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{{Short description|Italian filmmaker}}{{Use dmy dates|date=July 2020}}

factoids

| birth_place = Rome, Kingdom of Italy200249df=yes}}| death_place = Monterosi, Italy| other_names = Anthony M. DawsonAntony Daisies| occupation = Film directorscreenwriter}}Antonio Margheriti (19 September 1930 – 4 November 2002), also known under the pseudonyms Anthony M. Dawson and Antony Daisies{{sfn|Fischer|2011|p=422}}{{sfn|Fischer|2011|p=423}} (“daisies” is “margherite” in Italian), was an Italian filmmaker.WEB, Antonio Margheriti,movies.nytimes.com/person/101215/Antonio-Margheriti,movies.nytimes.com/person/101215/Antonio-Margheriti," title="web.archive.org/web/20071203190938movies.nytimes.com/person/101215/Antonio-Margheriti,">web.archive.org/web/20071203190938movies.nytimes.com/person/101215/Antonio-Margheriti, dead, Movies & TV Dept., The New York Times, 2007, 2007-12-03, Margheriti worked in many different genres in the Italian film industry, and was known for his sometimes derivative but often stylish and entertaining science fiction, sword and sandal, horror/giallo, Eurospy, Spaghetti Western, Vietnam War and action movies that were released to a wide international audience.BOOK, Il grande cinema di fantascienza: aspettando il monolito nero (1902–1967), The great science fiction cinema: waiting for the black monolith (1902–1967), Volume 2 di Il grande cinema di fantascienza, Collana gli Album, Roberto Chiavini, Gian Filippo Pizzo, Michele Tetro,books.google.com/books?id=2L52yZx9YCwC&pg=PA145, Gremese, 2003, 159, 8884402662, it, He died in 2002.{{sfn|Paul|2005|p=171}}

Early life and career

Antonio Margheriti was born in Rome on 19 September 1930.{{sfn|Fischer|2011|p=422}} Margheriti was the son of a railroad engineer and began his film career in 1950 working with Mario Serandrei.{{sfn|Fischer|2011|p=422}}{{sfn|Fischer|2011|p=423}} He then began making short documentaries beginning with Vecchia Roma in 1953.{{sfn|Fischer|2011|p=423}} In 1954, Margheriti was credited with special effects in films such as Pino Mercanti’s I cinque dell’Adamello and La notte che la terra tremo.{{sfn|Fischer|2011|p=423}} By 1955 he was credited in screenplays such as Classe di ferro.{{sfn|Fischer|2011|p=423}}

Directing

Margheriti grew up reading science fiction comics, and when he was offered the film Space-Men, he signed on as director.{{sfn|Fischer|2011|p=423}} He followed up this film with Battle of the Worlds starring actor Claude Rains,{{sfn|Fischer|2011|p=423}} which was in turn followed by The Golden Arrow with Tab Hunter and some more peplum-style films such as The Fall of Rome and Giants of Rome.{{sfn|Fischer|2011|p=423}} Other genres tackled in the 1960s included horror—Castle of Blood, The Long Hair of Death and The Virgin of Nuremberg and the Eurospy films: Bob Fleming... Mission Casablanca and Operazione Goldman.{{sfn|Fischer|2011|p=423}}{{sfn|Fischer|2011|p=424}}{{sfn|Paul|2005|p=163}}Margheriti then returned to science fiction with his Gamma I series, originally filmed for the Italian television series Fantascienza but afterwards released theatrically.{{sfn|Fischer|2011|p=425}} Margheriti followed these films with some westerns, including Take a Hard Ride and And God Said to Cain.{{sfn|Fischer|2011|p=425}}{{sfn|Paul|2005|p=164}}In the 1980s, Margheriti created films following the success of Platoon{{sfn|Paul|2005|p=165}} and Raiders of the Lost Ark, such as The Last Hunter and Hunters of the Golden Cobra, which both starred David Warbeck.{{sfn|Fischer|2011|p=425}} Warbeck also starred in Tiger Joe, a film overshadowed by tragedy when Margheriti’s long time cinematographer, Riccardo Pallottini, died in a plane crash while attempting to get the film’s last shot.{{sfn|Fischer|2011|p=425}}He delved into the genre of films inspired by The Wild Geese with (Code Name: Wild Geese) and Commando Leopard starring Lewis Collins as well as Conan the Barbarian (1982) with Yor, the Hunter from the Future, which was shot in Turkey and was picked up by Columbia Pictures for an American release to 1400 theaters.{{sfn|Fischer|2011|p=426}}Margheriti died on 4 November 2002.{{sfn|Paul|2005|p=171}}

Style

Margheriti’s specialty in films was low budget efforts that fell into genres such as action and science fiction.{{sfn|Fischer|2011|p=422}} To make films in short amounts of time, Margheriti applied techniques such as shooting with several cameras simultaneously, allowing him to record master shots, close-ups, and more.{{sfn|Fischer|2011|p=423}} This often led him to light films very carefully, and allowed him to create several films per year.{{sfn|Fischer|2011|p=423}}

Partial filmography

! width=“15%” rowspan=“2” scope=“col” | Title !! width=“4%” rowspan=“2” scope=“col” | Year!! colspan=“4” scope=“col” | Credited as !! width=“10%” rowspan=“2” scope=“col” class=“unsortable“| Notes !! width=“1%” rowspan=“2” scope=“col” class=“unsortable” |{{abbr|Ref(s)|Reference(s)}}! width=6% |Director!! width=6% | Screenwriter!! width=6% |Screen story writer!! width=6% | Other!scope=“row“|Space-Men|1960| {{yes}}| {{yes}}| | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG%20642>TITLE=SPACE MENWORK=ARCHIVIO DEL CINEMA ITALIANOFischerp=423}}HTTP://WWW.AFI.COM/MEMBERS/CATALOG/DETAILVIEW.ASPX?S=&MOVIE=19395>TITLE=ASSIGNMENT: OUTER SPACE.AMERICAN FILM INSTITUTE>ACCESS-DATE=4 AUGUST 2015ARCHIVE-DATE=3 APRIL 2014, !scope=“row“|Battle of the Worlds|1961| {{yes}}| | | | HTTP://WWW.AFI.COM/MEMBERS/CATALOG/DETAILVIEW.ASPX?S=&MOVIE=19407>ACCESS-DATE=15 JANUARY 2019TITLE=BATTLE OF THE WORLDSAMERICAN FILM INSTITUTE>ARCHIVE-URL=HTTPS://WEB.ARCHIVE.ORG/WEB/20140403011041/HTTP://WWW.AFI.COM/MEMBERS/CATALOG/DETAILVIEW.ASPX?S=&MOVIE=19407, !scope=“row“|| 1962| {{yes}}| | | | {{sfnCrnkovichp=67}}!scope=“row“|1963| {{yes}}| {{yes}}| | | {{sfn2015|p=97}}!scope=“row“|| {{yes}}| {{yes}}| | | {{sfn2015|p=97}}!scope=“row“|Castle of Blood1964| {{yes}}| | | | {{sfn2015|p=109}}!scope=“row“|Devil of the Desert Against the Son of Hercules| {{yes}}| | | | {{sfnCrnkovichp=47}}!scope=“row“|Hercules, Prisoner of Evil| {{yes}}| | | | {{sfnCrnkovichp=91}}!scope=“row“|Giants of Rome| {{yes}}| | | | {{sfnCrnkovichp=63}}{{sfnCrnkovichp=64}}!scope=“row“|| {{yes}}| {{yes}}| | | {{sfn2015|p=124}}!scope=“row“|Wild, Wild Planet1966| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG1848>PUBLISHER=ARCHVIODELCINEMAITALIANO.ITACCESS-DATE=19 NOVEMBER 2018www.afi.com/members/catalog/DetailView.aspx?s=&Movie=20480" title="web.archive.org/web/20140402230655www.afi.com/members/catalog/DetailView.aspx?s=&Movie=20480">web.archive.org/web/20140402230655www.afi.com/members/catalog/DetailView.aspx?s=&Movie=20480access-date=19 November 2018American Film Institute>archive-date=2 April 2014, !scope=“row“|Lightning Bolt| {{yes}}| | | | HTTP://WWW.AFI.COM/MEMBERS/CATALOG/DETAILVIEW.ASPX?S=&MOVIE=18969>WORK=AMERICAN FILM INSTITUTEACCESS-DATE=15 JANUARY 2019ARCHIVE-URL=HTTPS://WEB.ARCHIVE.ORG/WEB/20140403092305/HTTP://WWW.AFI.COM/MEMBERS/CATALOG/DETAILVIEW.ASPX?S=&MOVIE=18969, !scope=“row“|| 1968| {{yes}}| {{yes}}| | | HTTP://WWW.AFI.COM/MEMBERS/CATALOG/DETAILVIEW.ASPX?S=&MOVIE=19604>ARCHIVE-URL=HTTPS://WEB.ARCHIVE.ORG/WEB/20140403041855/HTTP://WWW.AFI.COM/MEMBERS/CATALOG/DETAILVIEW.ASPX?S=&MOVIE=19604ACCESS-DATE=19 NOVEMBER 2018AMERICAN FILM INSTITUTE>ARCHIVE-DATE=3 APRIL 2014, HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG2397>PUBLISHER=ARCHVIODELCINEMAITALIANO.ITACCESS-DATE=19 NOVEMBER 2018, it, !scope=“row“|| 1969| {{yes}}| {{yes}}| {{yes}}| {{yes}}| Producer{{sfn2015|p=194}}!scope=“row“|| 1970| {{yes}}| {{yes}}| | | HTTPS://WWW.FILMPORTAL.DE/EN/MOVIE/SATAN-DER-RACHE_EA43D4A724C45006E03053D50B37753D>TITLE=SATAN DER RACHEWEBSITE=FILMPORTAL.DE, 22 September 2018, !scope=“row“|| 1971| {{yes}}| {{yes}}| | | {{sfn2017|p=37}}!scope=“row“|Treasure Island| 1972| | {{yes}}| | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG3503>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, HTTPS://WWW.FILMPORTAL.DE/FILM/DIE-SCHATZINSEL_73C53EFD88C14875960BE78BAD8DEEF9>PUBLISHER=FILMPORTAL.DEACCESS-DATE=16 JANUARY 2019, de, !scope=“row“|| 1973| {{yes}}| {{yes}}| | | {{sfn2017|p=93}}!scope=“row“|Rudeness| 1975| | {{yes}}| {{yes}}| | {{sfn2013|p=145}}!scope=“row“|Death Rage| 1976| {{yes}}| | | | {{sfn2013|p=172}}!scope=“row“|Yor, the Hunter from the Future| 1983| {{yes}}| {{yes}}| | | {{sfn2016|p=177}}!scope=“row“|(Code Name: Wild Geese)| 1984| {{yes}}| {{yes}}| | | HTTPS://WWW.FILMPORTAL.DE/FILM/GEHEIMCODE-WILDGAENSE_57EF269973C645289197B9210772AB95>PUBLISHER=FILMPORTAL.DEACCESS-DATE=3 SEPTEMBER 2020, MONTHLY FILM BULLETIN>TITLE=GEHEIMCODE WILDGANSEISSUE=612YEAR=1985BRITISH FILM INSTITUTE>LOCATION=LONDONFIRST=KIM, Kim Newman, !scope=“row“|Jungle Raiders| 1985| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG5174>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, {{sfn2019|p=103}}!scope=“row“|Presentimento| {{N/a}}| {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG%20%2056>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Classe di ferro| {{n/a}}| | {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG%20109>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Gambe d’oro| 1958| {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG%20261>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Promesse di marinaio| {{n/a}}| | {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG%20301>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Roulotte e roulette| {{n/a}}| | {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG%20476>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Solitudine| {{n/a}}| | {{yes}}|| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG%20830>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|| {{n/a}}| {{yes}}| || | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG1494>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|War of the Planets| {{n/a}}| {{yes}}| || | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG1853>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Bob Fleming... Mission Casablanca| {{n/a}}| {{yes}}| || | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG1808>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Joe l’implacabile| {{n/a}}| {{yes}}| || | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG2131>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Io ti amo| {{n/a}}| {{yes}}| {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG2364>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Vengeance| {{n/a}}| {{yes}}| {{yes}}| | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG2369>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Mr. Superinvisible| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG2843>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Finalmente le mille e una notte| {{n/a}}| {{yes}}| {{yes}}| | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG3273>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Novelle galeotte d’amore dal Decamerone| {{n/a}}| {{yes}}| {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG3325>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Mr. Hercules Against Karate| {{n/a}}| {{yes}}| {{yes}}| | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG3525>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|| {{n/a}}| {{yes}}| {{yes}}| | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG3737>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Manone il ladrone| {{n/a}}| {{yes}}| {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG3745>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Fantasma en el Oeste| {{n/a}}| {{yes}}| {{yes}}| {{yes}}| | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG3865>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Cannibal Apocalypse| 1980| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG4451>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG4544>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Car Crash| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG4639>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Hunters of the Golden Cobra| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG4639>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Tiger Joe| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG4790>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|(Tornado: The Last Blood)| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG4980>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG5102>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Commando Leopard| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=AG5333>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=MM7978>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|(:it:Alien degli abissi) (Alien from the DeepWEB,www.moriareviews.com/sciencefiction/alien-from-the-deep-1989-alien-degli-abissi.htm, Alien from the Deep (1989), 9 June 2003, )| 1989| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=DD8572>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Indio| {{n/a}}| {{yes}}| | | | HTTP://WWW.ARCHIVIODELCINEMAITALIANO.IT/INDEX.PHP/SCHEDA.HTML?CODICE=DD8626>PUBLISHER=ARCHIVIO DEL CINEMA ITALIANO]ACCESS-DATE=16 JANUARY 2019, !scope=“row“|Indio 2 - La rivolta| {{n/a}}| {{yes}}| | | | {{citation title=Indio 2 - La rivolta (1991)}}

Legacy

In the documentary on the Image DVD release of his film Cannibal Apocalypse, Margheriti proudly mentioned that it was Quentin Tarantino’s favorite among his films. In Tarantino’s film Inglourious Basterds, Eli Roth’s character Donny Donowitz uses “Antonio Margheriti” as an alias in an undercover operation at the cinema screening of Stolz der Nation.BOOK, Goldweber, David Elroy, Claws & Saucers: Science Fiction, Horror, and Fantasy Film 1902–1982: A Complete Guide, 2015, Lulu Press, Inc, 9781312288034, 279,books.google.com/books?id=gfdYCAAAQBAJ&pg=PT279, en, {{Dead link|date=March 2024 |bot=InternetArchiveBot |fix-attempted=yes }}BOOK, Fabris, Angela, Kaleidoskop Literatur: Zur Ästhetik literarischer Texte von Dante bis zur Gegenwart. Festschrift für Cornelia Klettke zum 60. Geburtstag, 2018, Frank & Timme GmbH, 9783732905034, 712,books.google.com/books?id=r5l9DwAAQBAJ&pg=PA712, de, WEB, Margheriti!, YouTube,www.youtube.com/watch?v=kRinCyay1kI,ghostarchive.org/varchive/youtube/20211211/kRinCyay1kI, 2021-12-11, live, 22 February 2019, 27 May 2011, {{cbignore}}{{better source needed|date=February 2019}} There is also a reference in Tarantino’s film, Once Upon a Time in Hollywood. In said film, Leonardo DiCaprio portrays the fictional actor Rick Dalton, who goes to Italy in 1969 to film Spaghetti Westerns, including one spy thriller directed by Margheriti titled Operazione Dyn-o-mite.WEB, Sharf, Zack, 2019-07-26, ‘Once Upon a Time in Hollywood’: Tarantino’s ‘Inglourious Basterds’ Easter Egg Explained,www.indiewire.com/2019/07/once-upon-a-time-in-hollywood-inglourious-basterds-easter-egg-explained-1202160949/, 2021-08-02, IndieWire, en,

References

Footnotes

{{reflist}}

Sources

• BOOK

,

• BOOK

,

• BOOK, Curti, Roberto, Diabolika: Supercriminals, Superheroes and the Comic Book Universe in Italian Cinema, Midnight Marquee Press, 2016, 978-1-936168-60-6,
• BOOK

,

• BOOK, Curti, Roberto, Italian Gothic Horror Films, 1980-1989, McFarland, 2019, 978-1476672434,
• BOOK, Fischer, Dennis, Science Fiction Film Directors, 1895-1998, Jefferson, North Carolina: McFarland & Company, 2011, 978-0786485055,
• BOOK, Grant, Kevin, Any Gun Can Play, 2011, Fab Press, 9781903254615,
• BOOK

,

• BOOK, Paul, Louis, Italian Horror Film Directors, McFarland, 2005, 978-0-7864-8749-3,

External links

• Stefano Bigliardi, “Mr. Superinvisible’s Potion: Science, Scientists and Technology in Antonio Margheriti’s Films,” Simulteanea. A Journal of Italian Media and Pop Culture - Rivista di media e cultura popolare in Italia, Vol. 2, N. 1.
• {{Official websitewww.antoniomargheriti.com/English_Version/enghome.htm" title="web.archive.org/web/20071226152258www.antoniomargheriti.com/English_Version/enghome.htm">web.archive.org/web/20071226152258www.antoniomargheriti.com/English_Version/enghome.htm}}
• Article at Senses of Cinema
• {{IMDb name|0546672}}
• Thesis on Margheriti

{{Antonio Margheriti}}{{Authority control}}