Larry Poons

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Larry Poons
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{{short description|American motorcycle racer}}

| birth_place = Tokyo, Japan | death_date = | death_place = | nationality = | field = Abstract art | training = School of the Museum of Fine Arts, Boston.Art Students League of New York.| movement = | works = Brown Sound,Cover of Artforum Night on Cold Mountain, Day on Cold Mountain| patrons = | influenced by = | influenced = | awards = |spouse= Paula DeLuccia}}Lawrence Poons (born October 1, 1937), better known as Larry Poons, is an abstract painter who was born in Tokyo, Japan. He studied from 1955 to 1957 at the New England Conservatory of Music, with the intent of becoming a professional musician. After seeing Barnett Newman's exhibition at French and Company in 1959, Poons gave up musical compositionDaniel Robbins catalogue essay for "Larry Poons: Paintings 1963–1990" at Salander-O'Reilly Galleries in 1990 and enrolled at the School of the Museum of Fine Arts, Boston. He also studied at the Art Students League of New York. Poons taught at The Art Students League from 1966–1970 and currently teaches at the League (since 1997).The Art Students League- Instructors {{webarchive|url= |date=2012-11-15 }}


Associated with Op Art, Hard-edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work. According to New York Times critic Roberta Smith, "Since emerging in the 1960s, Mr. Poons has shown a strong preference for allover fields of pulsing color, even if his means of achieving them have varied enormously."NEWS,weblink Larry Poons: 'New Paintings', Roberta, Smith, The New York Times, January 23, 2014, July 6, 2017, Poons first rose to prominence in the 1960s with paintings of circles and ovals on solid—often brilliantly colored—backgrounds. These works, often referred to as the Dot paintings conveyed a sense of movement, and were categorized as op art. Along with artists including Donald Judd, Claes Oldenburg, and Lucas Samaras, Poons was represented by the Green Gallery in the early 1960s. In the later part of the 1960s, he showed with Leo Castelli. Although he exhibited with optical artists in 1965, by 1966 he had moved away from the optical art towards looser and more painterly abstract canvases. Though many people criticized Poons's move away from the dot paintings, Frank Stella championed his progress, leaving a congratulatory note for the artist at his gallery.Poons in conversation with Karen Wilkin His painting, Brown Sound was featured on the cover of the Summer issue of Artforum in 1968. Poons was included in Emile de Antonio's 1972 documentary (Painters Painting|Painters Painting: The New York Art Scene 1940-1970) and he was the subject of Hollis Frampton's 1966 film, Manual of Arms. Poons is also included in Andy Warhol's 1967 Portrait of the Artists,WEB,weblink Portraits of the Artists from Ten from Leo Castelli, Museum of Modern Art, MoMA, July 6, 2017, which includes Jasper Johns, Donald Judd, Roy Lichtenstein, Lee Bontecou, Frank Stella, Robert Rauschenberg, Robert Morris, and James Rosenquist—all of whom had collaborated on a series of prints through Leo Castelli. A documentary on Poons's work, titled Larry Poons: On Making Art: ART/New York No. 51, was made in 1999 by videographer Paul Tschinkel.WEB, Larry Poons: On Making Art: ART/new york No. 51,weblinkweblink 2018-12-20, Poons is also a feature figure, along with Jeff Koons, Gerhard Richter, and Njideka Akunyili Crosby in Nathaniel Kahn's 2018 documentary, The Price of Everything, which debuted at Sundance Film Festival and was acquired by HBO.NEWS,weblink Sundance: HBO Buys "Price of Everything", Lang, Brent, Variety (magazine), Variety, January 16, 2018, February 9, 2018,

Other endeavors

Although Poons gave up musical composition, he played guitar with The Druds, a short-lived avant-garde noise music art band that featured prominent members of the New York proto-conceptual art and minimal art community in the early 1960s. Walter de Maria played the drums, LaMonte Young played the saxophone, Patty Mucha was the lead singer, and Jasper Johns wrote the lyrics.NEWS,weblink Six Feet of the 1960s and '70s: Patty Mucha—Once Mrs. Oldenburg—on Her Archives and New Memoir, Russeth, Andrew, New York Observer, January 16, 2012, July 6, 2017, As a vintage motorcycle racer who divides his time between painting and motorcycle racing,{{Citation |title= : At the Galleries |last= Wilkin |first= Karen |authorlink = Karen Wilkin |journal= The Hudson Review |volume= 63 |issue= 2 |date= Summer 2010 |page= 299+ |url=weblink |accessdate=December 16, 2012 }} {{Subscription required |via=Questia}} Poons has been given special awards from the American Historic Racing Motorcycle Association (AHRMA), including the 500 cc Hailwood Cup in 1998 and 2003, and the 2003 John & Ginny Demoisey Trophy for road racing couples, with his wife, painter Paula DeLuccia.{{Citation |url=weblink |title= Calendar & Results |publisher= American Historic Racing Motorcycle Association |accessdate=December 16, 2012 }} He races a Matchless G50 and a Ducati 250.{{Citation |url=weblink |publisher= The Sam & Adele Golden Gallery At Golden Artist Colors, New Berlin NY |title= Velocity: Larry Poons; Bio |year= 2011 }}He currently resides primarily in New York City, but also maintains a studio in upstate New York.Poons was extensively interviewed in the 2018 documentary Price of Everything about the business of selling art and is on the cover of the poster advertising it.


Larry Poons has works in dozens of collections throughout the world, including the Albright-Knox Art Gallery in Buffalo, the Art Institute of Chicago, the Cleveland Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Metropolitan Museum of Art, the Museum of Contemporary Art, Los Angeles, the Museum of Fine Arts, Boston, the Museum of Fine Arts, Houston, the Museum of Modern Art in New York, the Philadelphia Museum of Art, the Santa Barbara Museum of Art, the Smithsonian American Art Museum in Washington, D.C., the Tate in London, the Van Abbemuseum in Eindhoven, Netherlands, the Whitney Museum of American Art in New York, and the Yale University Art Gallery in New Haven, Connecticut, among other institutions.



Further reading

  • Griffith, Laura Susan, Larry Poons and the Evolution of Stylistic Diametrics, Cleveland, Ohio, Department of Art History, Case Western Reserve University, 1983.
  • Moffett, Kenworth, Larry Poons, Paintings, 1971-1981, Boston, Museum of Fine Arts, 1981.

External links

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