gives it momentum, Gray’s admirably straight-faced narrator holds it together, and a run on black lingerie takes care of almost everything else”, rating it 4 out of 5 stars.MAGAZINE, The Rocky Horror Picture Show,timeout.com/london/film/the-rocky-horror-picture-show, Time Out, 5 April 2014, On the other hand, Dave Kehr of the Chicago Reader considered the wit to be “too weak to sustain a film” and thought that the “songs all sound the same”.NEWS, The Rocky Horror Picture Show, Chicago Reader,chicagoreader.com/film/the-rocky-horror-picture-show/, Kehr, Dave, 23 October 2012, 17 November 2021, In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.WEB, 20 November 2013, National Film Registry Titles 1989–2013,www.loc.gov/film/registry_titles.php, dead,www.loc.gov/film/registry_titles.php," title="web.archive.org/web/20120419221742www.loc.gov/film/registry_titles.php,">web.archive.org/web/20120419221742www.loc.gov/film/registry_titles.php, 19 April 2012, 18 February 2014, Library of Congress, JOURNAL,books.google.com/books?id=pP3A4NB2P4oC, Rocky Horror Picture Show, Library of Congress Information Bulletin, 2006, Library of Congress, 23,

    Cult following

    Origins

    File:Dori and Sal.jpg|thumb|right|Dori Hartley and Sal PiroSal PiroThe Rocky Horror Picture Show helped shape conditions of cult film’s transition from art-house to grindhouse style. The film developed a cult following in 1976 at the Waverly Theatre in New York, which developed into a standardized ritual. According to J. Hoberman, author of Midnight Movies, it was after five months into the film’s midnight run when lines began to be shouted by the audience. Louis Farese Jr., a normally quiet teacher, upon seeing the character Janet place a newspaper over her head to protect herself from rain, yelled, “Buy an umbrella, you cheap bitch.” Originally, Louis and other Rocky Horror pioneers, including Amy Lazarus, Theresa Krakauskas, and Bill O’Brian, did this to entertain each other, each week trying to come up with something new to make each other laugh. This quickly caught on with other theatre-goers and thus began this self-proclaimed “counter point dialogue”, which became standard practice and was repeated nearly verbatim at each screening. Performance groups became a staple at Rocky Horror screenings due in part to the prominent New York City fan cast. The New York City cast was originally run by former schoolteacher and stand-up comic Sal Piro and his friend Dori Hartley, the latter of whom portrayed Dr. Frank N. Furter and was one of several performers, including Will Kohler as Brad Majors, Nora Poses as Janet, and Lilias Piro as Magenta, in a flexible rotating cast.{{sfn|Henkin|1979|page=106}} The performances of the audience were scripted and actively discouraged improvising, being conformist in a similar way to the repressed characters.BOOK, Ernest, Mathijs,books.google.com/books?id=3EmSqIo4I-QC&pg=PA101, Cult Cinema, Jamie, Sexton, 30 March 2012, John Wiley & Sons, 978-1-4443-9642-3, 101, (File:Garrett3.jpg|thumb|upright|D. Garrett Gafford and Terri Hardin, Tiffany Theater Hollywood, 1978)On Halloween in 1976, people attended in costume and talked back to the screen, and by mid-1978, Rocky Horror was playing in over 50 locations on Fridays and Saturdays at midnight. Newsletters were published by local performance groups, and fans gathered for Rocky Horror conventions. By the end of 1979, there were twice-weekly showings at over 230 theatres. The National Fan Club was established in 1977 and later merged with the International Fan Club. The fan publication The Transylvanian printed a number of issues, and a semi-regular poster magazine was published as well as an official magazine.BOOK, Mathijs, Ernest,books.google.com/books?id=dWX4AAAAQBAJ&pg=PA395, The Cult Film Reader, Mendik, Xavier, 1 December 2007, McGraw-Hill International, 978-0-335-21923-0, 395, Performance groups in the Los Angeles area originated at the Fox Theatre in 1977, where Michael Wolfson won a look-alike contest as Frank N. Furter, and won another at the Tiffany Theater on Sunset Boulevard. Wolfson’s group eventually performed in all of the L.A. area theatres screening Rocky Horror, including the Balboa Theater in Balboa, The Cove at Hermosa Beach, and The Sands in Glendale. He was invited to perform at the Sombrero Playhouse in Phoenix, Arizona.{{Citation needed|date=August 2019}} At the Tiffany Theatre, the audience performance cast had the theatre’s full cooperation; the local performers entered early and without charge. The fan playing Frank for this theatre was a transgender performer, D. Garret Gafford, who was out of work in 1978 and trying to raise the funds for a gender reassignment while spending the weekends performing at the Tiffany.NEWS, Overand, William, 19 July 1978, Saturday Night Fervor at the Tiffany Theater, Los Angeles Times,www.latimes.com/entertainment/herocomplex/la-et-hc-saturday-night-fervor-at-tiffany-20150925-story.html, 17 November 2021, subscription, Presently, the live action rendition of The Rocky Horror Picture Show is available for attendance in various locations in Los Angeles, typically Saturday nights at midnight.{{Citation needed|date=August 2019}}(File:Strand Theater Rocky Horror.jpg|right|thumb|San Francisco’s Strand Theatre, 1979. Linda Woods, Marni Scofidio, Denise Erickson, and Jim Curry)By 1978, Rocky Horror had moved from an earlier San Francisco location to the Strand Theatre located near the Tenderloin on Market Street.BOOK, Jim, Stewart,books.google.com/books?id=anV4X3D8K04C&pg=PA109, Folsom Street Blues: A Memoir of 1970s SoMa and Leatherfolk in Gay San Francisco, 2011, Palm Drive Publishing, 978-1-8908-3403-6, 109, The performance group there, Double Feature/Celluloid Jam, was the first to act out and perform almost the entire film, unlike the New York cast at that time. The Strand cast was put together from former members of an early Berkeley group, disbanded due to less than enthusiastic management. Frank N. Furter was portrayed by Marni Scofidio, who, in 1979, attracted many of the older performers from Berkeley. Other members included Mishell Erickson as Columbia, her twin sister Denise Erickson as Magenta, Kathy Dolan as Janet, and Linda “Lou” Woods as Riff Raff. The Strand group performed at two large science fiction conventions in Los Angeles and San Francisco, were offered a spot at The Mabuhay, a local punk club, and performed for children’s television of Argentina.

    Legacy

    Annual Rocky Horror conventions are held in varying locations, lasting days. Tucson, Arizona has been host a number of times, including 1999 with “El Fishnet Fiesta”, and “Queens of the Desert” held in 2006.NEWS, Gay, Gerald M., 13 March 2014, ‘Rocky Horror’ shines at El Fishnet Fiesta, Arizona Daily Star, Tucson,azstarnet.com/entertainment/movies/rocky-horror-shines-at-el-fishnet-fiesta/article_d7ea0288-3d24-5d22-8dc8-ff86b61f93ff.html, 18 March 2014, Vera Dika wrote that, to the fans, Rocky Horror is ritualistic and comparable to a religious event, with a compulsive, repeated cycle of going home and coming back to see the film each weekend.BOOK, Vera, Dika,books.google.com/books?id=opah6_oJqPYC&pg=PA112, Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia, 9 June 2003, Cambridge University Press, 978-0-5210-1631-5, 112, The audience call-backs are similar to responses in church during a mass. Many theatre troupes exist across the United States that produce shadow-cast performances where the actors play each part in the film in full costume, with props, as the movie plays on the big screen in a movie theatre.WEB, Come see Northern Virginia’s only Rocky Horror shadowcast!, Transylvanian Concubines,www.transylvanianconcubines.com/, dead,www.transylvanianconcubines.com/," title="web.archive.org/web/20160209141248www.transylvanianconcubines.com/,">web.archive.org/web/20160209141248www.transylvanianconcubines.com/, 9 February 2016, 10 February 2016, WEB, 30 January 2012, Where Rocky Horror Lives in Los Angeles!,sins.la/, 10 February 2016, Sins O’ The Flesh, 4 February 2016,sins.la/," title="web.archive.org/web/20160204021220sins.la/,">web.archive.org/web/20160204021220sins.la/, dead, O’Brien’s Orchestra, formerly known as the Queerios (based in Austin, Texas), is the longest running shadow-cast in Texas.WEB, Austin’s very own Rocky Horror Shadow Cast!, O’Briens Orchestra,www.rockyhorroraustin.com/, 29 June 2021, en, The film has a global following and remains popular.BOOK, Bob, Batchelor,books.google.com/books?id=lAIMzLLh9nUC&pg=PA52, Cult Pop Culture: How the Fringe Became Mainstream, December 2011, ABC-CLIO, 978-0-313-35780-0, 52, Subcultures such as Rocky Horror have also found a place on the Internet.BOOK, Sharon Marie, Ross,books.google.com/books?id=rOPzKWCf0w8C&pg=PT31, Beyond the Box: Television and the Internet, 23 September 2011, John Wiley & Sons, 978-1-4443-5865-0, 31, Audience participation scripts for many cities are available for download from the internet. The internet has a number of Rocky Horror fan-run websites with various quizzes and information, specializing in different content, allowing fans to participate at a unique level.

    LGBT influence

    Members of the LGBT community composed a large part of the Rocky Horror cult following: they identified with the embrace of sexual liberation and androgyny, and attended show after show, slowly forming a community. Judith A. Peraino compares Brad and Janet’s initiation into Frank N. Furter’s world to the self-discovery of ‘queer identity’, and to the traditional initiation of ‘virgins’ in the shadow screenings.BOOK, Peraino, Judith A.,archive.org/details/listeningtosiren00pera, Listening to the sirens: musical technologies of queer identity from Homer to Hedwig, 2006, Berkeley, University of California Press, 978-0-5202-1587-0, 249–252, 58043161, limited, June Thomas describes the midnight screenings in Newark, Delaware as a ‘very queer scene,’ which increased visibility for the LGBT community: “The folks standing in line outside the State in fishnets and makeup every Saturday night undoubtedly widened the sphere of possibilities for gender expression on Main Street.“MAGAZINE, Thomas, June, 31 October 2014, How The Rocky Horror Picture Show Smashed Open America’s Closets,slate.com/human-interest/2014/10/is-the-rocky-horror-picture-show-good-for-the-gays.html, Slate (magazine), Slate, 15 November 2018, NEWS, Wong, Curtis M., 17 October 2018, Why ‘Rocky Horror Picture Show’ Remains A Queer Cinematic Milestone, Huff Post,www.huffingtonpost.com/entry/rocky-horror-picture-show-musical-matt-baume_us_5bc63c51e4b0a8f17ee6be26, 15 November 2018, The Rocky Horror Picture Show remains a cultural phenomenon in both the U.S. and U.K.BOOK, Justin, Smith,archive.org/details/withnailuscultfi0000smit/page/16/mode/2up?q=rocky+horror, Withnail and Us: Cult Films and Film Cults in British Cinema, 28 February 2010, I.B. Tauris, 978-0-85771-793-1, 32, subscription, BOOK, Betty Jo, Tucker,books.google.com/books?id=O8V3Fc8eAUIC&pg=PA139, Susan Sarandon: A True Maverick, 2004, Wheatmark, Inc., 978-1-58736-300-9, 139, Cult film participants are often people on the fringe of society who find connection and community at the screenings,BOOK, Lippy, Charles H.,books.google.com/books?id=wwim_0xE1c4C&pg=RA2-PA112, Faith in America: Changes, Challenges, New Directions, 2006, Greenwood Publishing Group, 978-0-275-98605-6, Westport, Connecticut, 112, although the film attracts fans of differing backgrounds all over the world.BOOK, Blackshaw, Tony,books.google.com/books?id=UXO_tKMgNPcC&pg=PA117, Routledge Handbook of Leisure Studies, 18 July 2013, Routledge, 978-1-136-49559-5, London, 117, “Bisexuality, The Rocky Horror Picture Show, and Me”, by Elizabeth Reba Weise, is part of the publication, (Bi Any Other Name: Bisexual People Speak Out) (1991), an anthology edited by Loraine Hutchins and Lani KaÊ»ahumanuBOOK, Fox, Ronald,books.google.com/books?id=1ZsLGE3zBwgC&pg=PT178, Current Research on Bisexuality, 3 April 2013, Routledge, 978-1-136-56963-0, Hutchins, Loraine, Loraine Hutchins, London, 178, KaÊ»ahumanu, Lani, Lani KaÊ»ahumanu, WEB, Highleyman, Liz A., A Brief History of the Bisexual Movement,www.biresource.org/pamphlets/history.html, dead,www.biresource.org/pamphlets/history.html," title="web.archive.org/web/20070926225244www.biresource.org/pamphlets/history.html,">web.archive.org/web/20070926225244www.biresource.org/pamphlets/history.html, 26 September 2007, 23 July 2016, Bisexual Resource Center, about the history of the modern bisexual rights movement that is one of the first publications of bisexual literature.BOOK, Burleson, William,books.google.com/books?id=jg5IAwAAQBAJ&pg=PT189, Bi America: Myths, Truths, and Struggles of an Invisible Community, 4 April 2014, Taylor & Francis, 978-1-317-71260-2, London, 189,

    Cultural influence

    The Rocky Horror Picture Show has been featured in a number of other feature films and television series over the years. Episodes of The Simpsons, The Venture Bros., Tuca & Bertie, The Boondocks, Glee, The Drew Carey Show, That ‘70s Show, Deutschland 86, and American Dad! spotlight Rocky Horror, as do films such as Vice Squad (1982), Halloween II (2009), and The Perks of Being a Wallflower (2012). The 1980 film Fame featured the audience reciting their callback lines to the screen and dancing the Time Warp,BOOK, Lori, Ortiz,books.google.com/books?id=DWdXRylPs44C&pg=PA147, Disco Dance, 31 March 2011, ABC-CLIO, 978-0-313-37747-1, 147, the dance from the stage show and film, which has become a novelty dance at parties.BOOK, Delia, Silvester,books.google.com/books?id=EqhdAgAAQBAJ&pg=PA47, Dance and Movement Sessions for Older People: A Handbook for Activity Coordinators and Carers, 21 December 2013, Jessica Kingsley, 978-0-85700-846-6, 47, Director Rob Zombie cited Rocky Horror as a major influence on his film House of 1000 Corpses (2003),JOURNAL, Wood, Jennifer M., 21 October 2014, 11 Things You Didn’t Know About The Texas Chainsaw Massacre,www.esquire.com/entertainment/movies/a23810/texas-chainsaw-things-you-didnt-know/, live,www.esquire.com/entertainment/movies/a23810/texas-chainsaw-things-you-didnt-know/," title="web.archive.org/web/20180126230823www.esquire.com/entertainment/movies/a23810/texas-chainsaw-things-you-didnt-know/,">web.archive.org/web/20180126230823www.esquire.com/entertainment/movies/a23810/texas-chainsaw-things-you-didnt-know/, 26 January 2018, 24 September 2018, Esquire (magazine), Esquire, while the film’s fan culture of cosplaying and audience participation during screenings laid the groundwork for the similarly influential cult following surrounding Tommy Wiseau’s The Room (2003).WEB, Bather, Luke, 16 March 2017, Everything You Need to Know About Cult Film ‘The Room’ & Disaster Artist Tommy Wiseau,www.highsnobiety.com/2017/03/16/the-room-tommy-wiseau/, 27 July 2017, Highsnobiety, WEB, Barton, Steve, 10 December 2009, Motion Picture Purgatory: The Room,www.dreadcentral.com/news/14773/motion-picture-purgatory-the-room/, live,web.archive.org/web/20170619164205/https://www.dreadcentral.com/news/14773/motion-picture-purgatory-the-room/, 19 June 2017, 16 June 2017, Dread Central, Rocky Horror also inspired John McPhail’s zombie musical Anna and the Apocalypse (2018).WEB, Fletcher, Rosie, 30 June 2019, Anna And The Apocalypse interview: the director on his zombie musical,www.denofgeek.com/uk/movies/horror/62074/anna-and-the-apocalypse-interview-the-director-on-his-zombie-musical, 30 June 2019, Den of Geek,

    Sequel

    O’Brien drafted a sequel titled Rocky Horror Shows His Heels in 1979. This script featured the return of all of the characters from the original film, and O’Brien wished to reunite the original production team. But Sharman did not wish to revisit the original concept so directly, nor did Tim Curry wish to reprise his role.{{Citation needed|date=August 2019}}Instead, Sharman reunited with O’Brien to film Shock Treatment in 1981, a stand-alone feature with little continuity from the original film. Initially conceived and scripted in 1980 as The Brad and Janet Show, the film repurposed several songs from the earlier Rocky Horror Shows His Heels project with lyrical adjustments, and depicting the characters’ continuing adventures in the town of Denton. Production was forced to adjust amidst the Screen Actors Guild strike; eventually the entire film was shot on a single sound stage. Shock Treatment was poorly received by critics and audiences upon release (largely due to the absence of Curry, Sarandon, and Bostwick) but over time has built its own niche following.BOOK, Robert, Cettl,books.google.com/books?id=FPsyxjUxYIAC&pg=PA94, Film Tales, 12 December 2010, Wider Screenings TM, 978-0-9870500-0-7, 94, O’Brien revisited the notion for a direct RHPS sequel in 1991, writing Revenge of the Old Queen.WEB, Revenge of the Old Queen,www.rockymusic.org/showdoc/revenge-of-the-old-queen.php, 17 November 2021, RockyMusic, Producer Michael White had hoped to begin work on the production and described the script as being “in the same style as the other one. It has reflections of the past in it.“NEWS, Van Gelder, Lawrence, Lawrence Van Gelder, 13 September 1991, ‘Rocky Horror’ to ‘Queen’, The New York Times,www.nytimes.com/1991/09/13/movies/at-the-movies.html, 3 October 2010, Revenge of the Old Queen commenced pre-production; however, after studio head Joe Roth was ousted from Fox in 1993, the project was shelved indefinitely. Although the script went unpublished, bootleg copies have leaked online, and a song from the original demo tape circulates among fans. The script remains the property of Fox, producer of the two prior films, and remains unlikely to be revived.WEB, Drees, Rich, 27 September 2010, Script Review: Revenge of the Old Queen,www.filmbuffonline.com/FBOLNewsreel/wordpress/2010/09/27/script-review-revenge-of-the-old-queen/, 30 July 2013, Film Buff Online, Between 1999 and 2001, O’Brien was working on a third attempted sequel project with the working title Rocky Horror: The Second Coming,NEWS, Turner, Megan, 23 September 1999, ‘ROCKY’ II: With A Sequel to His Last “Picture Show,” Creator Richard O’Brien Does The Time Warp, Again,nypost.com/1999/09/23/rocky-ii-with-a-sequel-to-his-last-picture-show-creator-richard-obrien-does-the-time-warp-again/, New York Post, 17 November 2021, intended as a stage production, with an option to adapt to film if met with success. This script integrated plot elements from Rocky Horror Shows His Heels paired with all-new songs. O’Brien completed a first draft of this script (which was read by Terry JonesWEB, News on Rocky Horror 2 from THE MAN Himself!, Martin A., Fairgrieve, Google Groups,groups.google.com/forum/#!searchin/alt.cult-movies.rocky-horror/%22rocky$20horror$202%22%7Csort:date/alt.cult-movies.rocky-horror/1pLTfdggwMI/7Zw8LUEXhrIJ, 23 October 2001, 17 November 2021, ) but had difficulties finalizing anything beyond the first act, and development went dormant.{{Citation needed|date=August 2019}}O’Brien produced Shock Treatment for the theatrical stage with a premiere at the King’s Head Theatre in Islington, London in spring 2015.NEWS, Alberge, Dalya, 30 November 2014, As Rocky Horror sequel comes to stage, it seems creator was far ahead of his time, The Guardian, London,www.theguardian.com/culture/2014/nov/30/rocky-horror-musical-shock-treatment-obrien, 2 December 2014, NEWS, Allfree, Claire, 22 April 2015, Shock Treatment, King’s Head Theatre, review: ‘infectious’, The Daily Telegraph, London,www.telegraph.co.uk/culture/theatre/theatre-reviews/11551615/Shock-Treatment-Kings-Head-Theatre-review-infectious.html,ghostarchive.org/archive/20220111/https://www.telegraph.co.uk/culture/theatre/theatre-reviews/11551615/Shock-Treatment-Kings-Head-Theatre-review-infectious.html, 11 January 2022, subscription, live, 17 June 2018, {{cbignore}}

    Remake

    “The Rocky Horror Glee Show” aired on 26 October 2010, as part of the second season of the television series Glee—and recreated several scenes from the film, including the opening credits. It featured Barry Bostwick and Meat Loaf in cameo roles.MAGAZINE, Caulfield, Keith, 27 October 2010, Sugarland Tops Kings of Leon on Billboard 200,www.billboard.com/articles/news/952529/sugarland-tops-kings-of-leon-on-billboard-200, 17 November 2021, Billboard (magazine), Billboard, An (Glee: The Music, The Rocky Horror Glee Show|EP album) covering seven songs from the movie was released on 19 October 2010.MAGAZINE, ‘Glee’ Announces ‘Rocky Horror’ Album Details,www.billboard.com/articles/news/956052/glee-announces-rocky-horror-album-details, Jason, Lipshutz, 28 September 2010, 17 November 2021, Billboard, On 10 April 2015, the Fox Network announced it would air a modern-day reimagining of the film, titled The Rocky Horror Picture Show: Let’s Do the Time Warp Again.JOURNAL, 10 April 2015, ‘Rocky Horror Picture Show’ TV Remake In Works At As Fox Special,deadline.com/2015/04/rocky-horror-picture-show-remake-fox-gail-berman-kenny-ortega-1201407925/, 11 April 2015, Deadline Hollywood, MAGAZINE, 10 April 2015, Fox remaking ‘Rocky Horror Picture Show’,ew.com/article/2015/04/10/rocky-horror-picture-show-fox, 11 April 2015, Entertainment Weekly, On 22 October 2015, Fox announced that the role of Dr. Frank N. Furter would be played by transgender actress Laverne Cox.JOURNAL, 21 October 2015, Laverne Cox starring in Rocky Horror remake,www.digitalspy.com.au/ustv/news/a674916/orange-is-the-new-blacks-laverne-cox-is-replacing-tim-curry-as-dr-frank-n-furter-in-foxs-rocky-horror-show.html#~prUknm4TENCgIC, 23 July 2016, Digital Spy, Ryan McCartan played Brad, alongside Victoria Justice as Janet, with Reeve Carney as Riff Raff and singer/model Staz Nair as Rocky.MAGAZINE, Stanhope, Kate, 4 January 2016, Victoria Justice Joins Fox’s ‘Rocky Horror Picture Show’ Remake,www.billboard.com/articles/news/6828976/victoria-justice-rocky-horror-picture-show-remake-ryan-mccartan, 4 January 2016, Billboard, Adam Lambert portrays Eddie.NEWS, Adam Lambert to Co-Star in Fox’s ‘Rocky Horror Picture Show’,www.hollywoodreporter.com/tv/tv-news/adam-lambert-set-rocky-horror-855928/, Goldberg, Lesley, The Hollywood Reporter, 17 November 2021, Tim Curry, who portrayed Dr. Frank N. Furter in the original film, portrays the Criminologist.MAGAZINE, Spanos, Brittany, Brittany Spanos, 15 January 2016, Tim Curry Lands Role in ‘Rocky Horror Picture Show’ Remake,www.rollingstone.com/tv/news/tim-curry-lands-role-in-rocky-horror-picture-show-remake-20160115, Rolling Stone, 23 July 2016, On 1 February 2016, the network announced that Broadway veteran Annaleigh Ashford would portray Columbia.WEB, 1 February 2016, Annaleigh Ashford Joins The Rocky Horror Picture Show,comingsoon.net/tv/news/652819-tony-award-winner-annaleigh-ashford-joins-the-rocky-horror-picture-show, 2 February 2016, ComingSoon.net, On 5 February 2016, Ben Vereen joined the cast as Dr. Everett von Scott.NEWS, Moylan, Brian, 19 October 2016, The fan rituals that made Rocky Horror Picture Show a cult classic, The Guardian, London,www.theguardian.com/culture/2016/oct/19/rocky-horror-picture-show-fan-rituals-fox-remake, 17 July 2017, 0261-3077, Kenny Ortega, best known for the High School Musical franchise and Michael Jackson’s This Is It (2009) directed, choreographed and executive-produced the remake; Lou Adler, who was an executive producer of the original film, has the same role for the new film, which premiered on Fox on 20 October 2016.WEB, Jayson, Jay, 22 October 2015, Orange Is The New Black’s Laverne Cox To Star In Rocky Horror Picture Show Remake,comicbook.com/2015/10/22/orange-is-the-new-blacks-laverne-cox-to-star-in-rocky-horror-pic/, ComicBook.com,

    See also

    References

    {{Reflist}}

    Bibliography

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    • BOOK, Batchelor, Bob, Cult pop culture: how the fringe became mainstream, 2012, Praeger, 978-0-313-35780-0, Santa Barbara, Calif,
    • BOOK, Blackshaw, Tony, Routledge Handbook of Leisure Studies, 2013, Taylor and Francis, 978-1-136-49559-5, Hoboken,
    • BOOK, Dika, Vera, Recycled culture in contemporary art and film: the uses of nostalgia, 2003, Cambridge University Press, 978-0-521-01631-5, Cambridge New York,
    • BOOK, Hallenbeck, Bruce, Comedy-Horror Films, 2009, McFarland, 978-0-7864-3332-2, Jefferson, NC,
    • BOOK, Harpole, Charles,archive.org/details/historyofamerica0000unse_x8l5, History of the American Cinema, 1990, Scribner, 978-0-684-80463-7, New York, Harpole, registration,
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    • BOOK, Hitchcock, Susan,archive.org/details/frankensteincult00hitc, Frankenstein: a cultural history, 2007, W.W. Norton, 978-0-393-06144-4, New York, registration,
    • BOOK, Lancaster, Kurt, Performing the force: essays on immersion into science fiction, fantasy, and horror environments, 2001, McFarland, 978-0-7864-0895-5, Jefferson, NC,
    • BOOK, Lippy, Charles, Faith in America changes, challenges, new directions, 2006, Praeger, 978-0-275-98605-6, Westport, Conn,
    • BOOK, Leitch, Thomas, Crime Films, 2002, Cambridge University Press, 978-0-521-64671-0, Cambridge,
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    • BOOK, Mathijs, Ernest, The cult film reader, 2008, Open University Press/McGraw-Hill Education, 978-0-335-21923-0, Maidenhead, Berkshire,
    • BOOK, Miller, Scott, Sex, drugs, rock & roll, and musicals, 2011, Northeastern University Press, 978-1-55553-761-6, Boston,
    • BOOK, Peraino, Judith,archive.org/details/listeningtosiren0000pera, Listening to the sirens musical technologies of queer identity from Homer to Hedwig, 2006, University of California Press, 978-0-520-92174-0, Berkeley, registration,
    • BOOK, Picart, Caroline, Remaking the Frankenstein myth on film: between laughter and horror, 2003, State University of New York Press, 978-0-7914-5770-2, Albany,
    • BOOK, Piro, Sal, The Official Rocky Horror Picture Show Audience Par-tic-i-pation Guide, Hess, Michael, 1991, Stabur Press, 978-0-941613-16-3, London, Piro,
    • BOOK, Riley, Samantha Michele,core.ac.uk/download/pdf/210600559.pdf, Becoming the Wig: Mis/Identifications and Citionality in Queer Rock Musicals, 2008, University of North Carolina Press, 978-1-243434-27-2, Chapel Hill, Riley,
    • BOOK, Ross, Sharon, title

    Beyond the Box Television and the Internet |date2011 |publisherWiley |isbn978-1-4443-5865-0 |locationChicester}}

    • BOOK, Samuels, Stuart, Midnight Movies, 1983, Collier Books, 978-0-02-081450-4, New York, Samuels,
    • BOOK, Sandys, Jon, Movie Mistakes Take 5, 2007, Virgin Books, 978-0-7535-1113-8, London,
    • BOOK, Santino, Jack, Halloween and other festivals of death and life, 1994, University of Tennessee Press, 978-0-87049-813-8, Knoxville,
    • BOOK, Smith, Justin, Withnail and us cult films and film cults in British cinema, 2010, I.B. Tauris Distributed in the United States and Canada exclusively by Palgrave Macmillan, 978-0-85771-793-1, London,
    • BOOK, Silvester, Delia, Dance and Movement Sessions for Older People A Handbook for Activity Coordinators and Carers, 2013, Jessica Kingsley Publishers, 978-0-85700-846-6, City,
    • BOOK, Stewart, Jim, Folsom Street blues: a memoir of 1970s SoMa and leatherfolk in gay San Francisco, 2011, Palm Drive Pub, 978-1-890834-03-6, San Francisco,
    • BOOK, Tucker, Betty, Susan Sarandon: a true maverick, 2004, Hats Off, 978-1-58736-300-9, Tucson, Arizona,

    External links

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