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| death_place = Hospitaller Malta| resting_place = | resting_place_coordinates = Italians>Italian| education = Accademia di San Luca| occupation = Architect| notable_works = Baroque architecture>Baroque| mother = Francesca Roveti| father = Giovanni Antonio Carapecchia}}Romano Fortunato Carapecchia (1666–1738) was an Italian Baroque architect who was active in Rome, Malta and Sicily. His designs helped transform Malta’s capital Valletta into a Baroque city in the first few decades of the 18th century.

Biography

File:Ripa - S. Giovanni Calibita.JPG|thumb|Church of San Giovanni Calibita, one of Carapecchia’s early works in Rome]]Carapecchia was born to Giovanni Antonio Carapecchia and Francesca Roveti in the parish of Sant’Eustachio, Rome in 1666. He studied at the Accademia di San Luca, where he won first prize for designing a palace in the seconda classe in 1681. Between around 1681 and 1691, he also worked within the studio of Carlo Fontana. In 1689, he wrote a treatise about theatre design entitled Pratica delle Machine de’ Teatri. He also kept a record of his education in a document entitled Compendio Architettonico inventato da Romano Carapecchia. His career as an architect began in Rome, where he is credited with designing several buildings. He also designed urban schemes and fountains, and he produced a catafalque for Pope Alexander VIII in collaboration with Mattia de Rossi.NEWSLETTER, De Lucca, Denis, Ephemeral Manifestations in Baroque Malta, Baroque Routes, June 2011, 8, 8–16,www.um.edu.mt/library/oar/bitstream/123456789/40464/1/Ephemeral_manifestations_in_Baroque_Malta_2011.pdf,web.archive.org/web/20201008174700/https://www.um.edu.mt/library/oar/bitstream/123456789/40464/1/Ephemeral_manifestations_in_Baroque_Malta_2011.pdf, 8 October 2020, On 27 November 1706, Pope Clement XI sent a breve pontificio to Grand Master Ramón Perellós in which he praised the work of Carapecchia. In 1707 the latter left Rome and he settled in Valletta, the capital of Hospitaller Malta which was ruled by Perellós. He acquired the Grand Master’s favour and he spent the rest of his career in Malta, where he played a role in transforming Valletta into a Baroque city through the design of numerous churches, palaces and other buildings. In 1708 and 1723, Carapecchia made studies about the water supply of the cities around Malta’s Grand Harbour. He also worked under Perellós’ successors, most notably António Manoel de Vilhena, for whom he designed a catafalque in 1726. Carapecchia also designed furniture in some of his projects, such as cupboards within the sacristy of Valletta’s Church of St Paul.NEWS, Bondin, Ray, Carapecchia’s furniture,timesofmalta.com/articles/view/carapecchias-furniture.199479, Times of Malta, 8 March 2008,web.archive.org/web/20201008182747/https://timesofmalta.com/articles/view/carapecchias-furniture.199479, 8 October 2020, While based in Malta, he was also involved in some projects in nearby Sicily.NEWSLETTER, De Lucca, Denis, The city-fortress of Valletta in the Baroque age, Baroque Routes, December 2013, 9, 8–17,www.um.edu.mt/__data/assets/pdf_file/0007/205549/baroqueroutes9.pdf,web.archive.org/web/20201002185323/https://www.um.edu.mt/__data/assets/pdf_file/0007/205549/baroqueroutes9.pdf, 2 October 2020, Carapecchia died in Malta in 1738.

Works

Architectural works designed by or attributed to Carapecchia include:

Rome

• Church of San Giovanni Calibita ({{circa}} 1700)
• Palazzina Vaini ({{circa}} 1700)
• Teatro Tordinona

File:Valletta, St. Catherine of Italy.jpg|thumb|Church of St Catherine of Italy in Valletta]]

Valletta

• Barriera Stores and Perellós fountain at the Valletta marina (1707/1713) – stores partially demolished and fountain relocated to the Grandmaster’s Palace in the 1850sNEWS, Vella, Theresa, A ‘new’ fountain for the Marina waterfront,timesofmalta.com/articles/view/a-new-fountain-for-the-marina-waterfront.714073, Times of Malta, 16 June 2019,web.archive.org/web/20190618081025/https://timesofmalta.com/articles/view/a-new-fountain-for-the-marina-waterfront.714073, 18 June 2019,
• Church of St James (1710)
• Church of St Catherine of Italy (1713)
• Church of St Catherine (1714)
• Church of Our Lady of Pilar (1718)
• Sacristy of the Church of St Paul (1718)
• Banca Giuratale (1721)
• Chapelle Ardente at the Conventual Church of St John (1726)
• Alterations to Del Monte GateJOURNAL, Spiteri, Stephen C., Fort Manoel, ARX Occasional Papers, 2014, 4,issuu.com/arkitettura/docs/arx_occ_papers_4_2014, 130–131, 8 October 2020, – demolished 1884JOURNAL, Melita Historica, Mifsud, Christian, 2017, XVII, 2, Decoding a modified space: the lost spaces of Del Monte Gate,www.academia.edu/39048170, 61–82,
• Church of St Barbara
• Façade of Palazzo Spinola
• Annexes of the Conventual Church of St John
• Door of the Armoury at the Grandmaster’s Palace
• Manoel Theatre

File:Magnificant Manoel.jpg|thumb|Manoel TheatreManoel Theatre

Elsewhere in Malta

• Palazzo Spinola, St Julian’s (1733)NEWS, Bugeja, Lino, 17th-century bishop’s summer house in ruins,timesofmalta.com/articles/view/17th-century-bishop-s-summer-house-in-ruins.596995, Times of Malta, 27 December 2015,web.archive.org/web/20201008164610/https://timesofmalta.com/articles/view/17th-century-bishop-s-summer-house-in-ruins.596995, 8 October 2020,
• Church of St Publius, Floriana (1730s)
• Main staircase of the Inquisitor’s Palace, Birgu (1733–1734)JOURNAL, Gambin, Kenneth, Carapecchia’s intervention at the Inquisitor’s Palace, 1733–34, Malta Archaeological Review, 2001, 4, 34–39,www.um.edu.mt/library/oar/bitstream/123456789/49373/1/Carapecchias%20intervention%20at%20the.pdf,web.archive.org/web/20201008170212/https://www.um.edu.mt/library/oar/bitstream/123456789/49373/1/Carapecchias%20intervention%20at%20the.pdf, 8 October 2020,
• Remodelling and completion of Notre Dame Gate, Cottonera Lines
• Main Gate of Fort Manoel (in collaboration with Charles François de Mondion)

Sicily

• Competition entry for the reconstruction of the Catania Cathedral (1709)
• Restoration of a Hospitaller complex in Marsala (1715)

Legacy

An album of architectural drawings by Carapecchia still exists at the Courtauld Institute of Art in London. A book has been published about him by the Maltese historian Denis De Lucca.

References

{{reflist}}

Further reading

• BOOK, De Lucca, Denis, Carapecchia: Master of Baroque Architecture in Early Eighteenth Century Malta, 1999, Midsea Books, Valletta, 9789990993004,