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*corresponding squares*

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corresponding squares

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**Corresponding squares**(also called

**relative squares**,

**sister squares**and

**coordinate squares**{{harvcol|Mednis|1987|pp=11â€“12}}) in chess occur in some chess endgames, usually ones that are mostly blocked. If squares

*x*and

*y*are corresponding squares, it means that if one player moves to

*x*then the other player must move to

*y*in order to hold his position. Usually there are several pairs of these squares, and the members of each pair are labeled with the same number, e.g.

**1**,

**2**, etc. In some cases they indicate which square the defending king must move to in order to keep the opposing king away. In other cases, a maneuver by one king puts the other player in a situation where he cannot move to the corresponding square, thus the first king is able to penetrate the position {{Harvcol|MÃ¼ller|Lamprecht|2007|pp=188â€“203}}. The theory of corresponding squares is more general than opposition, and is more useful in cluttered positions.{{algebraic notation|pos=tocleft}}

## Details

Corresponding squares are squares of reciprocal (or mutual) zugzwang. They occur most often in king and pawn endgames, especially with triangulation, opposition, and mined squares. A square that White can move to corresponds to a square that Black can move to. If one player moves to such a square, the opponent moves to the corresponding square to put the opponent in zugzwang {{Harvcol|Dvoretsky|2006|pp=15â€“20}}.## Examples

### A simple example

{{Chess diagram|tright|Corresponding squaresx3 |

x3 |

pl |

x3 |

|Numbered squares are corresponding squares in king and pawn versus king. Squares marked "x" are key squares.}}One of the simplest and most important uses of corresponding squares is in this king and pawn versus king endgame. Assume that the black king is in front of the pawn and the white king is behind or to the side of the pawn. The black king is trying to block the white pawn and the white king is supporting its pawn. If the white king gets to any of the key squares (marked with "x"), he wins. Suppose the black king moves to the square labeled "1" near him (square c8). Then if the white king moves to the corresponding square (also labeled "1", square c6), he wins. Conversely, if the white king moves to the "1" square then the black king must move to the corresponding square to draw. Thus if both kings are on the "1" squares, the position is a reciprocal zugzwang. Note that the second player moving to one of the corresponding squares has the advantage. Being on a square when the opponent is not on the corresponding square is a disadvantage.The squares labeled "2" are similar corresponding squares. If the white king is on the d5 square (the middle one labeled "3"), he is threatening to move to either the "1" square or the "2" square. Therefore, the black king must be in a position to move to either his "1" square or his "2" square in order to hold the draw, so he must be on one of his "3" squares. This makes the defense for Black clear: shift between the squares labeled "3" until the white king moves to his "1" or "2" square, and then go to the corresponding square, gaining the opposition. If the black king moves to the "1" or "2" squares under any other circumstances, the white king moves to the corresponding square, takes the opposition, the black king moves, and White advances the pawn and will promote it and win, with a basic checkmate.The c5 and e5 squares can also be label "3" squares, since if the white king is on one of them, the black king must be on one of his "3" squares to draw.## A second example{{Chess diagram|tright|RÃ¶sch-Mast 1995 |

pd |

x1 |

x1 |

pd |

x2 | x2 |

pl |

x3 |

x3 |

|White to move, but drawn with either side to move}}This is another example that is fairly simple. The key squares (see king and pawn versus king endgame) are e1, e2, e3, and f3. If the black king gets to any of those squares, Black wins. The job of the white king is to keep the black king off those squares. One might think that Black has the advantage, since he has the opposition. White can defend the two key squares of e3 and f3 by oscillating between e2 and f2. White's defense is simple if he observes the corresponding squares:
1. Kf2! (keeping the black king off e3 and f3)
1... Kd3
2. Kf3! moving to the corresponding square
2... Kd2
3. Kf2! Kd1
4. Kf1!
## An example with separated key squares{{Chess diagram|tright|A study by Nikolay Grigoriev, 1924 |

x6 |

x1 |

x3 |

kd |

xx | pl | x5 |

xx |

x2 | x4 |

pd |

pl |

xx |

x3 |

x1 | pl | kd |

x1 | kl |

|The white king is on one of his "1" squares, the black king is on his "1" square. Key squares are e2, e3, and d4, marked with "x" except for e3. The corresponding squares help show White's winning process. }}In this position, e2, e3, and d4 are key squares. If the white king can reach any of them, White wins. The black king cannot move out of the "square" of White's d-pawn (see king and pawn versus king endgame), otherwise it will promote. The square c3 is adjacent to d4 and the "1" square the White king is on, so it is numbered "2". Therefore, e3 is "2" for Black. White threatens to move to c2, so this is labeled "3". Since Black must be able to move to "1" and "2", f4 is his corresponding "3" square. If the White king is on b2 or b3, he is threatening to move to "2" or to "3", so those are also "1" squares for him. White has more corresponding squares, so he can outmaneuver Black to win {{Harvcol|MÃ¼ller|Lamprecht|2007|p=189}}.
1. Kc2 Kf4
2. Kb3 Kf3
3. Kb2 Kf4 The black king must leave his "1" square, and has no corresponding "1" square to which to move.
4. Kc2! Kf3 The white king moved to his "3" square but the black king is on his "3" square, so he cannot move to "3". White has used triangulation.
5. Kd2 Back to the starting position, but with Black to move.
5... Kf4 Black is on his "1" square, so cannot move to a "1" square.
6. Ke2!
## Lasker-Reichhelm position{{Chess diagram|tright|Lasker & Reichhelm, 1901 | x5 | x7 |

x3 | x7 | x9 | x9 | x1 |

pd |

x0 | x6 | xx |

pl |

pd | xx | pl |

pl |

x6 | x2 | x2 | x8 | x0 | x4 | x4 | x8 |

x2 | x2 | x8 |

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|White to move wins, Black to move draws. "X" indicates key squares, some of the corresponding squares are marked}}One of the most famous and complicated positions solved with the method of corresponding squares is this endgame study composed by World Champion Emanuel Lasker and Gustavus Charles Reichhelm in 1901. It is described in the 1932 treatise L'opposition et cases conjuguÃ©es sont rÃ©conciliÃ©es (Opposition and Sister Squares are Reconciled), by Vitaly Halberstadt and Marcel Duchamp.
1. Kb1 (next move he can chose from 3,4 or 5 ) Kb7 (Black choses 3)
2. Kc1 (since black chose 3 in last move) Kc7 (Black choses 4)
3. Kd1 (since black chose 4 in last move, now white can chose between 3,4,5,7) Kd8 (next move he can chose from 2,4,7,8)
4. Kc2 (he choses 5, because black can't chose 5 now) Kc8 (he chose 4)
5. Kd2 (choses 4 same as black's move) Kd7 (he choses 7)
6. Kc3 (he chose 3, since black can't come to 3) Kc7 (he chose 2)
7. Kd3 (same as black's last move) Kb6
(if 7. ...Ka6 8. Ke3 and then ultimately grabbing the f5 pawn)
8. Ke3
## See also## References- {hide}Citation
| last = Dvoretsky| first = Mark| authorlink = Mark Dvoretsky
{edih} | year = 2006 | title = Dvoretsky's Endgame Manual | edition = second | publisher = Russell Enterprises | isbn= 1-888690-28-3 - {hide}Citation
| last = Mednis| first = Edmar| authorlink = Edmar Mednis
{edih} | year = 1987 | title = Questions and Answers on Practical Endgame Play | publisher = Chess Enterprises | isbn= 0-931462-69-X - {hide}Citation
| first=Karsten|authorlink=Karsten MÃ¼ller | first2=Frank|authorlink2=Frank Lamprecht|year=2007|title=Secrets of Pawn Endings|publisher=Gambit Publications|isbn= 978-1-904600-88-6{edih} |