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{{short description|Attribution of human form given from other characteristics to anything other than a human being}}{{Hatnote|Compare Anthropocentrism.}}{{pp-semi-indef}}{{Use American English|date=December 2018}}{{Use dmy dates|date=March 2017}}File:The North Wind and the Sun - Wind - Project Gutenberg etext 19994.jpg|thumb|In this illustration by Milo Winter of Aesop's fable, "The North Wind and the Sun", a personified North Wind tries to strip the cloak off of a traveler.]]File:Antonio Franchi - Personification of Music (St Cecilia) - WGA08164.jpg|thumb|upright|Personification of Music by Antonio FranchiAntonio FranchiAnthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology.BOOK, The 7 Laws of Magical Thinking: How Irrational Beliefs Keep Us Happy, Healthy, and Sane, Hutson, Matthew, Hudson Street Press, 2012, 978-1-101-55832-4, New York, 165–81, Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather.Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals.NEWS, Moss, Stephen, What you see in this picture says more about you than the kangaroo,weblink The Guardian, 15 January 2016, 17 January 2016,


Anthropomorphism derives from its verb form anthropomorphize,{{efn|Possibly via French .}} itself derived from the Greek ánthrōpos (, {{abbr|lit.|literally}} "human") and morphē (, "form"). It is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God.{{efn|Anthropomorphism, among divines, the error of those who ascribe a human figure to the deity.{{citation |date=1753 |title=Chambers's Cyclopædia, Supplement }}}}Oxford English Dictionary, 1st ed. "anthropomorphism, n." Oxford University Press (Oxford), 1885.

Examples in prehistory

File:Lion man photo.jpg|thumb|upright=0.7|The 35,000 to 40,000 year-old Löwenmensch figurine ]]From the beginnings of human behavioral modernity in the Upper Paleolithic, about 40,000 years ago, examples of zoomorphic (animal-shaped) works of art occur that may represent the earliest evidence we have of anthropomorphism. One of the oldest known is an ivory sculpture, the Löwenmensch figurine, Germany, a human-shaped figurine with the head of a lioness or lion, determined to be about 32,000 years old.WEB
, Lionheaded Figurine
, WEB, Dalton, Löwenmensch Oldest Statue, VNN World, 1 January 2004,weblink yes,weblink" title="">weblink 25 March 2010, It is not possible to say what these prehistoric artworks represent. A more recent example is The Sorcerer, an enigmatic cave painting from the Trois-Frères Cave, Ariège, France: the figure's significance is unknown, but it is usually interpreted as some kind of great spirit or master of the animals. In either case there is an element of anthropomorphism.This anthropomorphic art has been linked by archaeologist Steven Mithen with the emergence of more systematic hunting practices in the Upper Palaeolithic.{{sfn|Mithen|1998}} He proposes that these are the product of a change in the architecture of the human mind, an increasing fluidity between the natural history and social intelligences, where anthropomorphism allowed hunters to identify empathetically with hunted animals and better predict their movements.{{efn|In the New York Review of Books, Gardner opined that "I find most convincing Mithen's claim that human intelligence lies in the capacity to make connections: through using metaphors".{{citation |contribution=Thinking About Thinking |first=Howard |last=Gardner |authorlink=Howard Gardner |title= New York Review of Books |date=9 October 1997 |url= |accessdate=8 May 2010 |archiveurl= | archivedate=29 March 2010 |deadurl=no }}}}

In religion and mythology

In religion and mythology, anthropomorphism is the perception of a divine being or beings in human form, or the recognition of human qualities in these beings.Ancient mythologies frequently represented the divine as deities with human forms and qualities. They resemble human beings not only in appearance and personality; they exhibited many human behaviors that were used to explain natural phenomena, creation, and historical events. The deities fell in love, married, had children, fought battles, wielded weapons, and rode horses and chariots. They feasted on special foods, and sometimes required sacrifices of food, beverage, and sacred objects to be made by human beings. Some anthropomorphic deities represented specific human concepts, such as love, war, fertility, beauty, or the seasons. Anthropomorphic deities exhibited human qualities such as beauty, wisdom, and power, and sometimes human weaknesses such as greed, hatred, jealousy, and uncontrollable anger. Greek deities such as Zeus and Apollo often were depicted in human form exhibiting both commendable and despicable human traits. Anthropomorphism in this case is, more specifically, anthropotheism.WEB, anthropotheism,weblink 2008, Ologies & -Isms, The Gale Group, Inc., From the perspective of adherents to religions in which humans were created in the form of the divine, the phenomenon may be considered theomorphism, or the giving of divine qualities to humans.Anthropomorphism has cropped up as a Christian heresy, particularly prominently with the Audians in third century Syria, but also in fourth century Egypt and tenth century Italy.CE1913, Anthropomorphism, James Joseph, Fox, 1, This often was based on a literal interpretation of Genesis 1:27: "So God created man in His own image, in the image of God created He him; male and female created He them".{{1728|title=Anthropomorphite|url=|no-prescript=1}}


Some religions, scholars, and philosophers objected to anthropomorphic deities. The earliest known criticism was that of the Greek philosopher Xenophanes (570–480 BCE) who observed that people model their gods after themselves. He argued against the conception of deities as fundamentally anthropomorphic:] and blackThracians that they are pale and red-haired.Diels-Kranz, Die Fragmente der Vorsokratiker, Xenophanes frr. 15–16.{{efn|Many other translations of this passage have Xenophanes state that the Thracians were "blond".}}}} Xenophanes said that "the greatest god" resembles man "neither in form nor in mind".Clement of Alexandria, Miscellanies V xiv 109.1–3Both Judaism and Islam reject an anthropomorphic deity, believing that God is beyond human comprehension. Judaism's rejection of an anthropomorphic deity grew during the Hasmonean period (circa 300 BCE), when Jewish belief incorporated some Greek philosophy.{{ref|Book of Philo, gravestones found at Bet Shearim cemetery with inscriptions about a body-less deity, Josephus}} Judaism's rejection grew further after the Islamic Golden Age in the tenth century, which Maimonides codified in the twelfth century, in his thirteen principles of Jewish faith.{{efn|Moses Maimonides quoted Rabbi Abraham Ben David: "It is stated in the Torah and books of the prophets that God has no body, as stated 'Since G-d your God is the god ({{abbr|lit.|literally}} gods) in the heavens above and in the earth below" and a body cannot be in both places. And it was said 'Since you have not seen any image' and it was said 'To who would you compare me, and I would be equal to them?' and if he was a body, he would be like the other bodies."{{citation |last=Maimonides |first=Moses |author-link=Moses Maimonides |title=Book of Science |contribution=Fundamentals of Torah, Ch. 1, § 8 }}}}Hindus do not reject the concept of a deity in the abstract unmanifested, but note practical problems. Lord Krishna said in the Bhagavad Gita, Chapter 12, Verse 5, that it is much more difficult for people to focus on a deity as the unmanifested than one with form, using anthropomorphic icons (murtis), because people need to perceive with their senses.BOOK, Hinduism: Beliefs and Practices
last=Fowler, 42–43,weblink Sussex Academic Press, 1997, 978-1898723608, BOOK, Flipside of Hindu Symbolismlast=Narayan, 84–85,weblink Fultus, 978-1596821170, 2007, In Faces in the Clouds, anthropologist Stewart Guthrie proposes that all religions are anthropomorphisms that originate in the brain's tendency to detect the presence or vestiges of other humans in natural phenomena.BOOK, Guthrie, Stewart E., Faces in the Clouds: A New Theory of Religion,weblink Oxford University Press, 7, 1995, 978-0-19-509891-4, In secular thought, one of the most notable criticisms began in 1600 with Francis Bacon, who argued against Aristotle's teleology, which declared that everything behaves as it does in order to achieve some end, in order to fulfill itself.BOOK, Anthropomorphism, Anecdotes, and Animals, Mitchell, Robert, Thompson, Nicholas, Miles, Lyn, State University of New York Press, 1997, 978-0791431252, New York, 51, Bacon pointed out that achieving ends is a human activity and to attribute it to nature misconstrues it as humanlike. Modern criticisms followed Bacon's ideas such as critiques of Baruch Spinoza and David Hume. The latter, for instance, embedded his arguments in his wider criticism of human religions and specifically demonstrated in what he cited as their "inconsistence" where, on one hand, the Deity is painted in the most sublime colors but, on the other, is degraded to nearly human levels by giving him human infirmities, passions, and prejudices.BOOK, Hume's Critique of Religion: 'Sick Men's Dreams', Bailey, Alan, O'Brien, Dan, Springer Science+Business Media, 2014, 9789400766143, Dordrecht, 172, There are also scholars who argue that anthropomorphism is the overestimation of the similarity of humans and nonhumans, therefore, it could not yield accurate accounts.BOOK, The Animal Ethics Reader, 3rd edition, Armstrong, Susan, Botzler, Richard, Routledge, 2016, 9781138918009, Oxon, 91,

In literature

Religious texts

There are various examples of personification as a literary device in both Hebrew Bible and Christian New Testament and also in the texts of some other religions.


File:Syrischer Maler von 1354 001.jpg|thumb|From the (Panchatantra]]: Rabbit fools Elephant by showing the reflection of the moon)Anthropomorphism, also referred to as personification, is a well established literary device from ancient times. The story of "The Hawk and the Nightingale" in Hesiod's Works and Days preceded Aesop's fables by centuries. Collections of linked fables from India, the Jataka Tales and Panchatantra, also employ anthropomorphized animals to illustrate principles of life. Many of the stereotypes of animals that are recognized today, such as the wily fox and the proud lion, can be found in these collections. Aesop's anthropomorphisms were so familiar by the first century CE that they colored the thinking of at least one philosopher:Apollonius noted that the fable was created to teach wisdom through fictions that are meant to be taken as fictions, contrasting them favorably with the poets' stories of the deities that are sometimes taken literally. Aesop, "by announcing a story which everyone knows not to be true, told the truth by the very fact that he did not claim to be relating real events".Philostratus, Flavius (c. 210 CE). The Life of Apollonius, 5.14. Translated by F.C. Conybeare. the Loeb Classical Library (1912) The same consciousness of the fable as fiction is to be found in other examples across the world, one example being a traditional Ashanti way of beginning tales of the anthropomorphic trickster-spider Anansi: "We do not really mean, we do not really mean that what we are about to say is true. A story, a story; let it come, let it go."JOURNAL
, Kwesi Yankah
, The Akan Trickster Cycle: Myth or Folktale?
, Trinidad University of the West Indes
, 1983

Fairy tales

Anthropomorphic motifs have been common in fairy tales from the earliest ancient examples set in a mythological context to the great collections of the Brothers Grimm and Perrault. The Tale of Two Brothers (Egypt, 13th century BCE) features several talking cows and in Cupid and Psyche (Rome, 2nd century CE) Zephyrus, the west wind, carries Psyche away. Later an ant feels sorry for her and helps her in her quest.

Modern literature

File:Down the Rabbit Hole.png|thumb|upright|John Tenniel's depiction of this anthropomorphic rabbit was featured in the first chapter of Lewis Carroll's Alice's Adventures in WonderlandAlice's Adventures in Wonderland(File:Butterfly meeting.jpg|thumb|upright=1.4|From The Emperor's Rout (1831))Building on the popularity of fables and fairy tales, specifically children's literature began to emerge in the nineteenth century with works such as Alice's Adventures in Wonderland (1865) by Lewis Carroll, The Adventures of Pinocchio (1883) by Carlo Collodi and The Jungle Book (1894) by Rudyard Kipling, all employing anthropomorphic elements. This continued in the twentieth century with many of the most popular titles having anthropomorphic characters,NEWS, The top 50 children's books, The Telegraph, 22 February 2008,weblink andNEWS, Narnia triumphs over Harry Potter, Sophie Borland, The Telegraph, 22 February 2008,weblink
examples being The Tale of Peter Rabbit (1901) and later books by Beatrix Potter;{{efn|The Victoria and Albert Museum wrote: "Beatrix Potter is still one of the world's best-selling and best-loved children's authors. Potter wrote and illustrated a total of 28 books, including the 23 Tales, the 'little books' that have been translated into more than 35 languages and sold over 100 million copies."{{citation |contribution=Beatrix Potter |contribution-url= |title=Official website |url= |publisher=Victoria and Albert Museum }}}} The Wind in the Willows by Kenneth Grahame (1908); Winnie-the-Pooh (1926) and The House at Pooh Corner (1928) by A. A. Milne; and The Lion, the Witch, and the Wardrobe (1950) and the subsequent books in The Chronicles of Narnia series by C. S. Lewis.
In many of these stories the animals can be seen as representing facets of human personality and character.BOOK, Gamble, Nikki, Yates, Sally, Exploring Children's Literature, 2008, Sage Publications Ltd;, 978-1-4129-3013-0, As John Rowe Townsend remarks, discussing The Jungle Book in which the boy Mowgli must rely on his new friends the bear Baloo and the black panther Bagheera, "The world of the jungle is in fact both itself and our world as well". A notable work aimed at an adult audience is George Orwell's Animal Farm, in which all the main characters are anthropomorphic animals. Non-animal examples include Rev.W Awdry's children's stories of Thomas the Tank Engine and other anthropomorphic locomotives.The fantasy genre developed from mythological, fairy tale, and Romance motifsJohn Grant and John Clute, The Encyclopedia of Fantasy, p 621, {{ISBN|0-312-19869-8}} and characters, sometimes with anthropomorphic animals. The best-selling examples of the genre are The Hobbit100 million copies sold: BBC: Tolkien's memorabilia go on sale. 18 March 2008 (1937) and The Lord of the Rings{{efn|150 million sold, a 2007 estimate of copies of the full story sold, whether published as one volume, three, or some other configuration.{{citation |url= |title=The Toronto Star |date=16 April 2007 }}}} (1954–1955), both by J. R. R. Tolkien, books peopled with talking creatures such as ravens, spiders, and the dragon Smaug and a multitude of anthropomorphic goblins and elves. John D. Rateliff calls this the "Doctor Dolittle Theme" in his book The History of the HobbitBOOK, The History of the Hobbit: Return to Bag-end, Rateliff, John D., 2007, HarperCollins, London, 978-0-00-723555-1, 654, and Tolkien saw this anthropomorphism as closely linked to the emergence of human language and myth: "...The first men to talk of 'trees and stars' saw things very differently. To them, the world was alive with mythological beings... To them the whole of creation was "myth-woven and elf-patterned".'BOOK, The Inklings: C. S. Lewis, J. R. R. Tolkien, Charles Williams and Their Friends, Carpenter, Humphrey, 1979, 978-0-395-27628-0, 43, Houghton Mifflin, Boston, Richard Adams developed a distinctive take on anthropomorphic writing in the 1970s: his debut novel, Watership Down (1972), featured rabbits that could talk, with their own distinctive language (Lapine) and mythology, and included a warren, Efrafa, run along the lines of a police state. Despite this, Adams attempted to ensure his characters' behavior mirrored that of wild rabbits, engaging in fighting, copulating and defecating, drawing on Ronald Lockley's study The Private Life of the Rabbit as research. Adams returned to anthropomorphic storytelling in his later novels The Plague Dogs (1977) and Traveller (1988).ENCYCLOPEDIA, Pallardy, Richard, Encyclopædia Britannica Online, Richard Adams,weblink 24 June 2016, 14 January 2016, Encyclopædia Britannica, Inc., Chicago, IL, WEB,weblink Watership Down by Richard Adams: A tale of courage, loyalty, language, Levy, Keren, 19 December 2013,, 24 June 2016, By the 21st century, the children's picture book market had expanded massively.{{efn|It is estimated that the UK market for children's books was worth £672m in 2004.{{citation|url= |title="The Value of the Children's Picture Book Market" |deadurl=bot: unknown |archiveurl= |archivedate=9 June 2016 |date=2005-11-09 }}}} Perhaps a majority of picture books have some kind of anthropomorphism,NEWS, Why we're all animal lovers, Ben Myers, The Guardian, 10 June 2008,weblink with popular examples being The Very Hungry Caterpillar (1969) by Eric Carle and The Gruffalo (1999) by Julia Donaldson.Anthropomorphism in literature and other media led to a sub-culture known as furry fandom, which promotes and creates stories and artwork involving anthropomorphic animals, and the examination and interpretation of humanity through anthropomorphism. This can often be shortened in searches as "anthro", used by some as an alternative term to "furry".BOOK, Patten, Fred, Fred Patten, 2006, Furry! The World's Best Anthropomorphic Fiction, 427–436, ibooks, 978-1-59687-319-3, Anthropomorphic characters have also been a staple of the comic book genre. The most prominent one was Neil Gaiman's the Sandman which had a huge impact on how characters that are physical embodiments are written in the fantasy genre.WEB,weblink The Sandman: The Essential Horror Comic of the Nineties, Marc, Buxton, 30 October 2013, Den of Geek,weblink" title="">weblink 3 November 2013, no, WEB,weblink By Crom! The 10 Greatest Fantasy Comics of All-Time, Marc, Buxton, 26 January 2014, Comic Book Resources,weblink" title="">weblink 9 April 2014, no, Archive requires scrolldown Other examples also include the mature Hellblazer (personified political and moral ideas),WEB,weblink Hellblazer's past weighs in on Constantine's future, Josie Campbell, Comic Book Resources, 22 July 2014, 14 October 2014, Fables and its spin-off series Jack of Fables, which was unique for having anthropomorphic representation of literary techniques and genres.WEB,weblink Great Fables Crossover: Fables goes even more meta, stays just as rollicking, Boing, Doctorow, Cory, 25 March 2010 Various Japanese manga and anime have used anthropomorphism as the basis of their story. Examples include Squid Girl (anthropomorphized squid), (Hetalia: Axis Powers) (personified countries), Upotte!! (personified guns), Arpeggio of Blue Steel and Kancolle (personified ships).

In film, television, and video games

File:Big Buck Bunny 4K.webm|thumb|thumbtime=116|Big Buck BunnyBig Buck Bunny


Some of the most notable examples are the Walt Disney characters the Magic Carpet from Disney's Aladdin franchise, Mickey Mouse, Donald Duck, Goofy, and Oswald the Lucky Rabbit; the Looney Tunes characters Bugs Bunny, Daffy Duck, and Porky Pig; and an array of others from the 1920s to present day.In the Disney/Pixar films Cars (2006), Cars 2 (2011), Planes (2013), (Planes: Fire & Rescue) (2014) and Cars 3 (2017), all the characters are anthropomorphic vehicles,{{Citation | title= Becoming-Animal Is A Trap For Humans | first= Timothy | last= Laurie | journal=Deleuze and the Non-Human | year=2015 | url=weblink}} eds. Hannah Stark and Jon Roffe. while Toy Story (1995), Toy Story 2 (1999), and Toy Story 3 (2010) are anthropomorphic toys, and so is the newly released Toy Story 4 (2019). Other Pixar films like Monsters, Inc. (2001) and Monsters University (2013) are anthropomorphic monsters, and Finding Nemo (2003) and Finding Dory (2016) are anthropomorphic marine life creatures (like fish, sharks, and whales). Discussing anthropomorphic animals from DreamWorks movies Madagascar (2005), (Madagascar: Escape 2 Africa|Madagascar: Escape 2 Africa) (2008), and (Madagascar 3: Europe's Most Wanted) (2012), Laurie suggests that "social differences based on conflict and contradiction are naturalized and made less 'contestable' through the classificatory matrix of human and nonhuman relations". Blue Sky Studios of 20th Century Fox films like Ice Age (2002), (Ice Age: The Meltdown) (2006), (Ice Age: Dawn of the Dinosaurs) (2009), (Ice Age: Continental Drift) (2012), and (Ice Age: Collision Course) (2016) are anthropomorphic extinct animals.All of the characters in Walt Disney Animation Studios' Zootopia (2016) are anthropomorphic animals, that is entirely a nonhuman civilization.WEB, McNary, Dave, Watch: Disney's 'Zootopia' Trailer Introduces Animal-Run World,weblink Variety, 18 June 2016, 11 June 2015,


Since the 1960s, anthropomorphism has also been represented in various animated television shows such as Biker Mice From Mars (1993–1996) and (SWAT Kats: The Radical Squadron) (1993–1995). Teenage Mutant Ninja Turtles, first aired in 1987, features four pizza-loving anthropomorphic turtles with a great knowledge of ninjutsu, led by their anthropomorphic rat sensei, Master Splinter. Nickelodeon's longest running animated TV series SpongeBob SquarePants (1999–present), revolves around SpongeBob, a yellow sea sponge, living in the underwater town of Bikini Bottom with his anthropomorphic marine life friends. Cartoon Network's animated series The Amazing World of Gumball (2011–2019) takes place about anthropomorphic animals and inanimate objects.In the American animated TV series Family Guy, one of the show's main characters, Brian, is a dog. Brian shows many human characteristics – he walks upright, talks, smokes, and drinks Martinis – but also acts like a normal dog in other ways; for example he cannot resist chasing a ball and barks at the mailman, believing him to be a threat.The PBS Kids animated series Let's Go Luna! centers on an anthropomorphic female Moon who speaks, sings, and dances. She comes down out of the sky to serve as a tutor of international culture to the three main characters: a boy frog and wombat and a girl butterfly, who are supposed to be preschool children traveling a world populated by anthropomorphic animals with a circus run by their parents.

Video games

{{See also|Category:Video games featuring anthropomorphic characters}}{{cleanup section|reason=Needs more examples and less generally obvious human-comparisons|date=May 2019}}File:Armello - 'Horrors & Heroes' Trailer.webm|thumb|thumbtime=89|In ArmelloArmelloSonic the Hedgehog, a video game franchise debuting in 1991, features a speedy blue hedgehog as the main protagonist. This series' characters are almost all anthropomorphic animals such as foxes, cats, and other hedgehogs who are able to speak and walk on their hind legs like normal humans. As with most anthropomorphisms of animals, clothing is of little or no importance, where some characters may be fully clothed while some wear only shoes and gloves.Another popular example in video games is the Super Mario series, debuting in 1985 with Super Mario Bros., of which main antagonist includes a fictional species of anthropomorphic turtle-like creatures known as Koopas. Other games in the series, as well as of other of its greater Mario franchise, spawned similar characters such as Yoshi, Donkey Kong and many others.

Art history

File:Arcimboldo Agua.jpg|thumb|upright|Anthropomorphic pareidolia by Giuseppe ArcimboldoGiuseppe Arcimboldo

Claes Oldenburg

Claes Oldenburg's soft sculptures are commonly described as anthropomorphic. Depicting common household objects, Oldenburg's sculptures were considered Pop Art. Reproducing these objects, often at a greater size than the original, Oldenburg created his sculptures out of soft materials. The anthropomorphic qualities of the sculptures were mainly in their sagging and malleable exterior which mirrored the not so idealistic forms of the human body. In "Soft Light Switches" Oldenburg creates a household light switch out of vinyl. The two identical switches, in a dulled orange, insinuate nipples. The soft vinyl references the aging process as the sculpture wrinkles and sinks with time.


In the essay "Art and Objecthood", Michael Fried makes the case that "Literalist art" (Minimalism) becomes theatrical by means of anthropomorphism. The viewer engages the minimalist work, not as an autonomous art object, but as a theatrical interaction. Fried references a conversation in which Tony Smith answers questions about his "six-foot cube, Die."Q: Why didn't you make it larger so that it would loom over the observer?A: I was not making a monument.Q: then why didn't you make it smaller so that the observer could see over the top?A: I was not making an object.Fried implies an anthropomorphic connection by means of "a surrogate person-that is, a kind of statue."The minimalist decision of "hollowness" in much of their work, was also considered by Fried, to be "blatantly anthropomorphic." This "hollowness" contributes to the idea of a separate inside; an idea mirrored in the human form. Fried considers the Literalist art's "hollowness" to be "biomorphic" as it references a living organism.BOOK, Fried, Michael, Art and Objecthood, 1998, University of Chicago Press, Chicago, 978-0-226-26319-9,

Post Minimalism

Curator Lucy Lippard's Eccentric Abstraction show, in 1966, sets up Briony Fer's writing of a post minimalist anthropomorphism. Reacting to Fried's interpretation of minimalist art's "looming presence of objects which appear as actors might on a stage", Fer interprets the artists in Eccentric Abstraction to a new form of anthropomorphism. She puts forth the thoughts of Surrealist writer Roger Caillois, who speaks of the "spacial lure of the subject, the way in which the subject could inhabit their surroundings." Caillous uses the example of an insect who "through camouflage does so in order to become invisible... and loses its distinctness." For Fer, the anthropomorphic qualities of imitation found in the erotic, organic sculptures of artists Eva Hesse and Louise Bourgeois, are not necessarily for strictly "mimetic" purposes. Instead, like the insect, the work must come into being in the "scopic field... which we cannot view from outside."JOURNAL, Fer, Briony, Objects Beyond Objecthood, Oxford Art Journal, 1999, 22, 2, 25–36, 10.1093/oxartj/22.2.25,


File:Fatso at Olympic Park.jpg|thumb|right|upright=0.9|Fatso the Fat-Arsed Wombat, a popular symbol of the Sydney 2000 Summer Olympics created as a parody of the blandly commercial official mascots.]]For branding, merchandising, and representation, figures known as mascots are now often employed to personify sports teams, corporations, and major events such as the World's Fair and the Olympics. These personifications may be simple human or animal figures, such as Ronald McDonald or the ass that represents the United States's Democratic Party. Other times, they are anthropomorphic items, such as "Clippy" or the "Michelin Man". Most often, they are anthropomorphic animals such as the Energizer Bunny or the San Diego Chicken.The practice is particularly widespread in Japan, where cities, regions, and companies all have mascots, collectively known as yuru-chara. Two of the most popular are Kumamon (a bear who represents Kumamoto Prefecture){{citation |url= |title=Official website }}. {{jp icon}} and Funassyi (a pear who represents Funabashi, a suburb of Tokyo).{{citation |url= |title=Official website |access-date=9 August 2015 |archive-url= |archive-date=7 January 2014 |dead-url=yes |df=dmy-all }}. {{jp icon}}


{{Section expand|date=July 2016}}Other examples of anthropomorphism include the attribution of human traits to animals, especially domesticated pets such as dogs and cats. Examples of this include thinking a dog is smiling simply because he is showing his teeth, or a cat is bored because it is not reacting to commands.Anthropomorphism may be beneficial to the welfare of animals. A 2012 study by Butterfield et al. found that utilizing anthropomorphic language when describing dogs created a greater willingness to help them in situations of distress.Butterfield, M.E., Hill, S.E. and Lord, C.G., 2012. Mangy mutt or furry friend? Anthropomorphism promotes animal welfare. Journal of Experimental Social Psychology, 48(4), pp.957–960. Previous studies have shown that individuals who attribute human characteristics to animals are less willing to eat themBastian, B., Loughnan, S., Haslam, N. and Radke, H.R., 2012. Don't mind meat? The denial of mind to animals used for human consumption. Personality and Social Psychology Bulletin, 38(2), pp.247–256. and that the degree to which individuals perceive minds in other animals predicts the moral concern afforded to them.Gray, H.M., Gray, K. and Wegner, D.M., 2007. Dimensions of mind perception. Science, 315(5812), pp.619–619. It is possible that anthropomorphism leads humans to like non-humans more when they have apparent human qualities, since perceived similarity has been shown to increase prosocial behavior toward other humans.Burger, J.M., Messian, N., Patel, S., del Prado, A. and Anderson, C., 2004. What a coincidence! The effects of incidental similarity on compliance. Personality and Social Psychology Bulletin, 30(1), pp.35–43.

In science

In science, the use of anthropomorphic language that suggests animals have intentions and emotions has traditionally been deprecated as indicating a lack of objectivity. Biologists have been warned to avoid assumptions that animals share any of the same mental, social, and emotional capacities of humans, and to rely instead on strictly observable evidence.JOURNAL, 10.1163/156853093X00091, Editor's Introduction to Society and Animals, Society & Animals, 1, 1, 1–4, 1993, Shapiro, Kenneth J., Later re-published as an introduction to: BOOK, Social Creatures: A Human and Animal Studies Reader, Flynn, Cliff, 2008, Lantern Books,weblink 978-1-59056-123-2, In 1927 Ivan Pavlov wrote that animals should be considered "without any need to resort to fantastic speculations as to the existence of any possible subjective states".Ryder, Richard. Animal Revolution: Changing Attitudes Towards Speciesism. Berg, 2000, p. 6. More recently, The Oxford companion to animal behaviour (1987) advised that "one is well advised to study the behaviour rather than attempting to get at any underlying emotion".{{harvnb|Masson|McCarthy|1996|p=xviii}}. Some scientists, like William M Wheeler (writing apologetically of his use of anthropomorphism in 1911), have used anthropomorphic language in metaphor to make subjects more humanly comprehensible or memorable.{{efn|In 1911, Wheeler wrote: "The larval insect is, if I may be permitted to lapse for a moment into anthropomorphism, a sluggish, greedy, self-centred creature, while the adult is industrious, abstemious and highly altruistic..."{{citation |last=Wheeler |first=William Morton |authorlink=William Morton Wheeler |date=November 1911 |contribution=Insect parasitism and its peculiarities |title=Popular Science, Vol. 79 |p=443 }}}}Despite the impact of Charles Darwin's ideas in The Expression of the Emotions in Man and Animals (Konrad Lorenz in 1965 called him a "patron saint" of ethology)JOURNAL, 1279921, 12042386, Jun 2002, Black, J, Darwin in the world of emotions, 95, 6, 311–3, 0141-0768, Journal of the Royal Society of Medicine,weblink Free full text, 10.1258/jrsm.95.6.311, ethology has generally focused on behavior, not on emotion in animals. Although in other ways Darwin was and is the epitome of science, his acceptance of anecdote and anthropomorphism{{Citation needed|date=January 2012}} stands out in sharp contrast to the lengths to which later scientists would go to overlook apparent mindedness, selfhood, individuality, and agency{{Citation needed|date=January 2012}}:}}The study of great apes in their own environment and in captivity{{efn|In 1946, Hebb wrote: "A thoroughgoing attempt to avoid anthropomorphic description in the study of temperament was made over a two-year period at the Yerkes laboratories. All that resulted was an almost endless series of specific acts in which no order or meaning could be found. On the other hand, by the use of frankly anthropomorphic concepts of emotion and attitude one could quickly and easily describe the peculiarities of individual animals... Whatever the anthropomorphic terminology may seem to imply about conscious states in chimpanzee, it provides an intelligible and practical guide to behavior."{{citation |doi=10.1037/h0063033 |last=Hebb |first=Donald O. |authorlink=Donald O. Hebb |year=1946 |title=Emotion in man and animal: An analysis of the intuitive processes of recognition |journal=Psychological Review |volume=53 |issue=2 |pages=88–106|pmid= 21023321 }}}} has changed attitudes to anthropomorphism. In the 1960s the three so-called "Leakey's Angels", Jane Goodall studying chimpanzees, Dian Fossey studying gorillas and Biruté Galdikas studying orangutans, were all accused of "that worst of ethological sins – anthropomorphism".{{harvnb|Masson |McCarthy|1996|p=9}} The charge was brought about by their descriptions of the great apes in the field; it is now more widely accepted that empathy has an important part to play in research.De Waal has written: "To endow animals with human emotions has long been a scientific taboo. But if we do not, we risk missing something fundamental, about both animals and us."Frans de Waal (1997-07). "Are We in Anthropodenial?". Discover. pp. 50–53. Alongside this has come increasing awareness of the linguistic abilities of the great apes and the recognition that they are tool-makers and have individuality {{Citation needed span|text=and culture.|date=August 2011}}Writing of cats in 1992, veterinarian Bruce Fogle points to the fact that "both humans and cats have identical neurochemicals and regions in the brain responsible for emotion" as evidence that "it is not anthropomorphic to credit cats with emotions such as jealousy".BOOK, Fogle, Bruce, If Your Cat Could Talk, 1992, Dorling Kindersley, London, 9781405319867, 11,weblink

In computing

In science fiction, an artificially-intelligent computer or robot, even though it has not been programmed with human emotions, often spontaneously experiences those emotions anyway: for example, Agent Smith in The Matrix was influenced by a "disgust" toward humanity. This is an example of anthropomorphism: in reality, while an artificial intelligence could perhaps be deliberately programmed with human emotions, or could develop something similar to an emotion as a means to an ultimate goal if it is useful to do so, it would not spontaneously develop human emotions for no purpose whatsoever, as portrayed in fiction.Yudkowsky, Eliezer. "Artificial intelligence as a positive and negative factor in global risk." Global catastrophic risks (2008).One example of anthropomorphism would be to believe that your PC is angry at you because you insulted it; another would be to believe that an intelligent robot would naturally find a woman sexy and be driven to mate with her. Scholars sometimes disagree with each other about whether a particular prediction about an artificial intelligence's behavior is logical, or whether the prediction constitutes illogical anthropomorphism. An example that might initially be considered anthropomorphism, but is in fact a logical statement about an artificial intelligence's behavior, would be the Dario Floreano experiments where certain robots spontaneously evolved a crude capacity for "deception", and tricked other robots into eating "poison" and dying: here a trait, "deception", ordinarily associated with people rather than with machines, spontaneously evolves in a type of convergent evolution.NEWS, Real-Life Decepticons: Robots Learn to Cheat,weblink 7 February 2016, Wired magazine, 18 August 2009, The conscious use of anthropomorphic metaphor is not intrinsically unwise; ascribing mental processes to the computer, under the proper circumstances, may serve the same purpose as it does when we do it to other people: it may help us to understand what the computer will do, how our actions will affect the computer, how to compare computers with ourselves, and conceivably how to design computer programs. However, inappropriate use of anthropomorphic metaphors can result in false beliefs about the behavior of computers, for example by causing people to overestimate how "flexible" computers are.JOURNAL, MARAKAS, GEORGE M., JOHNSON, RICHARD D., PALMER, JONATHAN W., A theoretical model of differential social attributions toward computing technology: when the metaphor becomes the model, International Journal of Human-Computer Studies, April 2000, 52, 4, 719–750, 10.1006/ijhc.1999.0348, According to Paul R. Cohen and Edward Feigenbaum, in order to differentiate between anthropomorphization and logical prediction of AI behavior, "the trick is to know enough about how humans and computers think to say exactly what they have in common, and, when we lack this knowledge, to use the comparison to suggest theories of human thinking or computer thinking."Cohen, Paul R., and Edward A. Feigenbaum, eds. The handbook of artificial intelligence. Vol. 3. Butterworth-Heinemann, 2014.Computers overturn the childhood hierarchical taxonomy of "stones (non-living) → plants (living) → animals (conscious) → humans (rational)", by introducing a non-human "actor" that appears to regularly behave rationally. Much of computing terminology derives from anthropomorphic metaphors: computers can "read", "write", or "catch a virus". Information technology presents no clear correspondence with any other entities in the world besides humans; the options are either to leverage a mushy, imprecise human metaphor, or to reject imprecise metaphor and make use of more precise, domain-specific technical terms.People often grant an unnecessary social role to computers during interactions. The underlying causes are debated; Youngme Moon and Clifford Nass propose that humans are emotionally, intellectually and physiologically biased toward social activity, and so when presented with even tiny social cues, deeply-infused social responses are triggered automatically.Moon, Youngme, and Clifford Nass. "How 'real' are computer personalities? Psychological responses to personality types in human-computer interaction." Communication research 23.6 (1996): 651–674. The field of "social computing" attempts to make computers easier to use by leveraging anthropomorphism as a "language" of human-computer interaction.JOURNAL, Duffy, Brian R., Anthropomorphism and the social robot, Robotics and Autonomous Systems, March 2003, 42, 3–4, 177–190, 10.1016/S0921-8890(02)00374-3,,


Foundational research

In psychology, the first empirical study of anthropomorphism was conducted in 1944 by Fritz Heider and Marianne Simmel.WEB, Fritz Heider & Marianne Simmel: An Experimental Study of Apparent Behavior,weblink Psychology, 16 November 2015, In the first part of this experiment, the researchers showed a 2-and-a-half minute long animation of several shapes moving around on the screen in varying directions at various speeds. When subjects were asked to describe what they saw, they gave detailed accounts of the intentions and personalities of the shapes. For instance, the large triangle was characterized as a bully, chasing the other two shapes until they could trick the large triangle and escape. The researchers concluded that when people see objects making motions for which there is no obvious cause, they view these objects as intentional agents.Modern psychologists generally characterize anthropomorphism as a cognitive bias. That is, anthropomorphism is a cognitive process by which people use their schemas about other humans as a basis for inferring the properties of non-human entities in order to make efficient judgements about the environment, even if those inferences are not always accurate. Schemas about humans are used as the basis because this knowledge is acquired early in life, is more detailed than knowledge about non-human entities, and is more readily accessible in memory.JOURNAL, On seeing human: A three-factor theory of anthropomorphism, Psychological Review, 864–886, 114, 4, 10.1037/0033-295x.114.4.864, 17907867, Nicholas, Epley, Adam, Waytz, John T., Cacioppo, 2007,, Anthropomorphism can also function as a strategy to cope with loneliness when other human connections are not available.JOURNAL, Social Connection and Seeing Human – Oxford Handbooks, The Oxford Handbook of Social Exclusion,weblink 10.1093/oxfordhb/9780195398700.013.0023, Adam, Waytz, 2013,

Three-factor theory

Since making inferences requires cognitive effort, anthropomorphism is likely to be triggered only when certain aspects about a person and their environment are true. Psychologist Adam Waytz and his colleagues created a three-factor theory of anthropomorphism to describe these aspects and predict when people are most likely to anthropomorphize. The three factors are:
  • Elicited agent knowledge, or the amount of prior knowledge held about an object and the extent to which that knowledge is called to mind.
  • Effectance, or the drive to interact with and understand one's environment.
  • Sociality, the need to establish social connections.
When elicited agent knowledge is low and effectance and sociality are high, people are more likely to anthropomorphize. Various dispositional, situational, developmental, and cultural variables can affect these three factors, such as need for cognition, social disconnection, cultural ideologies, uncertainty avoidance, etc.

Developmental perspective

Children appear to anthropomorphize and use egocentric reasoning from an early age and use it more frequently than adults.BOOK, The Child's Conception of the World: A 20th-Century Classic of Child Psychology, Piaget, Jean, Routledge, 1929, 978-0-415-16887-8, New York, NY, Examples of this are describing a storm cloud as "angry" or drawing flowers with faces. This penchant for anthropomorphism is likely because children have acquired vast amounts of socialization, but not as much experience with specific non-human entities, so thus they have less developed alternative schemas for their environment. In contrast, autistic children tend to describe anthropomorphized objects in purely mechanical terms because they have difficulties with theory of mind.JOURNAL, Autism, Asperger syndrome and brain mechanisms for the attribution of mental states to animated shapes,weblink Brain, 1 August 2002, 0006-8950, 12135974, 1839–1849, 125, 8, 10.1093/brain/awf189, Fulvia, Castelli, Chris, Frith, Francesca, Happé, Uta, Frith,

Effect on learning

Anthropomorphism can be used to assist learning. Specifically, anthropomorphized wordsJOURNAL, The Effects of Anthropomorphism on Word Learning, The Journal of Educational Research, 1 November 1984, 0022-0671, 105–110, 78, 2, 10.1080/00220671.1984.10885582, Jay, Blanchard, George, Mcnincth, and describing scientific concepts with intentionalityDorion, K. A Learner's Tactic: How Secondary Students' Anthropomorphic Language may Support Learning of Abstract Science Concepts. Electronic Journal of Science Education. Vol. 12, No. 2. 2011 Retrieved fromweblink can improve later recall of these concepts.

In mental health

In people with depression, social anxiety, or other mental illnesses, emotional support animals are a useful component of treatment partially because anthropomorphism of these animals can satisfy the patients' need for social connection.BOOK, Pets and Mental Health, Cusack, Odean, Routledge, 2013, 978-0-86656-652-0, Binghamton, NY,

In marketing

Anthropomorphism of inanimate objects can affect product buying behavior. When products seem to resemble a human schema, such as the front of a car resembling a face, potential buyers evaluate that product more positively than if they do not anthropomorphize the object.JOURNAL, Is That Car Smiling at Me? Schema Congruity as a Basis for Evaluating Anthropomorphized Products,weblink Journal of Consumer Research, 1 December 2007, 0093-5301, 468–479, 34, 4, 10.1086/518544, Pankaj, Aggarwal, Ann L., McGill,, People also tend to trust robots to do more complex tasks such as driving a car or childcare if the robot resembles humans in ways such as having a face, voice, and name; mimicking human motions; expressing emotion; and displaying some variability in behavior.NEWS, How to Make Robots Seem Less Creepy,weblink Wall Street Journal, 16 November 2015, 0099-9660, Adam, Waytz, Michael, Norton, NEWS, Seeing Human,weblink Slate, 13 May 2014, 16 November 2015, 1091-2339, en-US, Adam, Waytz,

Image gallery

File:Tram in Almada pic-007.jpg|Almada tram in smiley liveryFile:Visage dans un rocher.jpg|Pareidolia of a face in a rockFile:June 1984 Snap Shot.jpg|Seymore D. Fair 1st-ever World Expo MascotFile:K_plug_typical.jpg|Danish electrical socket

See also

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  • BOOK, Masson, Jeffrey Moussaieff, Jeffrey Moussaieff Masson, Susan, McCarthy, 1996, When Elephants Weep: Emotional Lives of Animals, Vintage, 978-0-09-947891-1, 272, harv,weblink

Further reading

  • EB9, harv, Anthropomorphism, 2, 123–124,
  • EB1911, harv, Robert, Mackintosh, Anthropomorphism, 2, 120,
  • BOOK, harv, Kennedy, John S., The New Anthropomorphism,weblink 1992, Cambridge University Press, 978-0-521-42267-3,
  • BOOK, harv, Mithen, Steven, Steven Mithen, 1998, The Prehistory Of The Mind: A Search for the Origins of Art, Religion and Science, Phoenix, 978-0-7538-0204-5, 480,,

External links

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