Arthur Miller

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Arthur Miller
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{{about|the playwright|other people and a fictional character named Arthur Miller}}{{Use mdy dates|date=October 2013}}

|caption= Portrait of Arthur Miller| birth_name = Arthur Asher MillerHarlem, New York City, U.S.}}mf=yes2191517}}| death_place = Roxbury, Connecticut, U.S.Playwright |essayist}}| alma_mater = University of Michiganclass=nowrapAll My Sons>Death of a SalesmanThe Crucible>A View from the Bridge}}class=nowrapPulitzer Prize for Drama>1984 Kennedy Center HonorsPraemium Imperiale>2003 Jerusalem Prize}}class=nowrap Mary Slattery1956{{marriageMarilyn Monroe>1956reason=divorced}} Inge Morath2002|reason=died}} }}| children = 4, including Rebecca MillerJoan Copeland {{small>(sister)}}| signature = Arthur Miller signature.svg}}Arthur Asher Miller (October 17, 1915 â€“ February 10, 2005) was an American playwright, essayist, and a controversial figure in the twentieth-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century.Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he was awarded a Pulitzer Prize for Drama, testified before the House Un-American Activities Committee and was married to Marilyn Monroe. In 1980, Miller received the St. Louis Literary Award from the Saint Louis University Library Associates.Website of St. Louis Literary AwardWEB,weblink Recipients of the Saint Louis Literary Award, Saint Louis University Library Associates, July 25, 2016,weblink" title="">weblink July 31, 2016, yes, mdy-all, He received the Prince of Asturias Award, the Praemium Imperiale prize in 2002 and the Jerusalem Prize in 2003,Associates Press, "Citing Arts' Power, Arthur Miller Accepts International Prize." Los Angeles Times 4 Sept. 2002. Web. as well as the Dorothy and Lillian Gish Prize in 1999.


Early life

Miller was born on October 17, 1915, in Harlem, in the New York City borough of Manhattan, the second of three children of Augusta (Barnett) and Isidore Miller. Miller was Jewish,WEB, Michael, Ratcliffe,weblink Arthur Miller, The Guardian, February 12, 2005, May 8, 2018, WEB, Gerri, Miller,weblink Daughter Documents the Inner Arthur Miller, Jewish Journal, March 14, 2018, May 8, 2018, WEB, Stewart, Kampel,weblink Q&A with Rebecca Miller, Hadassah Magazine, September 19, 2013, May 8, 2018, and of Polish Jewish descent.WEB, James, Campbell,weblink Arthurian legends, The Guardian, July 26, 2003, May 8, 2018, Arthur Miller's Intermarriages {{webarchive|url= |date=December 22, 2015 }} Golin, Paul. Published February 16, 2005. Accessed December 12, 2015."Marilyn Monroe's Jewish Wedding 'Cover Up'" Ghert-Zand, Renee. Published December 28, 2012. Accessed December 12, 2015.weblink" title="">"A World in Which Everything Hurts; Arthur Miller's Struggle With Jewish Identity May Be Responsible for His Best Work" Eden, Ami. Published July 30, 2004. Accessed December 12, 2015. His father was born in Radomyśl Wielki, Galicia (then part of Austria-Hungary, now Poland), and his mother was a native of New York whose parents also arrived from that town.Arthur Miller, Timebends: A Life, A&C Black, 2012. p. 539. Isidore owned a women's clothing manufacturing business employing 400 people. He became a wealthy and respected man in the community.BBC TV Interview; Miller and Yentob; 'Finishing the Picture,' 2004 The family, including his younger sister Joan Copeland, lived on WestMiller, Arthur (June 22, 1998) American Summer: Before Air-Conditioning. The New Yorker. Retrieved on October 30, 2013. 110th Street in Manhattan, owned a summer house in Far Rockaway, Queens, and employed a chauffeur.NEWS, Garner, Dwight,weblink Miller: Life before and after Marilyn, The New York Times, June 2, 2009, December 18, 2011, In the Wall Street Crash of 1929, the family lost almost everything and moved to Gravesend, Brooklyn.The Times Arthur Miller Obituary, (London: The Times, 2005) (One source says they moved to Midwood)Applebome, Peter. "Present at the Birth of a Salesman", The New York Times, January 29, 1999. Accessed February 8, 2019. "Mr. Miller was born in Harlem in 1915 and then moved with his family to the Midwood section of Brooklyn." As a teenager, Miller delivered bread every morning before school to help the family. After graduating in 1932 from Abraham Lincoln High School, he worked at several menial jobs to pay for his college tuition.Hechinger, Fred M. "Personal Touch Helps", The New York Times, January 1, 1980. Accessed September 20, 2009. "Lincoln, an ordinary, unselective New York City high school, is proud of a galaxy of prominent alumni, who include the playwright Arthur Miller, Representative Elizabeth Holtzman, the authors Joseph Heller and Ken Auletta, the producer Mel Brooks, the singer Neil Diamond and the songwriter Neil Sedaka." After graduation (circa 1936), he began to work as a psychiatric aide and also a copywriter before accepting faculty posts at New York University and New Hampshire University. On May 1, 1935, Miller joined the League of American Writers (1935–1943), whose members included Alexander Trachtenberg of International Publishers, Frank Folsom, Louis Untermeyer, I. F. Stone, Myra Page, Millen Brand, Lillian Hellman, and Dashiell Hammett. (Members were largely either Communist Party members or fellow travelers.)BOOK, Myra, Page, Myra Page, Christina Looper, Baker, Christina Looper Baker, In a Generous Spirit: A First-Person Biography of Myra Page, University of Illinois Press,weblink 145, 1996 isbn = 9780252065439, At the University of Michigan, Miller first majored in journalism and worked for the student paper, The Michigan Daily. It was during this time that he wrote his first play, No Villain.WEB, The Arthur Miller Society, A Brief Chronology of Arthur Miller's Life and Works,weblink archiveurl=weblink" title="">weblink deadurl= no, Miller switched his major to English, and subsequently won the Hopwood Award for No Villain. The award brought him his first recognition and led him to begin to consider that he could have a career as a playwright. Miller enrolled in a playwriting seminar taught by the influential Kenneth Thorpe Rowe>Professor Kenneth Rowe, who instructed him in his early forays into playwriting;For Rowe's recollections of Miller's work as a student playwright, see Kenneth Thorpe Rowe, "Shadows Cast Before," in Robert A. Martin, ed. (1982) Arthur Miller: New Perspectives, Prentice-Hall, {{ISBN|0130488011}}. Rowe's influential book Write That Play (Funk and Wagnalls, 1939), which appeared just a year after Miller's graduation, describes Rowe's approach to play construction. Rowe emphasized how a play is built in order to achieve its intended effect, or what Miller called "the dynamics of play construction".Arthur Miller, Timebends: A Life. New York: Grove Press, 1987, pp. 226–227 Rowe provided realistic feedback along with much-needed encouragement, and became a lifelong friend.WEB, University of Michigan, Arthur Miller Files (UM days),weblink September 24, 2006, Miller retained strong ties to his alma mater throughout the rest of his life, establishing the university's Arthur Miller Award in 1985 and Arthur Miller Award for Dramatic Writing in 1999, and lending his name to the Arthur Miller Theatre in 2000.WEB
, University of Michigan
, Arthur Miller and University of Michigan
, September 24, 2006
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, In 1937, Miller wrote Honors at Dawn, which also received the Avery Hopwood Award.After his graduation in 1938, he joined the Federal Theatre Project, a New Deal agency established to provide jobs in the theater. He chose the theater project despite the more lucrative offer to work as a scriptwriter for 20th Century Fox. However, Congress, worried about possible Communist infiltration, closed the project in 1939. Miller began working in the Brooklyn Navy Yard while continuing to write radio plays, some of which were broadcast on CBS.

Early career

In 1940, Miller married Mary Grace Slattery.NEWS, Michael, Ratcliffe, Obituary: Arthur Miller,weblink London, The Guardian, February 11, 2005, July 23, 2012, July 23, 2012,weblink" title="">weblink no, 25, mdy, The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap.That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award.Royal National Theater: Platform Papers, 7. Arthur Miller (Battley Brothers Printers, 1995). The play closed after four performances with disastrous reviews.WEB,weblink The man who HAS all the luck..., Shenton, Mark, March 14, 2008, The Stage, The Stage Newspaper Limited, May 6, 2009,weblink" title="">weblink May 19, 2009, no, In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established.BOOK, 2005, Arthur Miller: A Critical Study, Bigsby, C. W. E., Christopher Bigsby, Cambridge University Press, 978-0-521-60553-3, 301,weblink Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.Rifkin, Ron, "Arthur Miller", BOMB Magazine Fall, 1994. Retrieved on July 18, 2012.In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater.NEWS
, Obituary: Arthur Miller
, BBC News, BBC, February 11, 2005
, September 21, 2010
, Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred.Dan Isaac, Founding Father: O'Neill's Correspondence with Arthur Miller and Tennessee Williams, The Eugene O'Neill Review, Vol. 17, No. 1/2 (Spring/Fall 1993), pp. 124–33

Critical years

In 1955, a one-act version of Miller's verse drama A View from the Bridge opened on Broadway in a joint bill with one of Miller's lesser-known plays, A Memory of Two Mondays. The following year, Miller revised A View from the Bridge as a two-act prose drama, which Peter Brook directed in London.Miller, Arthur (1988) Introduction to Plays: One, London: Methuen, p. 51, {{ISBN|0413175502}}. A French-Italian co-production Vu du pont, based on the play, was released in 1962.

Marriages and family

File:Monroe Miller Wedding.jpg|thumb|Miller and Marilyn Monroe tie the knot in Westchester County, New York, 1956]]In June 1956, Miller left his first wife, Mary Slattery, whom he married in 1940, and married film star Marilyn Monroe. They had met in 1951, had a brief affair, and remained in contact since. Monroe had just turned 30 when they married; she never had a real family of her own and was eager to join the family of her new husband.Meyers, Jeffrey. The Genius and the Goddess: Arthur Miller and Marilyn Monroe. University of Illinois Press (2010) {{ISBN|978-0-252-03544-9}}{{rp|156}}Monroe began to reconsider her career and the fact that trying to manage it made her feel helpless. She admitted to Miller, "I hate Hollywood. I don't want it anymore. I want to live quietly in the country and just be there when you need me. I can't fight for myself anymore."{{rp|154}}She converted to Judaism to "express her loyalty and get close to both Miller and his parents", writes biographer Jeffrey Meyers.{{rp|156}} Monroe told her close friend, Susan Strasberg: "I can identify with the Jews. Everybody's always out to get them, no matter what they do, like me."{{rp|156}} Soon after she converted, Egypt banned all of her movies.{{rp|157}}Away from Hollywood and the culture of celebrity, Monroe's life became more normal; she began cooking, keeping house and giving Miller more attention and affection than he had been used to.{{rp|157}} His children, aged twelve and nine, adored her and were reluctant to return to their mother when the weekend was over.{{rp|157}} As she was also fond of older people, she got along well with his parents, and the feeling was mutual.{{rp|157}}Later that year, Miller was subpoenaed by the HUAC, and Monroe accompanied him.Çakırtaş, Önder. "Double Portrayed: Tituba, Racism and Politics." International Journal of Language Academy. Volume 1/1 Winter 2013, pp. 13–22. In her personal notes, she wrote about her worries during this period:Miller began work on writing the screenplay for The Misfits in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life.NEWS, Celizic, Mike, Mike Celizic, New footage of Marilyn Monroe, Clark Gable revealed,weblink 2 June 2008, 22 April 2018, Today (U.S. TV program), Today, Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions."Grobel, Lawrence. The Hustons, Charles Scribner's Sons, New York (1989) p. 489Shortly before the film's premiere in 1961, Miller and Monroe divorced after their five years of marriage. Nineteen months later, Monroe died of a likely drug overdose. Huston, who had also directed her in her first major role in The Asphalt Jungle in 1950, and who had seen her rise to stardom, put the blame for her death on her doctors as opposed to the stresses of being a star: "The girl was an addict of sleeping pills and she was made so by the God-damn doctors. It had nothing to do with the Hollywood set-up."Badman, Keith. The Final Years of Marilyn Monroe: The Shocking True Story, Aurum Press (2010) ebook, {{ISBN|9781781310519}}Miller later married photographer Inge Morath in February 1962. She had worked as a photographer documenting the production of The Misfits. The first of their two children, Rebecca, was born September 15, 1962. Their son, Daniel, was born with Down syndrome in November 1966. Against his wife's wishes, Miller had him institutionalized, first at a home for infants in New York City, and then at the Southbury Training School in Connecticut. Though Morath visited Daniel often, Miller never visited him at the school and rarely spoke of him.NEWS, Vanity Fair, Arthur Miller's Missing Act, Andrews, Suzanna, September 2007,weblink August 17, 2007, Miller and Inge remained together until her death in 2002. Arthur Miller's son-in-law, actor Daniel Day-Lewis, is said to have visited Daniel frequently, and to have persuaded Arthur Miller to meet with him.NEWS, Daily Mail, London, The very strange life of reclusive superstar Daniel Day-Lewis, Scott, Paul, January 19, 2008, 46,weblink August 7, 2012,

HUAC controversy and The Crucible

In 1952, Elia Kazan appeared before the House Un-American Activities Committee (HUAC). Kazan named eight members of the Group Theatre, including Clifford Odets, Paula Strasberg, Lillian Hellman, J. Edward Bromberg, and John Garfield,WEB,weblink Postage Paid: In defense of Elia Kazan,, February 25, 2009, MillsCommunist Party USA>Communist Party.PUBLIC BROADCASTING SERVICE>PBS, American Masters: Elia Kazan,weblink archiveurl=weblink" title="">weblink deadurl= no, 2003-09-03, Miller and Kazan were close friends throughout the late 1940s and early 1950s, but after Kazan's testimony to the HUAC, the pair's friendship ended. After speaking with Kazan about his testimony, Miller traveled to Salem, Massachusetts, to research the witch trials of 1692. He and Kazan did not speak to each other for the next ten years. Kazan later defended his own actions through his film On the Waterfront, in which a dockworker heroically testifies against a corrupt union boss.WEB,weblink On The Waterfront, Sklar, Robert, Library of Congress, 2018-12-27, In the play, Miller likened the situation with the House Un-American Activities Committee to the witch hunt in Salem in 1692.For a frequently cited study of Miller's use of the Salem witchcraft episode, see Robert A. Martin, "Arthur Miller's The Crucible: Background and Sources", reprinted in James J. Martine, ed. (1979) Critical Essays on Arthur Miller, G. K. Hall, {{ISBN|0816182582}}.WEB,weblink Are you now, or were you ever?, University of Pennsylvania,weblink" title="">weblink September 10, 2006, no, September 25, 2006, The play opened at the Beck Theatre on Broadway on January 22, 1953. Though widely considered only somewhat successful at the time of its release, today The Crucible is Miller's most frequently produced work throughout the world. It was adapted into an opera by Robert Ward in 1961.File:Chairman Dies of House Committee investigating Un-American activities.jpg|thumb|upright=1.2|While newsmen take notes, Chairman Dies of House Un-American Activities Committee reads and proofs his letter replying to Pres. Roosevelt's attack on the Committee, October 26, 1938]]The HUAC took an interest in Miller himself not long after The Crucible opened, denying him a passport to attend the play's London opening in 1954. When Miller applied in 1956 for a routine renewal of his passport, the House Un-American Activities Committee used this opportunity to subpoena him to appear before the committee. Before appearing, Miller asked the committee not to ask him to name names, to which the chairman, Francis E. Walter (D-PA) agreed.NEWS,weblink BBC On This Day, August 7, 1958, October 14, 2006, BBC, When Miller attended the hearing, to which Monroe accompanied him, risking her own career, he gave the committee a detailed account of his political activities.WEB,weblink Arthur Miller Admits Helping Communist-Front Groups in '40's, Drury, Allen, 1956-06-22, The New York Times, 2016-06-07, Reneging on the chairman's promise, the committee demanded the names of friends and colleagues who had participated in similar activities. Miller refused to comply, saying "I could not use the name of another person and bring trouble on him." As a result, a judge found Miller guilty of contempt of Congress in May 1957. Miller was sentenced to a fine and a prison sentence, blacklisted, and disallowed a US passport.WEB, University of Michigan, Arthur Miller Files,weblinkTITLE=ARTHUR MILLER TESTIFIES BEFORE HUAC, JUNE 21, 1956ACCESSDATE=3 OCTOBER 2016DATE=21 JUNE 2013, Miller's experience with the HUAC affected him throughout his life. In the late 1970s, he joined the other celebrities (including William Styron and Mike Nichols) who were brought together by the journalist Joan Barthel whose coverage of the highly publicized Barbara Gibbons murder case helped raise bail for Gibbons' son Peter Reilly who'd been convicted of his mother's murder based on what many felt was a coerced confession and little other evidence.Barthel, Joan:A Death in Canaan. New York: E.P. Dutton. 1976 Barthel documented the case in her book A Death in Canaan which was made as a television film of the same name and broadcast in 1978.A Death in Canaan |url =weblink City Confidential, an A&E Network series, produced an episode about the murder, postulating that part of the reason Miller took such an active interest (including supporting Reilly's defense and using his own celebrity to bring attention to Reilly's plight) was because he had felt similarly persecuted in his run-ins with the HUAC. He sympathized with Reilly, whom he firmly believed to be innocent and to have been railroaded by the Connecticut State Police and the Attorney General who had initially prosecuted the case.WEB
,weblink" title="">weblink
, yes
, January 16, 2013
, A Son's Confession DVD, Shows The First 48, A&E Shop
, January 11, 2009
, NEWS,weblink Records on Exonerated Man Are Kept Off Limits to Press, The New York Times, January 11, 2009, Stowe, Stacey, September 3, 2004,

Later career

(File:Arthur Miller 1966.jpg|thumb|Miller in 1966)In 1964 After the Fall was produced, and is said to be a deeply personal view of Miller's experiences during his marriage to Monroe. The play reunited Miller with his former friend Kazan: they collaborated on both the script and the direction. After the Fall opened on January 23, 1964, at the ANTA Theatre in Washington Square Park amid a flurry of publicity and outrage at putting a Monroe-like character, called Maggie, on stage. Robert Brustein, in a review in the New Republic, called After the Fall "a three and one half hour breach of taste, a confessional autobiography of embarrassing explicitness ... there is a misogynistic strain in the play which the author does not seem to recognize. ... He has created a shameless piece of tabloid gossip, an act of exhibitionism which makes us all voyeurs, ... a wretched piece of dramatic writing."The Moral of Arthur Miller. The Weekly Standard (February 28, 2005). Retrieved on October 30, 2013. That same year, Miller produced Incident at Vichy. In 1965, Miller was elected the first American president of PEN International, a position which he held for four years.MAGAZINE, Arthur, Miller, A Visit With Castro, December 24, 2003,weblink The Nation, August 1, 2006,weblink" title="">weblinkThe Price (play)>The Price, produced in 1968. It was Miller's most successful play since Death of a Salesman.WEB, University of Michigan, Arthur Miller Files 60s70s80s,weblink October 14, 2006, In 1969, Miller's works were banned in the Soviet Union after he campaigned for the freedom of dissident writers. Throughout the 1970s, Miller spent much of his time experimenting with the theatre, producing one-act plays such as Fame and The Reason Why, and traveling with his wife, producing In The Country and Chinese Encounters with her. Both his 1972 comedy The Creation of the World and Other Business and its musical adaptation, Up from Paradise, were critical and commercial failures.NEWS,weblink Arthur Miller Returns to Genesis for First Musical, The New York Times, Mel Gussow, April 17, 1974, January 11, 2009, NEWS,weblink Up from Paradise – Review, The New York Times, January 11, 2009, {{pay}}Miller was an unusually articulate commentator on his own work. In 1978 he published a collection of his Theater Essays, edited by Robert A. Martin and with a foreword by Miller. Highlights of the collection included Miller's introduction to his Collected Plays, his reflections on the theory of tragedy, comments on the McCarthy Era, and pieces arguing for a publicly supported theater. Reviewing this collection in the Chicago Tribune, Studs Terkel remarked, "in reading [the Theater Essays] are exhilaratingly aware of a social critic, as well as a playwright, who knows what he's talking about."Martin, Robert A. (1978) ed., The Theater Essays of Arthur Miller. Viking, {{ISBN|0670698016}}.In 1983, Miller traveled to China to produce and direct Death of a Salesman at the People's Art Theatre in Beijing. The play was a success in China and in 1984, Salesman in Beijing, a book about Miller's experiences in Beijing, was published. Around the same time, Death of a Salesman was made into a TV movie starring Dustin Hoffman as Willy Loman. Shown on CBS, it attracted 25 million viewers.The Cambridge History of American Theatre: Post-World War II to the 1990s, page 296 (Cambridge University Press, 2006). In late 1987, Miller's autobiographical work,Timebends, was published. Before it was published, it was well known that Miller would not talk about Monroe in interviews; in Timebends Miller talks about his experiences with Monroe in detail.During the early-mid 1990s, Miller wrote three new plays: The Ride Down Mt. Morgan (1991), The Last Yankee (1992), and Broken Glass (1994). In 1996, a film of The Crucible starring Daniel Day-Lewis, Paul Scofield, Bruce Davison, and Winona Ryder opened. Miller spent much of 1996 working on the screenplay for the film.Mr. Peters' Connections was staged Off-Broadway in 1998, and Death of a Salesman was revived on Broadway in 1999 to celebrate its fiftieth anniversary. The play, once again, was a large critical success, winning a Tony Award for best revival of a play.WEB,, Tony Awards 1999,weblink October 28, 2006, In 1993, he was awarded the National Medal of Arts.WEB,weblink Lifetime Honors – National Medal of Arts,, December 18, 2011, yes,weblink" title="">weblink July 21, 2011, Miller was honored with the PEN/Laura Pels International Foundation for Theater Award for a Master American Dramatist in 1998. In 2001 the National Endowment for the Humanities (NEH) selected Miller for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities.Jefferson Lecturers at NEH Website. Retrieved January 22, 2009. Miller's lecture was entitled "On Politics and the Art of Acting."Arthur Miller, "On Politics and the Art of Acting", text of Jefferson Lecture at NEH website.Miller's lecture analyzed political events (including the U.S. presidential election of 2000)in terms of the "arts of performance," and it drew attacks from some conservativesBruce Craig, "Arthur Miller's Jefferson Lecture Stirs Controversy," in "Capital Commentary" {{webarchive|url= |date=November 22, 2008 }}, OAH Newsletter [published by Organization of American Historians], May 2001. such as Jay Nordlinger, who called it "a disgrace,"Nordlinger, Jay (April 22, 2002) "Back to Plessy, Easter with Fidel, Miller's new tale, &c." National Review.
and George Will, who argued that Miller was not legitimately a "scholar."
George Will, "Enduring Arthur Miller: Oh, the Humanities!",Jewish World Review, April 10, 2001.In 1999, Miller was awarded The Dorothy and Lillian Gish Prize,"Arthur Miller; Bio; Awards." N.p., n.d. Web. 05 Feb. 2015.Arthur Miller, The Pulitzer Prizes, one of the richest prizes in the arts, given annually to "a man or woman who has made an outstanding contribution to the beauty of the world and to mankind's enjoyment and understanding of life."The Dorothy and Lillian Gish Prize {{webarchive |url= |date=October 6, 2013 }}, official website. In 2001, Miller received the National Book Foundation's Medal for Distinguished Contribution to American Letters. On May 1, 2002, Miller was awarded Spain's Principe de Asturias Prize for Literature as "the undisputed master of modern drama." Later that year, Ingeborg Morath died of lymphatic cancerTHE NEW YORK TIMES MAGAZINE>AUTHOR=WILLIAM WRIGG, On Inge Morath's death,weblink January 21, 2007, January 12, 2003, at the age of 78. The following year Miller won the Jerusalem Prize.In December 2004, 89-year-old Miller announced that he had been in love with 34-year-old minimalist painter Agnes Barley and had been living with her at his Connecticut farm since 2002, and that they intended to marry.NEWS,weblink At 89, Arthur Miller grows old romantically, The Daily Telegraph, December 11, 2004, September 3, 2014, Within hours of her father's death, Rebecca Miller ordered Barley to vacate the premises because she had consistently been opposed to the relationship.NEWS,weblink Leonard, Tom, Miller's fiancée quits his home after ultimatum from family, The Daily Telegraph, February 18, 2005, February 21, 2013, Miller's final play, Finishing the Picture, opened at the Goodman Theatre, Chicago, in the fall of 2004, with one character said to be based on Barley.NEWS,weblink Arthur Miller creates a new work, Chicago, USA Today, October 10, 2004, September 23, 2014, And in the play's sweetest moments, he's found a new romance – Kitty's tenderhearted secretary, played by Fisher, a union perhaps mirroring Miller's reported new relationship with Agnes Barley, a 34-year-old artist., It was reported to be based on his experience during the filming The Misfits,NEWS,weblink Goodbye (Again), Norma Jean, Solomon, Deborah, The New York Times, September 19, 2004, September 3, 2014, though Miller insisted the play is a work of fiction with independent characters that were no more than composite shadows of history.NEWS,weblink Arthur Miller (1915–2005) – The Shadow Of Marilyn Monroe. Decades later, a man still haunted., Jones, Chris, Chicago Tribune, February 12, 2005, September 3, 2014,


Miller died on the evening of February 10, 2005 (the 56th anniversary of the Broadway debut of Death of a Salesman) at age 89 of bladder cancer and heart failure, at his home in Roxbury, Connecticut. He had been in hospice care at his sister's apartment in New York since his release from hospital the previous month.NEWS, Chicago Tribune, Miller's last days reflected his life,weblinkRichard Christiansen (critic)>Richard Christiansen, February 23, 2005, He was surrounded by Barley, family and friends.WEB,weblink Playwright Arthur Miller dies at age 89 – THEATER –,, January 11, 2009, AP, NEWS, Leonardin, Tom,weblink Dramatist's last hours spent in home he shared with star, The Irish Independent, December 18, 2011, February 12, 2005, His body was interred at Roxbury Center Cemetery in Roxbury.


Arthur Miller's career as a writer spanned over seven decades, and at the time of his death, Miller was considered to be one of the greatest dramatists of the twentieth century. After his death, many respected actors, directors, and producers paid tribute to Miller,NEWS, BBC, Tributes to Arthur Miller,weblink date=February 12, 2005, some calling him the last great practitioner of the American stage,NEWS, BBC, Legacy of Arthur Miller,weblink date=February 11, 2005, and Broadway theatres darkened their lights in a show of respect.NEWS, BBC, Broadway lights go out for Arthur Miller,weblink date=February 12, 2005, Miller's alma mater, the University of Michigan, opened the Arthur Miller Theatre in March 2007. As per his express wish, it is the only theatre in the world that bears Miller's name.WEB
, University of Michigan
, U-M celebrates naming of Arthur Miller Theatre
, November 12, 2007
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, no
, Other notable arrangements for Miller's legacy are that his letters, notes, drafts and other papers are housed at the Harry Ransom Humanities Research Center at The University of Texas at Austin.Arthur Miller is also a member of the American Theater Hall of Fame. He was inducted in 1979.WEB,weblink Theater Hall of Fame members, WEB,weblink Theater Hall of Fame Enshrines 51 Artists, The New York Times, March 13, 2014, In 1993 he received the Four Freedoms Award for Freedom of Speech.WEB,weblink Four Freedoms Awards, 2015-04-04, yes,weblink" title="">weblink March 25, 2015, In 2017 his daughter, Rebecca Miller, a writer and filmmaker, completed a documentary about her father's life, under the title Arthur Miller: Writer.WEB,weblink Arthur Miller: Writer (2018), Minor planet 3769 Arthurmiller is named after him.BOOK, (3769) Arthurmiller [2.26, 0.11, 4.7] In: Dictionary of Minor Planet Names, Springer, 2006, 978-3-540-34361-5, 10.1007/978-3-540-34361-5, Schmadel, Lutz D.,weblink


The Arthur Miller Foundation was founded to honor the legacy of Miller and his New York City Public School Education. The mission of the foundation is: "Promoting increased access and equity to theater arts education in our schools and increasing the number of students receiving theater arts education as an integral part of their academic curriculum."Arthur Miller Foundation, summary report and legitimacy information, Other initiatives include certification of new theater teachers and their placement in public schools; increasing the number of theater teachers in the system from the current estimate of 180 teachers in 1800 schools; supporting professional development of all certified theater teachers; providing teaching artists, cultural partners, physical spaces, and theater ticket allocations for students. The foundation's primary purpose is to provide arts education in the New York City school system. The current chancellor of the foundation is Carmen Farina, a large proponent of the Common Core State Standards Initiative. Alec Baldwin, Ellen Barkin, Katori Hall, Dustin Hoffman, Scarlett Johansson, Tony Kushner, Michael Mayer, Jim McElhinney, Julianne Moore, Liam Neeson, Lynn Nottage, David O. Russell, Liev Schreiber all serve on the Master Arts Council. Son-in-law Daniel Day-Lewis serves on the current board of directors.The Arthur Miller Foundation, arthurmillerfoundation.orgThe foundation celebrated Miller's 100th birthday with a one-night-only performance of Miller's seminal works in November 2015.WEB,weblink Celebrating Arthur Miller's Centenary: An Events Guide,weblink" title="">weblink October 11, 2015, yes, mdy-all, The Arthur Miller Foundation currently supports a pilot program in theater and film at the public school Quest to Learn in partnership with the Institute of Play. The model is being used as an in-school elective theater class and lab. The objective is to create a sustainable theater education model to disseminate to teachers at professional development workshops.Media Room, Hasty Pudding Institute of 1770,


Miller donated thirteen boxes of his earliest manuscripts to the Harry Ransom Center at the University of Texas at Austin in 1961 and 1962.WEB,weblink Arthur Miller: An Inventory of His Collection at the Harry Ransom Center,, 2018-01-10, This collection included the original handwritten notebooks and early typed drafts for Death of a Salesman, The Crucible, All My Sons, and other works. In January, 2018, the Ransom Center announced the acquisition of the remainder of the Miller archive totaling over 200 boxes.WEB,weblink Playwright Arthur Miller's archive comes to the Harry Ransom Center,, en-US, 2018-01-10, NEWS,weblink Inside the Battle for Arthur Miller’s Archive, Schuessler, Jennifer, 2018, The New York Times, 2018-01-10, en-US, 0362-4331, The full archive will be available for research after it is catalogued, no later than November, 2019.


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Stage plays

Radio plays

  • The Pussycat and the Expert Plumber Who Was a Man (1941)
  • Joel Chandler Harris (1941)
  • The Battle of the Ovens (1942)
  • Thunder from the Mountains (1942)
  • I Was Married in Bataan (1942)
  • That They May Win (1943)
  • Listen for the Sound of Wings (1943)
  • Bernardine (1944)
  • I Love You (1944)
  • Grandpa and the Statue (1944)
  • The Philippines Never Surrendered (1944)
  • The Guardsman (1944, based on Ferenc Molnár's play)
  • The Story of Gus (1947)


Assorted fiction

  • Focus (novel, 1945)
  • "The Misfits" (short story, published in Esquire, October 1957)
  • I Don't Need You Anymore (short stories, 1967)
  • (Homely Girl: A Life) (short story, 1992, published in UK as "Plain Girl: A Life" 1995)
  • "The Performance" (short story)
  • Presence: Stories (2007) (short stories include The Bare Manuscript, Beavers, The Performance, and Bulldog)
{{Div col end}}


  • Situation Normal (1944) is based on his experiences researching the war correspondence of Ernie Pyle.
  • In Russia (1969), the first of three books created with his photographer wife Inge Morath, offers Miller's impressions of Russia and Russian society.
  • In the Country (1977), with photographs by Morath and text by Miller, provides insight into how Miller spent his time in Roxbury, Connecticut and profiles of his various neighbors.
  • Chinese Encounters (1979) is a travel journal with photographs by Morath. It depicts the Chinese society in the state of flux which followed the end of the Cultural Revolution. Miller discusses the hardships of many writers, professors, and artists as they try to regain the sense of freedom and place they lost during Mao Zedong's regime.
  • Salesman in Beijing (1984) details Miller's experiences with the 1983 Beijing People's Theatre production of Death of a Salesman. He describes the idiosyncrasies, understandings, and insights encountered in directing a Chinese cast in a decidedly American play.
  • Timebends: A Life, Methuen London (1987) {{ISBN|0-413-41480-9}}. Like Death of a Salesman, the book follows the structure of memory itself, each passage linked to and triggered by the one before.


  • Abbotson, Susan C. W. (ed.), Arthur Miller: Collected Essays, Penguin 2016 {{ISBN|978-0-14-310849-8}}
  • Centola, Steven R. ed. Echoes Down the Corridor: Arthur Miller, Collected Essays 1944–2000, Viking Penguin (US)/Methuen (UK), 2000 {{ISBN|0-413-75690-4}}
  • Kushner, Tony, ed. Arthur Miller, Collected Plays 1944–1961 (Library of America, 2006) {{ISBN|978-1-931082-91-4}}.
  • Martin, Robert A. (ed.), "The theater essays of Arthur Miller", foreword by Arthur Miller. NY: Viking Press, 1978 {{ISBN|0-14-004903-7}}

Miller's styles, themes, and characters

Miller successfully synthesized diverse dramatic styles and movements in the belief that a play should embody a delicate balance between the individual and society, between the singular personality and the polity, and between the separate and collective elements of life. He thought himself a writer of social plays with a strong emphasis on moral problems in American society and often questioned psychological causes of behavior. He also built on the realist tradition of Henrik Ibsen in his exploration of the individual's conflict with society but also borrowed Symbolist and expressionist techniques from Bertolt Brecht and others. Some critics attempt to interpret his work from either an exclusively political or an exclusively psychological standpoint but fail to pierce the social veil that Miller creates in his work.Rollyson, Carl; Price, Victoria, Author Biography, Critical Survey of Drama, Second Revised Edition, April 2003, pp. 1–12 Miller often stressed that society made his characters what they are and how it dictated all of their fears and choices.McCormack, Thomas, "Arthur Millers Manifesto", The American Scholar, Vol. 74, No. 3(Summer 2005), p. 143


All American family

While Miller comes under criticism for his reputation, most critics note him as a dramatist of the family. One of his greatest strengths is his penetrating insight into familial relationships.Carson, Neil, Contemporary Literary Criticism. Ed. Jean C. Stine and Bridget Broderick. Vol. 26. Detroit: Gale, 1983. From Literature Resource Center Often, Miller's characters are living in service of their family. The conventions of the family play, such as patterns, setting, and style of representation were set canonically by Eugene O'Neill, Tennessee Williams, and Miller. In these plays, white men are privileged with their family and social responsibility; typically, these men are lower class. Miller maintained that family relationships and families must be immersed in social context.Lenke Németh,Hungarian Journal of English and American Studies (HJEAS), "Arthur Miller's "The Ride Down Mount Morgan" and the Family-Play Tradition", Vol. 11, No. 2, Representations of the Family in Modern English-Language Drama In Memory of Arthur Miller (Fall, 2005), pp. 77–88

Social responsibility

Miller is known for the consciousness of the characters in his play. In his plays, he confronts a level of banality with the roller coaster of guilt and responsibility. Some strong examples of characters who portray this struggle between their conscious and their social responsibility are Joe Keller in All My Sons and John Proctor in The Crucible.Popkin, Henry, Arthur Miller: The Strange Encounter, The Sewanee Review, Vol. 68, No. 1 (Winter, 1960), pp. 34-60 Miller often creates consequences for characters who ignore or violate their social responsibilities.

Life, death and human purpose

Miller's determination to deal with the eternal themes of life, death and human purpose is one of his most prominent themes across his works. This theme spans from Willy Loman's dedication to providing for his family and his inherent belief that his death would leave a legacy, to John Proctor's willingness to die to preserve his name. Nearly all of Miller's protagonists struggle with the mark they leave on life and what it means to die.Broderick, Bridget and Stein, Jean, ″Contemporary Literary Criticism″, eds. Vol. 26. Detroit: Gale, 1983. 617 pp.

Famous characters of his works

Willy Loman

In Death of a Salesman – originally entitled The Inside of His Head – Miller brilliantly solves the problem of revealing his main character's inner discord, rendering Willy Loman as solid as the society in which he tries to sell himself. Indeed, many critics believe that Miller has never surpassed his achievement in this play, which stands as his breakthrough work, distinguished by an extremely long Broadway run, by many revivals, and by many theater awards, including the Pulitzer Prize in 1949.Arthur Miller, The Pulitzer Prices, Death of a Salesman seems destined to remain an American classic and a standard text in American classrooms.Willy Loman desperately wants to believe that he has succeeded, that he is “well liked” as a great salesman, a fine father, and a devoted husband. That he has not really attracted the admiration and popularity at which he has aimed is evident, however, in the weariness that belabors him from the beginning of the play. Nearing retirement he suffers a drastic decrease in sales work, a dissatisfying marriage, and a turbulent relationship with his sons which inexorably leads to his suicide with the justification that the insurance will finally provide for his family.

Eddie Carbone

Eddie Carbone is the central character in A View from the Bridge and is not positioned as the protagonist or the antagonist. He is a longshoreman who lives with his wife, Beatrice, and his 17-year-old niece, Catherine. When his family from Italy, Rodolpho and Marco, migrate illegally and begin to live with him, the small world that he operates in is disrupted. Eddie becomes conflicted and ultimately self-destructive over his sexual attraction to his niece and her involvement with one of his Italian tenants. His character arc culminates as he becomes an informer to the immigration authorities which leads to a confrontation with one of his tenants. Marco labels him as an informer and Eddie perceives this as a permanent blemish on his good name. This confrontation ultimately leads to his death, leaving Eddie as one of Miller's examples of tragic figures.Epstein, Arthur, "A Look at A View from The Bridge", Texas Studies in Literature and Language, Vol. 7, No. 1 (Spring 1965), pp. 109–22Krase, Jerome, "The American Italian Historical Society: A View from The Bridge", Polish American Studies, Vol. 65, No. 1 (Spring, 2008), pp. 23–40

John Proctor

John Proctor is the protagonist of one of Miller's most controversial works, The Crucible. He is a faithful farmer who lives by a strict moral code that he violates by succumbing to an affair with a young girl, Abigail, who serves in his home. After Proctor rejects her, Abigail spitefully accuses John's wife of witchcraft, involving him in a string of affairs that challenge his beliefs and convictions. In his attempts to save his wife, he is convicted of witchcraft as well, and will only be acquitted if he confesses to his crime and signs his name to a piece of paper.Popkin, Harry, "Arthur Miller's The Crucible", College English, Vol. 26, No. 2 (November 1964), pp. 139–14 {{clarify|date=November 2018|reason=That's not a valid page range.}} Proctor is a strong, vital man in the prime of his life both in his confession of witchcraft and the subsequent passion with which he defends his name at the cost of his life.McGill, William Jr. "The Crucible of History: Miller's John Proctor"The New England Quarterly, Vol. 54, No. 2 (Jun., 1981), pp. 258–64

Joe Keller

Critics have long admired the playwright's suspenseful handling of the Keller family's burden in the play All My Sons. The critical character in this work is Joe Keller, who permitted defective parts to remain in warplanes that subsequently crash. Not only does Joe Keller fail to recognize his social responsibility, but also he allows his business partner to take the blame and serve the prison term for the crime. Gradually, events combine to strip Keller of his rationalizations. He argues that he never believed that the cracked engine heads would be installed and that he never admitted his mistake because it would have driven him out of business at the age of sixty-one, when he would not have another chance to “make something” for his family, his highest priority. Joe's irresponsibility is exposed through his son's questioning of his very humanity. Joe's suicide results from the tremendous guilt and self-awareness that arises during the play.

Literary and public criticism

Christopher Bigsby wrote Arthur Miller: The Definitive Biography based on boxes of papers Miller made available to him before his death in 2005.NEWS,weblink Unseen writings show anti-racist passions of young Arthur Miller, Alberge, Dalya, The Times, London, March 7, 2008, March 7, 2008, The book was published in November 2008, and is reported to reveal unpublished works in which Miller "bitterly attack[ed] the injustices of American racism long before it was taken up by the civil rights movement".In his book Trinity of Passion, author Alan M. Wald conjectures that Miller was "a member of a writer's unit of the Communist Party around 1946," using the pseudonym Matt Wayne, and editing a drama column in the magazine The New Masses.BOOK, Wald, Alan M, Alan M. Wald, Trinity of passion: the literary left and the antifascist crusade, University of North Carolina Press, NC, 2007, 212–221, 7, 978-0-8078-3075-8,weblink May 6, 2009, NEWS, PAUL KENGOR, Arthur Miller – Communist,weblink 18 March 2018, The American Spectator, 16 October 2015, Wald discovered that Miller published in New Masses under the pseudonym of “Matt Wayne” from March 1945 to March 1946., Two months after Miller died Peter O'Toole called him a "bore"O'Toole Slams 'Bore' Miller. Retrieved on October 30, 2013. and conservative Roger Kimball, a board member of the Manhattan Institute, went on record saying that Miller's artistic accomplishments were meager.Kimball, Roger (February 28, 2005) Death of a Liberal God {{webarchive|url= |date=September 14, 2013 }}. National Review Online.




  • Bigsby, Christopher (ed.), The Cambridge Companion to Arthur Miller, Cambridge 1997 {{ISBN|0-521-55992-8}}
  • Gottfried, Martin, Arthur Miller, A Life, Da Capo Press (US)/Faber and Faber (UK), 2003 {{ISBN|0-571-21946-2}}
  • Koorey, Stefani, Arthur Miller's Life and Literature, Scarecrow, 2000 {{ISBN|978-0810838697}}
  • Moss, Leonard. Arthur Miller, Boston: Twayne Publishers, 1980.

Further reading

  • Critical Companion to Arthur Miller, Susan C. W. Abbotson, Greenwood (2007)
  • Student Companion to Arthur Miller, Susan C. W. Abbotson, Facts on File (2000)
  • File on Miller, Christopher Bigsby (1988)
  • Arthur Miller & Company, Christopher Bigsby, editor (1990)
  • Arthur Miller: A Critical Study, Christopher Bigsby (2005)
  • Remembering Arthur Miller, Christopher Bigsby, editor (2005)
  • Arthur Miller 1915–1962, Christopher Bigsby (2008, U.K.; 2009, U.S.)
  • The Cambridge Companion to Arthur Miller (Cambridge Companions to Literature), Christopher Bigsby, editor (1998, updated and republished 2010)
  • Arthur Miller 1962–2005, Christopher Bigsby (2011)
  • BOOK, Nelson, Benjamin, Arthur Miller, Portrait of a Playwright, New York, McKay, 1970,
  • Arthur Miller: Critical Insights, Brenda Murphy, editor, Salem (2011)
  • Understanding Death of a Salesman, Brenda Murphy and Susan C. W. Abbotson, Greenwood (1999)
  • BOOK, Arthur Miller: A Collection of Critical Essays, Robert W. Corrigan, Robert Willoughby Corrigan, 1969, Prentice-Hall, Englewood Cliffs, New Jersey, 978-0135829738, 5683736M,

Critical articles
  • Arthur Miller Journal, published biannually by Penn State UP. Vol. 1.1 (2006)
  • Radavich, David. "Arthur Miller's Sojourn in the Heartland." American Drama 16:2 (Summer 2007): 28–45.

External links

{{external links|date=August 2018}}{{sisterlinks|d=Q80596|c=Category:Arthur Miller|n=no|b=no|v=no|voy=no|m=no|mw=no|s=no|wikt=no|species=no}}Organizations Archive Databases
  • {{IBDB name}}
  • {{iobdb name|2982|Arthur Miller}}
  • {{IMDb name|7186}}
Websites Interviews
  • JOURNAL,weblink The Paris Review Interview, Summer 1966, 38, Summer 1966, Arthur Miller, The Art of Theater No. 2, Carlisle, Olga, Styron, Rose, yes,
  • JOURNAL,weblink The Paris Review, Fall 1999, 152, Arthur Miller, The Art of Theater No. 2, Part 2, Bigby, Christopher, Fall 1999,
  • Miller interview, Humanities, March–April 2001
Obituaries {{The Works of Arthur Miller}}{{Navboxes|title = Awards for Arthur Miller|list ={{Emmy Award for Miniseries Writing 1979-2000}}{{Kennedy Center Honorees 1980s}}{{National Medal of Arts recipients 1990s}}{{PulitzerPrize Drama}}{{Special Tony Award}}{{TonyAward BestAuthor}}}}{{The Crucible}}{{Death of a Salesman}}{{Marilyn Monroe}}{{Authority control}}

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