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Ellen Willis
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{{short description|American writer}}{{Use mdy dates|date=November 2014}}







factoids
| birth_place = New York City, New York, U.S.2006912|14}}| death_place = Queens, New York, U.S.| image = Ellen willis.png| caption = Ellen Willis at the Village Voice in the late 1970s| occupation = Journalist| spouse = Stanley Aronowitz}}Ellen Jane Willis (December 14, 1941 – November 9, 2006) was an American left-wing political essayist, journalist, activist, feminist, and pop music critic. A 2014 collection of her essays, The Essential Ellen Willis, received the National Book Critics Circle Award for Criticism.

Early life and education

Willis was born in Manhattan to a Jewish family, and grew up in the boroughs of the Bronx and Queens in New York City.Margalit Fox, Ellen Willis, 64, Journalist and Feminist, Dies, The New York Times, November 10, 2006. Her father was a police lieutenant in the New York City Police Department. Willis attended Barnard College as an undergraduate and did graduate study at University of California, Berkeley, where she studied comparative literature.

Career

In the late 1960s and 1970s, she was the first pop music critic for the New Yorker, and later wrote for, among others, the Village Voice, The Nation, Rolling Stone, Slate, and Salon, as well as Dissent, where she was also on the editorial board. She was the author of several books of collected essays.At the time of her death, she was a professor in the journalism department of New York University and the head of its Center for Cultural Reporting and Criticism.Official page {{webarchive|url=https://web.archive.org/web/20060705000757weblink |date=July 5, 2006 }} on the site of the Department of Journalism, New York University, accessed July 7, 2007

Writing and activism

Willis was known for her feminist politics. She was a member of New York Radical Women and subsequently co-founder in early 1969 with Shulamith Firestone of the radical feminist group Redstockings.Ellen Willis, "Radical Feminism and Feminist Radicalism", 1984, collected in No More Nice Girls: Countercultural Essays, Wesleyan University Press, 1992, {{ISBN|0-8195-5250-X}}, pp. 117–150, especially pp. 119 and 124. She was one of the few women working in music criticism during its inaugural years when the field was predominantly male. Starting in 1979, Willis wrote a number of essays that were highly critical of anti-pornography feminism, criticizing it for what she saw as its sexual puritanism and moral authoritarianism, as well as its threat to free speech. These essays were among the earliest expressions of feminist opposition to the anti-pornography movement in what became known as the feminist sex wars. Her 1981 essay, Lust Horizons: Is the Women's Movement Pro-Sex? is the origin of the term, "pro-sex feminism".Ellen Willis, Lust Horizons: The 'Voice' and the women's movement {{webarchive|url=https://web.archive.org/web/20080829155138weblink |date=August 29, 2008 }}, Village Voice 50th Anniversary Issue, 2007. This is not the original "Lust Horizons" essay, but a retrospective essay mentioning that essay as the origin of the term. Accessed online July 7, 2007. A lightly revised version of the original "Lust Horizons" essay can be found in No More Nice Girls, pp. 3–14.She was a strong supporter of women's abortion rights, and in the mid-1970s was a founding member of the pro-choice street theater and protest group No More Nice Girls. A self-described anti-authoritarian democratic socialist, she was very critical of what she viewed as social conservatism and authoritarianism on both the political right and left. In cultural politics, she was equally opposed to the idea that cultural issues are politically unimportant, as well as to strong forms of identity politics and their manifestation as political correctness. {{Citation needed|date=October 2011}}In several essays and interviews written since the September 11 attacks, she cautiously supported humanitarian intervention and, while opposed to the 2003 invasion of Iraq,Ellen Willis, Ellen Willis Responds {{webarchive |url=https://web.archive.org/web/20060929154014weblink |date=September 29, 2006 }}, Dissent, Winter 2003. Accessed online July 7, 2007. she criticized certain aspects of the anti-war movement.WEB,weblink Why I'm not for Peace, 2006-06-16, bot: unknown,weblink" title="web.archive.org/web/20051223222129weblink">weblink December 23, 2005, mdy-all, , Radical Society, April 2002, pp. 13–19; copy formerly posted on Willis's NYU faculty site was archived on the Internet Archive, December 23, 2005. Accessed online July 7, 2007.March 27, 2003 broadcast, Doug Henwood's radio archives, Left Business Observer.Willis wrote a number of essays on anti-Semitism, and was particularly critical of left anti-Semitism. Occasionally she wrote about Judaism itself, penning a particularly notable essay, for Rolling Stone, in 1977, about her brother's spiritual journey as a Baal Teshuva.Ellen Willis, Next Year in Jerusalem, originally published in Rolling Stone, April 1977.She saw political authoritarianism and sexual repression as closely linked, an idea first advanced by psychologist Wilhelm Reich; much of Willis' writing advances a Reichian or radical Freudian analysis of such phenomena. In 2006 she was working on a book on the importance of radical psychoanalytic thought for current social and political issues.

Rock criticism

Willis was the first popular music critic for the New Yorker, writing between 1968 and 1975. As such, she was one of the first American popular music critics to write for a national audience. She got the job after having published only one article on popular music, "Dylan" in the underground magazine Cheetah, in 1967. In addition to her "Rock, etc." column in the New Yorker, she also published criticism on popular music in Rolling Stone, the Village Voice, and for liner notes and book anthologies, most notably her essay on the Velvet Underground for the Greil Marcus "desert island disc" anthology Stranded (1979). Her contemporary Richard Goldstein characterized her work as "liberationist" at its heart and said that "Ellen, Emma Goldman, and Abbie Hoffman are part of a lost tradition — radicals of desire."BOOK, Willis, Ellen, Out of the Vinyl Deeps,weblink registration, 2011, University of Minnesota Press, Foreword by Sasha Frere-Jones, Foreword, xiii, 9780816672837,

Personal life

Willis had met her second husband, sociology professor Stanley Aronowitz, in the late 1960s, and they entered a relationship some 10 years later. They shared domestic tasks equally.WEB,weblink Q&A: Nona Willis Aronowitz on Family Life and Feminism with Her Mom, Ellen Willis, April 30, 2014, Willis died of lung cancer on November 9, 2006. She was survived by her husband and by her daughter, Nona Willis-Aronowitz, who edited the collection Out of the Vinyl Deeps.

Legacy

Willis was a friend of many contemporary critics, including Robert Christgau, Georgia Christgau, Greil Marcus, and Richard Goldstein. Christgau, Joe Levy, Evelyn McDonnell, Joan Morgan, and Ann Powers have all cited her as an influence on their careers and writing styles.BOOK, Willis, Ellen,weblink Out of the Vinyl Deeps, University of Minnesota Press, Afterword by Daphne Carr and Evie Nagy, 2011, 9780816672837, Afterword, registration, At one point, she and Christgau were lovers.NEWS, Itzkoff, Dave, March 6, 2015, Robert Christgau's 'Going into the City',weblink The New York Times, Her papers were deposited in the Arthur and Elizabeth Schlesinger Library on the History of Women in America, in the Radcliffe Institute at Harvard University in 2008.WEB, June 2, 2016, What's Essential: A Conversation with Nona Willis Aronowitz About Her Late Mother's Work,weblink In 2011, the first collection of Willis's music reviews and essays, Out of the Vinyl Deeps (University of Minnesota Press), was published. Willis "celebrated the seriousness of pleasure and relished the pleasure of thinking seriously," a review in The New York Times said.NEWS, McDonnell, Evelyn, June 10, 2011, Ellen Willis's Pioneering Rock Criticism,weblink November 15, 2011, The New York Times, On April 30, 2011, a conference at New York University, "Sex, Hope, & Rock 'n' Roll: The Writings of Ellen Willis",WEB, Sex, Hope, & Rock 'n' Roll,weblink website, celebrated her anthology and pop music criticism.The Essential Ellen Willis, edited by her daughter, won the 2014 National Book Critics Circle Award in the Criticism category.WEB, National Book Critics Circle: awards,weblink dead,weblink" title="web.archive.org/web/20151018063346weblink">weblink October 18, 2015, 2017-04-28, Bookcritics.org, Willis is featured in the 2014 feminist history documentary She's Beautiful When She's Angry.WEB,weblink The Women, WEB,weblink The Film — She's Beautiful When She's Angry, Shesbeautifulwhenshesangry.com, 2017-04-28,

Bibliography

{{Incomplete list|date=September 2021}}

Books

  • BOOK, Willis, Ellen, Questions freshmen ask : a guide for college girls, Dutton, New York, 1962,
  • BOOK, Willis, Ellen, Beginning to See the Light: Pieces of a Decade, Knopf : distributed by Random House, New York, 1981, 0-394-51137-9,weblink
  • BOOK, Willis, Ellen, Beginning to See the Light: Sex, Hope, and Rock-and-Roll. 2d ed., Wesleyan, Hanover, 1992, 0-8195-6255-6,weblink
  • BOOK, Willis, Ellen, No More Nice Girls: Countercultural Essays, Published by University Press of New England [for] Wesleyan University Press, Hanover, NH, 1992, 0-8195-5250-X,weblink
  • BOOK, Willis, Ellen, Don't Think, Smile!: Notes on a Decade of Denial, Beacon Press, 1999, 0-8070-4320-6,
  • BOOK, Willis, Ellen, Out of the Vinyl Deeps: Ellen Willis on Rock Music, 2011, University of Minnesota Press, 978-0-8166-7283-7,weblink registration, October 19, 2013,
  • BOOK, The Essential Ellen Willis, University of Minnesota, 2014, 978-0-8166-8121-1, Willis-Aronowitz, Nona, Willis, Ellen,
  • BOOK, Echols, Alice, Daring to Be Bad: Radical Feminism in America 1967-1975, University of Minnesota Press, 1989, 0-8166-1786-4,weblink registration, June 3, 2009, Willis wrote the foreword.

Essays, reporting and other contributions

References

{{Reflist|30em}}

External links

{{Commons category|Ellen Willis|nowrap=yes}}

Reviews and critiques of Ellen Willis

Interviews

{{Radical feminism}}{{Authority control}}

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