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Danger music
please note:
- the content below is remote from Wikipedia
- it has been imported raw for GetWiki
{{Short description|Avant-garde music and performance art}}- the content below is remote from Wikipedia
- it has been imported raw for GetWiki
factoids | |
---|---|
- avant-gardeWEB,weblink Intermedia, Fluxus And The Something Else Press: Selected Writings By Dick Higgins, 22 December 2018, March 3, 2021, hyperallergic.com, January 26, 2021,weblink live,
- experimental
- Fluxus
- performance art| cultural_origins = 1960s, Fluxus| instruments = Various highly dangerous things| derivatives = | subgenres = | fusiongenres = | regional_scenes = | local_scenes = Japan| other_topics = Hardcore punk
- noise rock
- industrial music
- powerviolence
In performance
File:Justice yeldham.jpg|thumb|Broken glass strews the stage after a show by Australian noise musician Justice YeldhamJustice YeldhamAs with many forms of concept music and performance art, the lines between "music", "art", "theater", and "social protest" are not always clear or apparent. Danger Music consequently has some things in common with the performance art of artists such as Mark Pauline and Chris Burden. For instance, some extreme examples of danger music direct performers to use sounds so loud that they will deafen the participants, or ask performers to throw antipersonnel bombs into the audience.Yamantaka Eye's noise project Hanatarash was notable for its dangerous live shows, the most famous instance being when the Japanese artist drove an excavator through the venue at the back of the stage. There were also reports of audience members being required to fill out waivers before shows to prevent the band or the venue being sued in case of any potential danger caused to them.WEB,weblink Why Are People Brushing Their Teeth at Noise Shows? An Investigation, Colin, Joyce, November 11, 2016, March 3, 2021, Vice (magazine), Vice, At another venue, they drove a bulldozer through one of the walls. And later in their career, they required audience members to sign personal injury waivers before some of their sets., November 8, 2020,weblink live, Other pieces involve more symbolic forms of "danger", such as Nam June Paik's "Danger Music for Dick Higgins," which directs the performer to "creep into the vagina of a living whale."{{citation|page=72|chapter=Danger Music |title=Experimental Music: Cage and Beyond |author=Michael Nyman |year=1999 |publisher=Cambridge University Press |isbn=0-521-65383-5}}See also
- Sonic weapon
- 20th-century classical music
- Contemporary music
- Experimental music
- Noise music
- Chris Burden
References
{{reflist}}Further reading
- Cope, David Techniques of the Contemporary Composer ({{ISBN|0-02-864737-8}})
- Friedman, Ken The Fluxus Reader ({{ISBN|0-471-97858-2}})
- Higgins, Hannah Fluxus Experience ({{ISBN|0-520-22867-7}})
- Nyman, Michael Experimental Music: Cage and Beyond ({{ISBN|0-521-65383-5}})
- content above as imported from Wikipedia
- "Danger music" does not exist on GetWiki (yet)
- time: 5:02am EDT - Sat, May 18 2024
- "Danger music" does not exist on GetWiki (yet)
- time: 5:02am EDT - Sat, May 18 2024
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