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{{Short description|1934 film by King Vidor}}

factoids

| runtime = 80 minutes| country = United States| language = English| budget = $125,000 (estimate)| gross =}}Our Daily Bread is a 1934 American drama film directed by King Vidor and starring Karen Morley, Tom Keene, and John Qualen. The film is a sequel to Vidor’s silent classic The Crowd (1928), using the same characters although with different actors.

Plot

A couple, down on their luck during the Great Depression, move to a farm to try to make a go of living off the land. They have no idea what to do at first, but soon find other downtrodden people to help them. Soon they have a collective of people, some from the big city, who work together on a farm. A severe drought is killing the crops. The people then dig a ditch by hand, almost two miles long, to divert water from a creek to irrigate the crops.

Production

Vidor tried to interest Irving Thalberg of MGM in the project, but Thalberg, who had greenlighted the earlier film, rejected the idea. Vidor then produced the film himself and released it through United Artists. The film is also known as Hell’s Crossroads, an American reissue title.

Cast

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• Karen Morley as Mary Sims
• Tom Keene as John Sims
• Barbara Pepper as Sally
• Addison Richards as Louie Fuente
• John Qualen as Chris Larsen
• Lloyd Ingraham as Uncle Anthony
• Sidney Bracey as Rent Collector
• Henry Hall as Frank
• Nellie V. Nichols as Mrs. Cohen
• Frank Minor as Plumber
• Bud Rae as Stonemason
• Harry Brown as Little Man

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Reception and legacy

Our Daily Bread was a box-office disappointment.Churchill, Douglas W. The Year in Hollywood: 1934 May Be Remembered as the Beginning of the Sweetness-and-Light Era; The New York Times December 30, 1934: X5. Retrieved December 16, 2013. {{subscription required}} Vidor, who produced the film with his own money, said he “just about broke even.“Our Daily Bread (1934) weblink Turner Classic MoviesThe New York Times called the film “a social document of amazing vitality and emotional impact.“Sennwald, Andre weblink The New York Times Oct. 3, 1934Ernst Hugo Correll, the production chief for the UFA, wrote a report on the movie and said that it was such perfect fascist propaganda that it seemed as if the movie had been made under orders of the German propaganda ministry.In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it “culturally, historically, or aesthetically significant”.WEB,www.hollywoodreporter.com/news/ghostbusters-top-gun-enter-national-849092, ‘Ghostbusters,’ ‘Top Gun,’ ‘Shawshank’ Enter National Film Registry, Mike Barnes, The Hollywood Reporter, December 16, 2015, December 16, 2015, In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to Vidor’s career.WEB,www.berlinale.de/en/press/press-releases/detail_8008.html, Berlinale 2020: Retrospective “King Vidor”, Berlinale, 28 February 2020,

Soundtrack

• Sidney Bracey – “Just Because You’re You”
• The farmers – “You’re in the Army Now”
• Musicians at the farm – “Camptown Races” (music by Stephen Foster)
• Tom Keene – “Oh! Susanna” with modified lyrics (music and lyrics by Stephen Foster)

References

{{Reflist}}

External links

{{Commons category|Our Daily Bread (1934 film)}}

• {{AFI film|1021|Our Daily Bread}}
• {{Internet Archive film|id=ODailyBread|name=Our Daily Bread}}
• {{IMDb title|id=0025610|title=Our Daily Bread}}
• {{AllMovie title|36740|Our Daily Bread}}
• {{TCMDb title|id=85923|title=Our Daily Bread}}

{{King Vidor}}{{Authority control}}