Neil Peart

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Neil Peart
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{{for|the Australian rules footballer|Neil Peart (footballer)}}{{Use Canadian English|date=July 2011}}{{Use mdy dates|date=August 2018}}

| image = File:Neil-Peart.jpg| alt = Peart in concertRush (band)>Rush in 2004 | landscape = Yes| background = non_vocal_instrumentalist| birth_name = Neil Ellwood Peartdf=yes09|12}}| birth_place = Hamilton, Ontario, Canada
  • Musician
  • lyricist
  • author{edih}| years_active = 1968–2015| label =}}}}Neil Ellwood Peart, {{Post-nominals|country=CAN|OC}} ({{IPAc-en|p|ɪər|t}}; born on September 12, 1952), is a Canadian author and retired musician, best known as the drummer and primary lyricist for the rock band Rush. Peart has received numerous awards for his musical performances, including an induction into the Modern Drummer Hall of Fame in 1983, making him the youngest person ever so honoured.WEB,weblink Modern Drummer’s Readers Poll Archive, 1979–2014, Modern Drummer, August 10, 2015, His drumming has been known for its technical proficiency, and his live performances for their exacting nature and stamina.Peart grew up in Port Dalhousie, Ontario, (now part of St. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full-time drummer. After a discouraging stint in England to concentrate on his music, Peart returned home, where he joined a local Toronto band, Rush, in the summer of 1974.Early in his career, Peart's performance style was deeply rooted in hard rock. He drew most of his inspiration from drummers such as Keith Moon and John Bonham, players who were at the forefront of the British hard rock scene.Anatomy of a Drum Solo DVD, Neil Peart (2005); accompanying booklet. (Republished in Modern Drummer magazine, April 2006) As time passed, he began to emulate jazz and big band musicians Gene Krupa and Buddy Rich. In 1994, Peart became a friend and pupil of jazz instructor Freddie Gruber.WEB,weblink Neil Peart Biography, January 18, 2008,weblink October 25, 2009, yes, It was during this time that Peart decided to revamp his playing style by incorporating jazz and swing components. Gruber was also responsible for introducing him to the products of Drum Workshop, the company whose products Peart currently endorses.Peart had been Rush's primary lyricist, and he has also published several memoirs about his travels. His lyrics for Rush have addressed universal themes and diverse subjects including science fiction, fantasy, and philosophy, as well as secular, humanitarian, and libertarian themes. He has written seven nonfiction books that are primarily travel-based, though they delve into his life and these themes and subjects as well. Peart lives in Santa Monica, California, with his wife (photographer Carrie Nuttall) and daughter, Olivia. He also has a home in the Laurentian Mountains of Quebec, Canada, and spends time in Toronto for recording purposes.On December 7, 2015, Peart announced his retirement from music in an interview with Drumhead Magazine,WEB,weblink Rush's Neil Peart says he's retired from music, Consequence of Sound, December 7, 2015, December 7, 2015, though bandmate Geddy Lee insisted Peart was quoted out of context, and suggested Peart was "simply taking a break".WEB,weblink Rush's Geddy Lee Says Neil Peart Hasn't Retired, December 8, 2015, December 8, 2015, However, in January 2018, bandmate Alex Lifeson confirmed that Rush was retiring due to Peart's health issues.WEB, Rossignol, Derrick, Rush Officially Breaks Up, Two Years After They Quit Touring,weblink Uproxx, January 23, 2018,


Early childhood

Peart was born on September 12, 1952 to Glen and Betty Peart and lived his early years on his family's farm in Hagersville, on the outskirts of Hamilton. The first child of four,WEB, Neil Peart Biography, Videos & Pictures,weblink, March 26, 2011, Born Neil Ellwood Peart on the 12th of September 1952, Neil Peart would be the first of four kids his parents wound up raising., his brother Danny and sisters Judy and Nancy were born after the family moved to St. Catharines when Peart was two years old. At this time his father became parts manager for Dalziel Equipment, an International Harvester farm machinery dealer. In 1956 the family moved to the Port Dalhousie area of the town. Peart attended Gracefield School and later Lakeport Secondary School, and describes his childhood as happy and says he experienced a warm family life. By early adolescence he became interested in music and acquired a transistor radio, which he would use to tune into pop music stations broadcasting from Toronto, Hamilton, Welland, Ontario and Buffalo, New York.His first exposure to musical training came in the form of piano lessons, which he later said in his instructional video A Work in Progress did not have much impact on him. He had a penchant for drumming on various objects around the house with a pair of chopsticks, so for his thirteenth birthday his parents bought him a pair of drum sticks, a practice drum and some lessons, with the promise that if he stuck with it for a year they would buy him a kit.His parents bought him a drum kit for his fourteenth birthday and he began taking lessons from Don George at the Peninsula Conservatory of Music. His stage debut took place that year at the school's Christmas pageant in St. Johns Anglican Church Hall in Port Dalhousie. His next appearance was at Lakeport High School with his first group, The Eternal Triangle. This performance contained an original number titled "LSD Forever". At this show he performed his first solo.Peart got a job in Lakeside Park, in Port Dalhousie on the shores of Lake Ontario, which later inspired a song of the same name on the Rush album Caress of Steel.Lakeside Park Rush Song Facts. Retrieved February 15, 2008 He worked on the Bubble Game and Ball Toss, but his tendency to take it easy when business was slack resulted in his termination. By his late teens, Peart had played in local bands such as Mumblin' Sumpthin', the Majority, and JR Flood. These bands practiced in basement recreation rooms and garages and played church halls, high schools and roller rinks in towns across Southern Ontario such as Mitchell, Seaforth, and Elmira. They also played in the northern Ontario city of Timmins. Tuesday nights were filled with jam sessions at the Niagara Theatre Centre.Peart, Neil. with Brian Collins editor WEB,weblink "A Port boy's story" parts 1 & 2, October 7, 2010, bot: unknown,weblink" title="">weblink August 4, 2009, – St. Catharines Standard – (c/o – June 24/25, 1994 – Accessed August 9, 2007

Career before joining Rush

At eighteen years of age, after struggling to achieve success as a drummer in Canada, Peart travelled to London, England, hoping to further his career as a professional musician. Despite playing in several bands and picking up occasional session work, he was forced to support himself by selling jewelry at a shop called The Great Frog on Carnaby Street.Neil Peart in London Don Howe. Retrieved February 19, 2008The National Midnight Star Retrieved February 19, 2008While in London, he came across the writings of novelist and Objectivist Ayn Rand. Rand's writings became a significant early philosophical influence on Peart, as he found many of her writings on individualism and Objectivism inspiring. References to Rand's philosophy can be found in his early lyrics, most notably "Anthem" from 1975's Fly by Night and "2112" from 1976's 2112.Allmusic guide Review for 2112 [{{Allmusic|class=album|id=r17123|pure_url=yes}} Allmusic guide]. Retrieved February 10After eighteen months of dead-end musical gigs, and disillusioned by his lack of progress in the music business, Peart placed his aspiration of becoming a professional musician on hold and returned to Canada. Upon returning to St. Catharines, he worked for his father selling tractor parts at Dalziel Equipment.

Joining Rush

After returning to Canada, Peart was recruited to play drums for a St. Catharines band known as Hush, who played on the Southern Ontario bar circuit. Soon after, a mutual acquaintance convinced Peart to audition for the Toronto-based band Rush, which needed a replacement for its original drummer John Rutsey. Geddy Lee and Alex Lifeson oversaw the audition. His future bandmates describe his arrival that day as somewhat humorous, as he arrived in shorts, driving a battered old Ford Pinto with his drums stored in trashcans. Peart felt the entire audition was a complete disaster. While Lee and Peart hit it off on a personal level (both sharing similar tastes in books and music), Lifeson had a less favourable impression of Peart. After some discussion, Lee and Lifeson accepted Peart's maniacal British style of drumming, reminiscent of The Who's Keith Moon.Peart officially joined the band on July 29, 1974, (Lee's 21st birthday), two weeks before the group's first US tour. Peart procured a silver Slingerland kit which he played at his first gig with the band, opening for Uriah Heep and Manfred Mann in front of over 11,000 people at the Civic Arena, Pittsburgh, Pennsylvania, on August 14, 1974.WEB,weblink Neil Peart Speaks About New Rush Release, November 16, 2005, Chart (magazine), Chart, August 9, 2009, yes,weblink" title="">weblink June 7, 2011, mdy-all,

Early career with Rush

Peart soon settled into his new position, also becoming the band's primary lyricist. Before joining Rush, he had written few songs, but, with the other members largely uninterested in writing lyrics, Peart's previously underutilized writing became as noticed as his musicianship.Neil Peart's Lyrics Rob Pagano's website – Neil Peart Mini-Biography {{webarchive|url= |date=January 8, 2009 }}. Retrieved February 22, 2008 The band was working hard to establish themselves as a recording act, and Peart, along with the rest of the band, began to undertake extensive touring.His first recording with the band, 1975's Fly by Night, was fairly successful, winning the Juno Award for most promising new act,WEB,weblink Individual awards list, February 2, 2008, bot: unknown,weblink" title="">weblink January 22, 2008, Accessed July 16, 2007 but the follow-up, Caress of Steel, for which the band had high hopes, was greeted with hostility by both fans and critics.Caress of Steel Review [{{Allmusic|class=album|id=r17118|pure_url=yes}} Greg Prato, Allmusic Guide]. Retrieved September 20, 2007 In response to this negative reception, most of which was aimed at the B side-spanning epic "The Fountain of Lamneth", Peart responded by penning "2112" on their next album of the same name in 1976. The album, despite record company indifference, became their breakthrough and gained a following in the United States.Allmusic guide Review for 2112 [{{Allmusic|class=album|id=r17123|pure_url=yes}} Allmusic guide]. Retrieved February 10, 2008 The supporting tour culminated in a three-night stand at Massey Hall in Toronto, a venue Peart had dreamed of playing in his days on the Southern Ontario bar circuit and where he was introduced as "The Professor on the drum kit" by Lee.Geddy Lee Announces Neil Peart Rush Frequently Asked Questions. Retrieved February 19, 2008Peart returned to England for Rush's Northern European Tour and the band stayed in the United Kingdom to record the next album, 1977's A Farewell to Kings in Rockfield Studios in Wales. They returned to Rockfield to record the follow-up, Hemispheres, in 1978, which they wrote entirely in the studio. The recording of five studio albums in four years, coupled with as many as 300 gigs a year, convinced the band to take a different approach thereafter. Peart has described his time in the band up to this point as "a dark tunnel."Current Biography Magazine Power Windows Website {{webarchive|url= |date=September 11, 2009 }}. Retrieved February 19, 2008

Playing style reinvention

In 1992, Peart was invited by Buddy Rich's daughter, Cathy Rich, to play at the Buddy Rich Memorial Scholarship Concert in New York City. Peart accepted and performed for the first time with the Buddy Rich Big Band. Peart remarked that he had little time to rehearse, and noted that he was embarrassed to find the band played a different arrangement of the song than the one he had learned.WEB,weblink Neil Peart's Official Website,, September 3, 2011, Feeling that his performance left much to be desired, Peart decided to produce and play on two Buddy Rich tribute albums titled (Burning for Buddy: A Tribute to the Music of Buddy Rich) in 1994 and 1997 in order to regain his aplomb.While producing the first Buddy Rich tribute album, Peart was struck by the tremendous improvement in ex-Journey drummer Steve Smith's playing, and asked him his "secret." Smith responded he had been studying with drum teacher Freddie Gruber.In early 2007, Peart and Cathy Rich again began discussing yet another Buddy tribute concert. At the recommendation of bassist Jeff Berlin, Peart decided to once again augment his swing style with formal drum lessons, this time under the tutelage of another pupil of Freddie Gruber, Peter Erskine, himself an instructor of Steve Smith. On October 18, 2008, Peart once again performed at the Buddy Rich Memorial Concert at New York's Hammerstein Ballroom. The concert has since been released on DVD.

Family tragedy and recovery

On August 10, 1997, soon after the conclusion of Rush's Test for Echo Tour, Peart's first daughter and then-only child, 19-year-old Selena Taylor, was killed in a single-car accident on Highway 401 near the town of Brighton, Ontario. His common-law wife of 23 years, Jacqueline Taylor, succumbed to cancer only 10 months later on June 20, 1998. Peart attributes her death to the result of a "broken heart" and called it "a slow suicide by apathy. She just didn't care."BOOK, Ghost Rider: Travels on the Healing Road, Peart, Neil, 2002, ECW Press, 1-55022-546-4, In his book (Ghost Rider: Travels on the Healing Road), Peart writes that he told his bandmates at Selena's funeral, "consider me retired." Peart took a long sabbatical to mourn and reflect, and travelled extensively throughout North and Central America on his motorcycle, covering {{convert|88,000|km|mi|abbr=on}}. After his journey, Peart decided to return to the band. Peart wrote the book as a chronicle of his geographical and emotional journey.Peart was introduced to photographer Carrie Nuttall in Los Angeles by long-time Rush photographer Andrew MacNaughtan. They married on September 9, 2000. In early 2001, Peart announced to his bandmates that he was ready to return to recording and performing. The product of the band's return was the 2002 album Vapor Trails. At the start of the ensuing tour in support of the album, it was decided amongst the band members that Peart would not take part in the daily grind of press interviews and "meet and greet" sessions upon their arrival in a new city that typically monopolize a touring band's daily schedule. Peart has always shied away from these types of in-person encounters, and it was decided that exposing him to a lengthy stream of questions about the tragic events of his life was not necessary.MacNaughtan, Andrew. Geddy Lee. and Alex Lifeson. "The Boys in Brazil", Rush in Rio DVD Bonus Material. New York, New York: Atlantic Recording Corporation/Anthem/Msi Music Corp October 2003.Daniel Catullo Rush. Rush in Rio. Cambridge, Massachusetts: Zoë Vision. 2003. {{OCLC|53877410}}Jordan, Lawrence. Daniel E Catullo. Rush Rush in Rio. London: Sanctuary Visual Entertainment. 2003. {{OCLC|84678389}}After the release of Vapor Trails and his reunion with bandmates, Peart returned to work as a full-time musician. In the June 2009 edition of Peart's website's News, Weather, and Sports, titled "Under the Marine Layer", he announced that he and Nuttall were expecting their first child.Peart, Neil Under the Marine Layer, News, Weather and Sports, June 2009. Retrieved July 1, 2009 Olivia Louise Peart was born later that year.In the mid-2010s, Peart acquired American citizenship.WEB,weblink From Rush with Love, June 16, 2015, Rolling Stone, Hiatt, Brian,


Peart announced his retirement in an interview in December 2015:Peart had been suffering from chronic tendonitis and shoulder problems.NEWS,weblink Rush drummer Neil Peart tells magazine he's retired, Wong, Jessica, CBC News, December 7, 2015, December 8, 2015, In January 2018, Alex Lifeson confirmed that Rush is "basically done". Peart remains friends with his former bandmates.WEB,weblink Geddy Lee on Rush's greatest songs: 'Even I can barely make sense of our concept albums', The Guardian, Michael, Hann, December 24, 2018, December 24, 2018,


Style and influences

File:Rush-in-concert.jpg|thumb|Peart (right, behind Alex Lifeson and Geddy LeeGeddy LeePeart's drumming skill and technique are well-regarded by fans, fellow musicians, and music journalists.Olson, Andrew C."Neil Peart Modern Drummer Awards" – – Updated 10/1/06 – Accessed July 18, 2007Neil Peart page – DrummerWorld – Accessed July 18, 2007 His influences are eclectic, ranging from Pete Thomas, John Bonham, Michael Giles, Ginger Baker, Phil Collins, Steve Gadd, Stewart Copeland,WEB,weblink From Rush With Love, Rolling Stone, Michael ShrieveWEB,weblink Interview: Michael Shrieve (Santana, Go, Spellbinder), thodoris, January 29, 2015, Hit Channel, WEB,weblink Neil Peart, and Keith Moon, to fusion and jazz drummers Billy Cobham, Buddy Rich, Bill Bruford and Gene Krupa.Peart, Neil. Matthew Wachsman. Paul Siegel. Rob Wallis. Anatomy of a Drum Solo. Hudson Music. Distributed by Hal Leonard. 2005. {{ISBN|1-4234-0700-8}}Peart, Neil. "Neil Peart Speaks With Zildjian" {{webarchive|url= |date=June 12, 2010 }} – – (c/o – January 2003 The Who was the first group that inspired him to write songs and play the drums.Dome, Malcolm. "Interview with Neil Peart" – Metal Hammer – (c/o – April 25, 1988 Peart is distinguished for playing "butt-end out", reversing stick orientation for greater impact and increased rimshot capacity. "When I was starting out", Peart said, "if I broke the tips off my sticks I couldn't afford to buy new ones, so I would just turn them around and use the other end. I got used to it, and continue to use the heavy end of lighter sticks – it gives me a solid impact, but with less 'dead weight' to sling around."Peart, Neil. Rush – Counterparts {{webarchive|url= |date=June 3, 2004 }} – Rush Backstage Club Newsletter – (c/o – January 1994Peart had long played matched grip but shifted to traditional as part of his style reinvention in the mid-1990s under the tutelage of jazz coach Freddie Gruber. He played traditional grip throughout his first instructional DVD A Work in Progress and on Rush's Test for Echo studio album. Peart went back to using primarily matched, though he continued to switch to traditional at times when playing songs from Test for Echo and during moments when traditional grip felt more appropriate, such as during the rudimental snare drum section of his drum solo. He discusses the details of these switches in the DVD Anatomy of a Drum Solo.


(File:Neil Peart3.jpg|thumb|right|Neil Peart and his 360-degree drumkit)With Rush, Peart played Slingerland, Tama, Ludwig, and Drum Workshop drums, in that order.Rush Archives Neil Peart's Equipment. Retrieved January 18, 2008Peart played Zildjian A-series cymbals and Wuhan china cymbals until the early 2000s when he switched to Paragon, a line created for him by Sabian.Neil Peart Signature Series Cymbals Paragon {{webarchive|url= |date=February 18, 2008 }}. Retrieved February 10, 2008 In concert, Peart used an elaborate 360-degree drum kit, with a large acoustic set in front and electronic drums to the rear.(File:Simmons SDS5 Electric Drum.jpg|thumb|left|Neil Peart began incorporating electronic drums with 1984's Grace Under Pressure)During the late 1970s, Peart augmented his acoustic setup with diverse percussion instruments including orchestra bells, tubular bells, wind chimes, crotales, timbales, timpani, gong, temple blocks, bell tree, triangle, and melodic cowbells. Since the mid-1980s, Peart has replaced several of these pieces with MIDI trigger pads. This was done in order to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area. Some purely electronic non-instrumental sounds are also used. One classic MIDI pad used is the Malletkat Express, which is a two-octave electronic MIDI device that resembles a xylophone or piano. The Malletkat Express is composed of rubber pads for the "keys" so that any stick can be used. Beginning with 1984's Grace Under Pressure, he used Simmons electronic drums in conjunction with Akai digital samplers. Peart has performed several songs primarily using the electronic portion of his drum kit. (e.g. "Red Sector A", "Closer to the Heart" on A Show of Hands and "Mystic Rhythms" on (R30: 30th Anniversary World Tour|R30).) Peart's drum solos also feature sections performed primarily on the electronic portion of his kit.Shortly after making the choice to include electronic drums and triggers, Peart added what has become another trademark of his kit: a rotating drum riser. During live Rush shows the riser allows Peart to swap the prominent portions of the kit (traditional acoustic in front, electronic in back). A staple of Peart's live drum solos has been the in-performance rotation-and-swap of the front and back kits as part of the solo itself. This special effect provides both a symbolic transition of drum styles within the solo and a visual treat for the audience.In the early 2000s, Peart began taking full advantage of the advances in electronic drum technology, primarily incorporating Roland V-Drums and continued use of samplers with his existing set of acoustic percussion. His digitally-sampled library of both traditional and exotic sounds has expanded over the years with his music.In April 2006, Peart took delivery of his third DW set, configured similarly to the R30 set, in a Tobacco Sunburst finish over curly maple exterior ply, with chrome hardware. He refers to this set, which he uses primarily in Los Angeles, as the "West Coast kit". Besides using it on recent recordings with Vertical Horizon, he played it while composing parts for Rush's album, Snakes & Arrows. It features a custom 23-inch bass drum; all other sizes remain the same as the R30 kit.On March 20, 2007 Peart revealed that Drum Workshop prepared a new set of red-painted DW maple shells with black hardware and gold "Snakes & Arrows" logos for him to play on the Snakes & Arrows Tour.Peart, Neil. ""The Count of Words"" – The N.E.P. News – – March 20, 2007 – Accessed August 9, 2007Peart has also designed his own signature series drumstick with Pro-Mark.WEB,weblink PW747W | Pro-Mark Drumsticks, The World's Finest Sticksâ„¢,, September 3, 2011, The Promark PW747W, Neil Peart Signature drumsticks, are made of Japanese White Oak, which adds more weight than a standard hickory stick. They have the thickness of a standard 5A (0.551", 1.4 cm) but are longer (16.25", 41.3 cm) with a thicker taper and larger olive shaped wooden tip. When Rush held their Time Machine Tour, Pro-Mark released three limited edition sticks, each with one of the three designs selected from Peart's "Steam Punk" tour kit printed with copper ink. Some other artists who use the Neil Peart Signature series include Ben Johnston of Biffy Clyro, Richie Hayward of Little Feat and Paul Garred of the Kooks.During the 2010–11 Time Machine Tour Peart used a new DW kit which was outfitted with copper-plated hardware and time machine designs to match the tour's steampunk themes. Matching Paragon cymbals with clock imagery were also used.WEB,weblink Neil Peart's Time Machine hybrid drum kit, Roland Canada, Darren, Schoepp, November 22, 2017,


Peart was noted for his distinctive in-concert drum solos,Modern Drummer Magazine April 2006 Article "Soloing in the Shadow of Giants". Modern Drummer Publishing Inc. NJ, USA. characterized by exotic percussion instruments[{{Allmusic|class=artist|id=p113133|pure_url=yes}} "Neil Peart > Credits"] – All Media Guide – Accessed July 18, 2007 and long, intricate passages in odd time signatures.Peart, Neil. "Soloing in the Shadow of Giants" – Modern Drummer Magazine – (c/o – April 2006"Pieces of Eight" – Modern Drummer Magazine – (c/o – May 1987 – Accessed July 18, 2007 His complex arrangements sometimes result in complete separation of upper- and lower-limb patterns; an ostinato dubbed "The Waltz" is a typical example.Neil Peart; The Waltz – – (QuickTime video) – Accessed July 18, 2007 His solos were featured on every live album released by the band. On the early live albums (All the World's a Stage & Exit... Stage Left), the drum solo was included as part of a song. On all subsequent live albums through (Time Machine 2011: Live in Cleveland), the drum solo has been included as a separate track. The Clockwork Angels Tour album includes three short solos instead of a single long one: two interludes played during other songs and one standalone. Similarly, the R40 Live album includes two short solos performed as interludes.Peart's instructional DVD Anatomy of a Drum Solo is an in-depth examination of how he constructs a solo that is musical rather than indulgent, using his solo from the 2004 R30 30th anniversary tour as an example.


Peart was the main lyricist for Rush. Literature has always heavily influenced his writingsNeil Peart Interview WEB,weblink Rush: Off The Record with Mary Turner, February 21, 2008, bot: unknown,weblink" title="">weblink December 22, 2007, Accessed February 21, 2008 and, as such, he has tackled a wide range of subjects. In his early days with Rush, much of his lyrical output was influenced by fantasy, science fiction, mythology and philosophy.Interview with Neil Peart Metal Hammer – April 25, 1988. Retrieved February 21, 2008 However, nearly as much would deal with real world or personal issues such as life on the road and parts of his adolescence.The song "2112" focuses on the struggle of an individual against the collectivist forces of a totalitarian state. This became the band's breakthrough release, but also brought unexpected criticism, mainly because of the credit of inspiration Peart gave to Ayn Rand in the liner notes. "There was a remarkable backlash, especially from the English press, this being the late seventies, when collectivism was still in style, especially among journalists", Peart said. "They were calling us 'Junior fascists' and 'Hitler lovers'. It was a total shock to me".Rand, Rush, and Rock Neil Peart Quotes. Retrieved February 16, 2008Weary of ideological fealty to Rand's philosophy of Objectivism, Peart has sought to remind listeners of his eclecticism and independence in interviews. He did not try to argue in defence of Rand's views, saying "For a start, the extent of my influence by the writings of Ayn Rand should not be overstated. I am no one's disciple."Power Windows Website Neil Peart Interview {{webarchive|url= |date=June 3, 2004 }}. Retrieved February 2, 2008The 1980 album Permanent Waves saw Peart cease to use fantasy and mythological themes. 1981's Moving Pictures showed that Peart was still interested in heroic, mythological figures, but now placed firmly in a modern, realistic context. The song "Limelight" from the same album is an autobiographical account of Peart's reservations regarding his own popularity and the pressures with fame. From Permanent Waves onward, most of Peart's lyrics began to revolve around social, emotional, and humanitarian issues, usually from an objective standpoint and employing the use of metaphors and symbolic representation.1984's Grace Under Pressure strung together such despondent topics as the Holocaust ("Red Sector A") and the death of close friends ("Afterimage").Power Windows "Grace Under Pressure"Power Windows Website {{webarchive|url= |date=February 16, 2008 }}. Retrieved February 16, 2008 Starting with 1987's Hold Your Fire and including 1989's Presto, 1991's Roll the Bones, and 1993's Counterparts, Peart would continue to explore diverse lyrical motifs, even addressing the topic of love and relationshipsMatt Scannell on Neil Peart weblink" title="">Drumhead. Retrieved February 19, 2008 ("Open Secrets", "Ghost of a Chance", "Speed of Love", "Cold Fire", "Alien Shore") a subject which he purposefully avoided in the past, out of fear of using clichés.WEB,weblink Network, The Godfathers of Cyber-Tech Go Organic, November 1993, December 17, 2011, Perry, Stern, 2002's Vapor Trails was heavily devoted to Peart's personal issues, along with other humanitarian topics such as the 9/11 terrorist attacks ("Peaceable Kingdom"). The album Snakes & Arrows dealt primarily and vociferously with Peart's opinions regarding faith and religion.WEB,weblink Billboard, Rush wrestling with faith on new album, September 11, 2006, March 10, 2007, Jonathan, Cohen, The lyrics of the album's song "Faithless" exhibit Peart's life stance, which has been closely identified with secular humanism. Peart has only explicitly discussed his religious views in his book The Masked Rider: Cycling in West Africa, in which he writes "I'm a linear thinking agnostic, but not an atheist, folks."BOOK, The Masked Rider: Cycling in West Africa, Peart, Neil, ECW Press, 1-55022-667-3, Opinions of Peart's lyrics have always been divided. While fans have lauded them as thoughtful and intelligent, some critics have called them overwrought and bombastic. In 2007, he was ranked No. 2 (after Sting) on Blender magazine's list of "worst lyricists in rock".NEWS
, Sting tops list of worst lyricists
, CBC News
, October 9, 2007
, October 9, 2007, In contrast, Allmusic has called Peart "one of rock's most accomplished lyricists."WEB, Prato, Greg,weblink Hemispheres - Rush, AllMusic, October 28, 1978, September 3, 2011,

Political views

For most of his career, Peart had never publicly identified with any political party or organization in Canada or the United States. Even so, his political and philosophical views have often been analyzed through his work with Rush and through other sources. In October 1993, shortly before that year's Canadian federal election, Peart appeared with then-Liberal Party leader Jean Chrétien in an interview broadcast in Canada on MuchMusic. In that interview, Peart stated he was an undecided voter who supported Quebec federalism.{{YouTube|jwJLGEDnFfs|Neil Peart Interviews Jean Chrétien - October 1993}} (accessed January 29, 2012)Peart has often been categorized as an Objectivist and an admirer of Ayn Rand. This is largely based on his work with Rush in the 1970s, particularly the song "Anthem" and the album 2112; the latter specifically credited Rand's work.WEB,weblink Rand, Rush and Rock,, March 2, 2011, However, in his 1994 Rush Backstage Club Newsletter, while contending the "individual is paramount in matters of justice and liberty", Peart specifically distanced himself from a strictly Objectivist line.WEB, Peart, Neil, Rush - Counterparts: Rush Backstage Club Newsletter, January 1994,weblink, June 1, 2012, In a June 2012 Rolling Stone interview, when asked if Rand's words still speak to him, Peart replied, "Oh, no. That was forty years ago. But it was important to me at the time in a transition of finding myself and having faith that what I believed was worthwhile."WEB, Greene, Andy, Q&A: Neil Peart On Rush's New LP and Being a 'Bleeding Heart Libertarian',weblink Rolling Stone, June 12, 2012, Peart has also ascribed to a philosophy that he has called "Tryism", which means that anything that one tries to attain will be attained if one tries hard enough.BOOK, Far and Away: A Prize Every Time, Neil, Peart, ECW Press, 2011, 1770410589, Although Peart is sometimes assumed to be a "conservative" or "Republican" rock star,WEB, Greenberg, Dan,weblink Republican Rock Stars,, August 11, 2008, March 2, 2011, he has criticized the Republican Party by stating that the philosophy of the party is "absolutely opposed to Christ's teachings".WEB,weblink Neil Peart on introverts, learning to improvise, and why people should be nicer to one another, Mike, Doherty, Maclean's, August 13, 2012, April 19, 2013, In 2005 he described himself as a "left-leaning libertarian",WEB,weblinkweblink" title="">weblink May 3, 2008, The Spirit of Rand,, May 3, 2008, September 3, 2011, and is often cited as a libertarian celebrity.WEB, LIbertarian Celebrities & VIPs: Neil Peart,weblink, June 1, 2012, yes,weblink" title="">weblink May 27, 2012, WEB, Jackson, Josh,weblink 5 Biggest Libertarian Musicians, Paste, March 2, 2011, In July 2011, Peart reiterated those views, calling himself a "bleeding-heart libertarian".NEWS, WEATHER, and SPORTS July, 2011 (accessed January 29, 2012)Peart is a member of the Canadian charity Artists Against Racism and worked with them on a radio PSAweblink a 2015 interview with Rolling Stone, Peart stated that he supports the Democratic Party.WEB,weblink From Rush With Love, Rolling Stone,


Peart is the author of seven non-fiction books, the latest released in September 2016. His growth as an author predates the published work by several years (not including his work as Rush's primary lyricist), through private letters and short travelogues sent out to a small circle of friends and family.Peart's first book, titled (The Masked Rider: Cycling in West Africa), was written in 1996 about a month-long bicycling tour through Cameroon in November 1988. The book details Peart's travels through towns and villages with four fellow riders. The original had a limited print run, but after the critical and commercial success of Peart's second book, Masked Rider was re-issued and remains in print as of 2006.After losing his wife and (at the time) only daughter, Peart embarked on a lengthy motorcycle road trip spanning North America. His experiences were penned in (Ghost Rider: Travels on the Healing Road). Peart and the rest of the band were always able to keep his private life at a distance from his public image in Rush. However, Ghost Rider is a first-person narrative of Peart on the road, on a BMW R1100GS motorcycle, in an effort to put his life back together as he embarked on an extensive journey across North America.Years later, after his marriage to Nuttall, Peart took another road trip, this time by car. In his third book, (Traveling Music: Playing Back the Soundtrack to My Life and Times),BOOK, Traveling Music: The Soundtrack to My Life and Times, Peart, Neil, September 28, 2004, ECW Press, 1-55022-664-9, he reflects on his life, his career, his family and music. As with his previous two books, it is a first-person narrative.Thirty years after Peart joined Rush, the band found itself on its (R30: 30th Anniversary Tour|30th anniversary tour). Released in September 2006, Roadshow: Landscape With Drums, A Concert Tour By Motorcycle details the tour both from behind Neil's drumkit and on his BMW R1150GS and R1200GS motorcycles.Peart's next book, Far and Away: A Prize Every Time, was published by ECW Press in May 2011.NEWS, Neil Peart's New Book Far And Away: A Prize Every Time Out Now,weblink May 14, 2011, KNAC, May 12, 2011, RUSH drummer Neil Peart's fifth full-length book, Far And Away: A Prize Every Time, has been released by ECW Press., This book, which he worked on for two years, is based around his traveling in North and South America. It tells how he found in a Brazilian town a unique combination of West African and Brazilian music.Baldwin, Stephen. "Rush drummer's motor runnin' again", Winnipeg Free Press (sourced from Postmedia News), Winnipeg, April 19, 2011. In 2014, a follow-up book, Far and Near: On Days like These, was published by ECW. It covers travels in North America and Europe.{{citation|title=Far and Near by Neil Peart|date=July 16, 2014|url=|work=Kirkus Reviews|accessdate=September 29, 2014}} Another book, Far and Wide: Bring That Horizon to Me!, was published in 2016 and is based on his travels between stops on the R40 Live Tour of 2015.Peart worked with science fiction author Kevin J. Anderson to develop a novelization of Rush's 2012 album Clockwork Angels; the book was published by ECW Press.WEB,weblink Clockwork Angels by Kevin J. Anderson — Reviews, Discussion, Bookclubs, Lists,, July 16, 2014, The two collaborated again on a loose sequel, Clockwork Lives, published in 2015. Snippets of the band's lyrics can be found throughout both stories.

Other books

Side projects

  • Jeff Berlin's 1985 album Champion, played drums on two songs, the title track "Champion", and "Marabi".
  • Vertical Horizon's 2009 album Burning the Days – drums on 3 songs including "Save Me from Myself", "Welcome to the Bottom", and "Even Now"
  • Vertical Horizon's 2009 album Burning the Days – "Even Now" – co-written by Matt Scannell and Neil Peart
  • Vertical Horizon's 2013 album Echoes from the Underground – drums on 2 songs including "Instamatic" and "South for the Winter"
  • (Burning for Buddy: A Tribute to the Music of Buddy Rich) ASIN: B001208NUQ
  • (Burning for Buddy: A Tribute to the Music of Buddy Rich, Vol. 2) ASIN: B000002JD4
Peart had a brief cameo in the 2007 film Aqua Teen Hunger Force Colon Movie Film for Theaters, in which samples of his drumming were played.WEB,weblink Rush is a Band Blog: Aqua Teen Hunger Force movie now playing,, April 14, 2007, July 16, 2014, Peart also had a brief cameo in the 2008 film Adventures of Power and in the DVD extra does a drum-off competition.IMDB Adventures of Power


Apart from Rush's video releases as a band, Peart has released the following DVDs as an individual:
  • A Work in ProgressAV MEDIA, A Work in Progress, Neil, Peart, Warner Bros. Publications, 2002, Miami, Florida, Warner Bros. Classics, originally released on VHS in 1996, 9780757990298,weblink 52762882, DVD video, DVD-ROM with Internet features, 2 booklets, produced and directed by Paul Siegel, Rob Wallis ; production, Langa Communications, May 23, 2013,
  • Anatomy of A Drum Solo S.l.: Hudson Music: Distributed by Hal Leonard. 2005. {{ISBN|1-4234-0700-8}}
  • The Making Of Burning For Buddy (A Tribute To The Music Of Buddy Rich) ASIN: 0739045059
  • Taking Center Stage: A Lifetime of Live Performance Distributed by Hudson Music. 2011. {{ISBN|978-1-4584-1174-7}}
  • Fire on Ice: The Making of the Hockey Theme Distributed by Drum Channel. 2011. ASIN: B00481YQPW

Awards and honors

Peart has received the following awards in the Modern Drummer magazinereader's poll:Awards List Rush Awards list {{webarchive|url= |date=June 4, 2009 }}. Retrieved August 2, 2007
  • Hall of Fame: 1983
  • Best Rock Drummer: 1980, 1981, 1982, 1983, 1984, 1985, 1986, 2006, 2008
  • Best Multi-Percussionist: 1983, 1984, 1985, 1986
  • Best Percussion Instrumentalist: 1982
  • Most Promising New Drummer: 1980
  • Best All Around: 1986
  • 1986 Honor Roll: Rock Drummer, Multi-Percussion

(* – As a member of the Honor Roll in these categories, he is no longer eligible for votes in the above categories.)
Peart has received the following awards from DRUM! magazine for 2007:DRUM! Magazine Awards {{webarchive|url= |date=December 28, 2007 }}. Retrieved January 1, 2008
  • Drummer of the Year
  • Best Progressive Rock Drummer
  • Best Live Performer
  • Best DVD (Anatomy Of A Drum Solo)
  • Best Drumming Album (Snakes & Arrows)
Peart received the following awards from DRUM! magazine for 2008:DRUM! Magazine Awards Big Drum Thump {{webarchive|url= |date=February 13, 2009 }}. Retrieved July 2, 2008
  • Drummer of the Year
  • Best Progressive Rock Drummer (Runner-Up)
  • Best Mainstream Pop Drummer (Runner-Up)
  • Best Live Drumming Performer
Peart received the following awards from DRUM! magazine for 2009:DRUM! Magazine Awards Drummies {{webarchive|url= |date=July 14, 2009 }}. Retrieved July 13, 2009
  • Drummer Of The Year
  • Best Progressive Rock Drummer
Peart received the following awards from DRUM! magazine for 2010:DRUM! Magazine Awards Drummies. Retrieved July 16, 2010
  • Drummer of the Year
  • Best Live Performer (Runner-Up)
  • Best Progressive Rock Drummer (Runner-Up)
Along with his bandmates Lee and Lifeson, Peart was made an Officer of the Order of Canada on May 9, 1996. The trio was the first rock band to be so honoured, as a group."RUSH highlights", MapleMusic – Accessed May 23, 2007 Peart was inducted into the Canadian Songwriter Hall of Fame along with Lifeson and Lee.NEWS,weblink Rush to be among inductees to songwriters hall of fame, January 19, 2010, CTV Television Network, CTV, January 20, 2010, On April 18, 2013, Rush was inducted into the Rock and Roll Hall of Fame."Toronto's Rush finally inducted into Rock and Roll Hall of Fame at L.A. gala" {{webarchive|url= |date=May 6, 2013 }}, The Canadian Press

See also



Further reading

  • {{citation|url=|title=Ghost Rider--Rush's Neil Peart: Rockin' and rollin' ... rollin' ... rollin' ...|first=Brian|last=Catterson|journal=Cycle World|date=February 2003|pages=58–63}}
  • {{citation|work=Archives—Honours|publisher=Governor General of Canada|title=Order of Canada: Neil E. Peart, O.C.|date=April 30, 2009|url=|accessdate=August 12, 2014}}

External links

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